Biblio

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Book
Tambellini, Aldo. A Brief History of "6673". New York, New York, 2003.
De Michiel, Helen, and Kathy High. A Closer Look: Hidden Histories - Introduction. San Francisco, CA: NAMAC, 2005.
High, Kathy, and Ralph Hocking. A Closer Look: Hidden Histories - Radical Learning, Radical Perception The History of the Experimental Television Center. San Francisco, CA: NAMAC, 2005.
A PDF listing issues of Afterimage from 1972 through Vol 29 Issue 1. Rochester, NY: Visual Studies Workshop, 2002.
A Public Trust. A Summary and Overview of the Findings and Recommendations of the Carnegie Commission on the Future of Public Broadcasting. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Templeton, Lawrence W., Don Hallock, and Richard Stephens. A Video Processing Facility for Artistic Use: Design Philosophy and a Description of Components. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
Vasulka, Woody. Aldo Tambellini: Black Spiral., 1992.
Iimura, Takahiko. Annotations 3--Frequencies: Investigations into Culture, History and Technology: Identity in the Video of Takahiko Iimura. London: Institute of International Visual Arts, 1998.
Osborn, Barbara. At Arm's Length: (Taking a Good Hard Look at) Artists' Video, Edited by Barbara Osborn. NY, NY: New York State Council on the Arts, 1990.
Osborn, Barbara. At Arm's Length: (Taking a Good Hard Look at) Artists' Video. NY, NY: New York State Council on the Arts, 1990.
Hill, Chris. Attention! Production! Audience!: Performing Video in its First Decade, 1968-1980.. Chicago: Video Data Bank, 1995.
White, Robin, Robin Schanzenbach, and Chitra Mojtabai. Beyond Video: Media Alliance Directory I, Edited by Robin White. Ny, NY: Media Alliance, 1984.
Hocking, Sherry Miller. Bibliography. Appendix to the Experimental Television Center Equipment Operating Manuals. Binghamton, NY: Experimental Television Center, 1983.
Gale, Peggy. Bibliography: Peggy Gale., 1996.
Hudlin, Warrington, and George P. Cunningham. Black Filmmakers, Black Audiences, and Public Television Programming: An Examination of Issues and Options for the Future. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Bode, Peer. Bode videotapes 2003., 2003.
Kurtz, Bruce. Changing License., 1975.
Creston, Bill. Circle 8: International Forum of Super-8 Catalog. NY, NY: Exit Art, 1988.
Ghazala, Qubais Reed. Circuit Bending & Living Instruments: The Trigon Incantor., undated.
Weinger, Ralph. Color Video Synthesizer with Improved Image Control Means. US Patent., 1975.
Reichardt, Jasia. Cybernetic Serendipity: The Computer and the Arts, Edited by Jasia Reichardt. New York: Praeger, 1969.
Ross, David. David Ross: The Success of the Failure of Video.. ETC, 1998.
Quasha, George. Dialogos: On Gary Hill's Happenstance., undated.
Beck, S. C.. Direct Video: An Electronic Artform for Color TV. San Francisco, CA: National Center for Experiments in Television at KQED, undated.
Minkowsky, John. Double Vision by Peter Campus., 1978.
Allen, Charles R.. Dreaming While Making Ends Meet. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Hall, David. Early Video Art: A look at a Controversial History from Diverse Practices: A Critical Reader on British Video Art , edited by Julia Knight. Arts Council of England and John Libbey, 1996.
Stern, Gerd. Educational Communications Centers and the Television Arts Conference: November 22, 1974 - Media, Information and Then? In Educational Communications Centers and the Television Arts Conference: November 22, 1974. Vol. November. University Center at Albany, 1974.
Vasulka, Woody, and Jeffrey Schier. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Don Mc Arthur - Spatial and Intensity Digitizer. Linz, Austria: Ars Electronica, 1992.
Electronic Arts: October 1977.. Buffalo, NY: Media Study/ Buffalo, 1977.

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