Biblio

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bibliographic
Meyer, Ellen L., Kay Kallos, and Tom Francis. Cross Sections: Works by Atlanta College of Art Faculty, Edited by Jane E. Neidhardt. Atlanta, GA: Atlanta College of Art, 2000.
Margolies, John. "TV The Next Medium." Art In America 57, no. 5 (1969).
Moog, R. A.. Setting Up Your Moog Synthesizer, A Guide to Installation and Operation of Synthesizers 1, II, and III. Model 950, 960 series.. Trumansburg, NY: R.A. Moog, Inc., 1970.
McIntosh Instruction Manual for Model MC-30; MC-40 30 Watt Power Amplifier.. Binghamton, NY: McIntosh Laboratory, Inc., 1956.
Hocking, Ralph, and Sherleen Miller. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Me As Mo Tr D' Ho Vo Ir Al Un Mm La Es Es E Nt by Alexander Hahn.. Bacelona (?), Spain (?): Musee Jenisch Vevey, 2002.
Sandin, Dan, and Phil Morton. Conversational Process: Phil Morton's Teck Art. self-published, 1973.
Miller, Nancy. Wildernrss: A Video Installation by Mary Lucier. Cambridge: New England Foundation for the Arts, 1986.
Microbotics, Inc. Starboard2 User Guide Readme Notes, revision 1.03. Richardson, TX: Microbotics, Inc., 1987.
Martin, Nathan, Charles Green, and John Duda. FreeCooperation, Edited by Geert Lovink and Trebor Scholz. Buffalo, NY: Department of Media Study, SUNY at Buffalo, 2004.
Moore, Alan. "Peter Campus, Andy Mann, Ira Schneider, Tom Marioni at the Everson Museum of Art." Artforum, no. 12 (1974).
McIntosh Mac 1700 Stereo Receiver Service Manual. Binghamton, NY: McIntosh Laboratory, Inc., undated.
MacDonald, Scott. The Garden in the Machine: A Field Guide to Independent Films about Place. University of California Press, 2001.
Malina, Frank J.. Kinetic Art: Theory and Practice, Selections from the Journal Leonardo, Edited by Frank J. Malina. New York, NY: Dover Publications, Inc., 1974.
Wardrip-Fruin, Noah. The New Media Reader, Edited by Noah Wardrip-Fruin and Nick Montfort. MIT Press, 2003.
Minsky, Marvin. The Society of Mind. "270 brilliantly original essays on... how the mind works.". New York, NY: Simon & Schuster, Inc., 1985.
Mikas, Matt. Tune (In))): Radio Community in Microcosm., 2004.
McCarthy, Kevin F., and Elizabeth Heneghan Ondaatje. From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. Rand Corporation, 2002.
Bertram, Neal H., and David Mills R. Michael Stafford. "The Print/Through Phenomenon." Journal of the Audio Engineering Society 28, no. 10 (1979).
Morton, Phil. Letter to Paul: excerpts from a video-taped discussion., 1971.
Nuts and Volts. May 5-7, 1975. Festival of lectures and demonstrations by Harald Bode, Tom Constanten, Joel Chadabe, Steve Rutt, Steina Vasulka, Woody Vasulka, Ralph Hocking, Walter Wright, Don McArthur, Robert Moog, Lejaren Hiller., 1975.
Merrill, John C., and Ralph L. Lowenstein. Media, Message and Men: New Perspectives in Communications. New York and London: Longman, 1979.
Manoogian, Haig P.. The Film-Maker's Art. New York, London, NY, England: Basic Books, Inc., 1966.
Heist, Eric, and Laura Parnes. Momenta Art: Exhibitions 1995 Through 1999.. Brooklyn, NY: Momenta Art, 1999.
McGee, Micki. "Narcissism, Feminism, and Video Art: Some Solutions to the Problem of Representation." Heresies, no. 12 (1981).
Flexer, Jules Robert, and Dr. Christopher L. Morgan. Digital Video Systems Schematics for CAT-100/C D Board Rev. 5- 6/29/80; CAT-100/C A Board Rev. 2C- 7/3/80. Copy of CAT-100 Operator Guides.. Palo Alto, CA: Digital Graphics Systems, 1980.
Muntadas, Antonio. "60's Spirit, 80's Tech: Nam June Paik Home TV." The Australian Video Fertival (1986).
Dasgupta, Gautam, and Christopher Ho. Performing Arts Journal 56: Artaud at 100, Fassbinder Play, La MaMa in Vietnam, Janie Geiser Storyboard, New Video., Edited by Bonnie Marranca, Gautam Dasgupta and Daryl Chin. Baltimore, Maryland: The Johns Hopkins University Press, 1997.
Michelson, Annette. Kino-Eye: The Writings of Dziga Vertov. Translated by Kevin O'Brien., Edited by Annette Michelson. Berkeley: University of California Press, 1985.
Marshall, Stuart. "Television/Video: Technology/Forms." Afterimage (London), no. 40764 (1981).

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