Biblio
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Painting with Light. New York, NY: The Macmillan Company, 1949.
Programs of the Art and Science Laboratory., undated.
"Picture of Video Bed." Arts Magazine 47 (1973).
Playback 1996: Video Preservation Roundtable. BAVC, 1996.
Poetics: State of the Art., undated.
Performance by Artists, Edited by A. A. Bronson. Toronto: Art Metropole, 1979.
Problems of Criticism: Art and Technology." Artforum 9 (1971).
"Producing Videodance." Videography 10, no. 9 (1985).
"Product Sheet for "Col-R-Tel Color Converter, Your Answer to Color TV".. Columbia City, Indiana, 1955.
Preliminary Report of the Committee on Film and Television Resources and Services: Mohonk Conference., 1975.
Preservation in the Digital World." CLIR Reports January, no. 1998 (undated).
"Photography: The Problematic Model, Edited by Peter D'Agostino. San Francisco: NFS Press, 1981.
Print Culture and Video Culture." Daedalus Fall (1982).
"Print Culture and Video Culture." Daedalus Journal of the American Academy of Arts and Sciences III, no. 4 (1982).
"Permanence Through Change: The Variable Media Approach, Edited by Alain Depocas, Jon Ippolito and Caitlin Jones. NY and Montreal: Solomon Guggenheim Foundation and the Daniel Langlois Foundation for Art, Science and Technology, 2003.
Pantograph., 1977.
Pantograph - excerpt from The Development of a Video Art Facility by Electronic Body Arts, Inc., 1979.
Pantomation., 1975.
Pioneers of Electronic Art, Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Personal Recollections., 2004.
Programs of the Electronic Music Foundation., undated.
Peter Campus. Syracuse: Everson Museum of Art., undated.
Paik-Abe Video Synthesizer Documentation, Brewster D+7A Extension, MC 1372 Color Video Monitor Circuit, Basic 5, Cherry Keyboard. Binghamton, NY: Experimental Television Center, undated.
Playback: A Preservation Primer for Video, Edited by Sally Jo Fifer. San Francisco, CA: BAVC, 1998.