Biblio

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bibliographic
Namaroff, Annette. Thank you letter to ETC. October 2, 1972.., 1972.
3M Model DCD-1 Data Cartridge Drive Service Manual for DCS-1 character generator system.. St. Paul, MN: 3M Company Datavision Video Products Mincom Division, 1975.
Sandin, Dan, and Thomas DeFanti. Some Organizing Principles in Man Machine Interaction. Chicago, IL: University of Illinois at Chicago Circle, undated.
Zusman, Neil. The Interactive Show. Buffalo, NY: Artists Gallery, 1990.
New York State Council on the Arts Proposal: Electronic Video Processing System Development., 1977.
Sony Video Products Catalog., undated.
Mignot, Dorine. "Bill Viola's Room for St. John of the Cross: A Video Installarion Viewed within the Tradition of Visual Art." Video (1986).
Barthes, Roland. Mythologies. Translated by Annette Lavers.. NY: Hill and Wang, 1972.
Hallock, Don. Images from the Work of Don Hallock with the Videola., undated.
Midi Dimensions "Passport" Software Product Catalog: Passport Midi Interface, MIDI/4, MIDI/4plus, MIDI/8plus, Polywriter, Polywriter Utilities, Leadsheeter, Music Tutor, Midi Player. Half Moon Bay, CA: Passport Designs, Inc., 1985.
Sony Corporation of America. Sony. Automatic Editing Control Unit BVE-500A. U-Matic Professional Operation and Maintenance Manual: 3rd Edition. Serial No. 20301 to 21010.. Japan: Sony Corporation of America., 1978.
Anker, Suzanne. "Gene Culture: Molecular Metaphor in Visual Art." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
Grass Valley Group Operator Manuals for Model 962 Color Lock, 950/955 Color Sync Generator, 937 Chroma Keyer. Beaverton, Oregon: Grass Valley Group, 1969.
Stooss, Toni, and Thomas Kellein. Nam June Paik: Video Time - Video Space, Edited by Toni Stooss. New York, NY: Harry N. Abrams Inc., 1993.
Paik, Nam June. "T-Valley: Ralph Hocking." Video 81 2, no. 1 (1981).
Independent Television Makers and Public Communications Policy: A Seminar-Conference to Promote Telecommunications for Diversity in the 1980's. A Public Trust: A Summary and Overview of the Findings and Recommendations of the Carnegie Commission on the Fu. New York, New York: Rockefeller Foundation Arts Program, 1979.
Iimura, Takahiko. Takahiko Iimura, Seeing: Film et Video. Espace Donguy APEGAC, undated.
Sony Corporation of America. Sony U-Matic Color Videocassette.. New York, NY: Sony Corporation of America., 1972.
Boyle, Deirdre. Documentary Video: Decades of Change. Long Beach Museum of Art, 1986.
Hill, Chris. "Interview with Peer Bode." The Squealer 11, no. 2 (1996).
Turin, Maureen. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Dalto Electronics Corp. Amphicon "200" Video Projector. Norwood, NJ: Dalto Electronics Corp., 1965.
Kubota, Shigeko, Toni Stoss, and Zdenek Felix. Shigeko Kubota: Video Scuptures. Germany, undated.
The American Film Institute. News. Festival Track II: Cultural Identities and Regional Styles. The Other New York: Regional Reflection.. Los Angeles, CA: The American Film Institute, undated.
Conrad, Peter. Television: The Medium and Its Manners. London: Routledge, 1982.
Ross, David. Letter from David Ross of the Everson Museum to Experimental Television Center., 1972.
JVC Instruction Manual for Electronic Editing Color Video Casette Recorder CR-8250U. Tokyo, Japan: JVC (Victor Company of Japan, Ltd.), 1982.
Wright, Walter. Block Diagram. New York, NY: Wright Computer Graphics, 1972.
Experimental Television Center Colorizer. Binghamton, NY: Experimental Television Center, 1976.
McIntosh Stereo Preamp-Amplifier Model MA230. Binghamton, NY: McIntosh Laboratory, Inc., 1963.

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