Biblio
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Why Don't They Tell Stories Like They Used To? In Art Journal. Vol. 45., 1985.
Work from the Experimental Television Center. Syracuse, NY: Everson Museum of Art, 1972.
Walter Wright and his Amazing Video Machine." Afterimage 2, no. 10 (1975).
"Why do I keep repeating myself?" Felix Voyerism 2, no. 2 (1999).
"Work from the Experimental Television Center: Introduction and Daily Performance Schedule. Syracuse, NY: Everson Museum of Art, 1972.
Why Don't They Tell Stories Like They Used To?" Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
" Who's in Control? Issues in Interactive Media Art." Connect: Information Technology at NYU, no. Fall 1999 (1999).
"What is Grace in All This Madness: The Videotapes of Dan Reeves." Afterimage 13, no. 1 and 2 (1985).
"What is Cinema? Essays selected and translated by Hugh Gray.. Berkeley: University of California Press, 1967.
Ways of Seeing. British Broadcasting Corporation and Penguin Books, 1972.
What Is This Channel Four?, Edited by Simon Blanchard. London: Comedia, 1982.
Whatever Happened to Guerrilla TV?" Videography 9, no. 12 (1984).
"Who's Who in Video: Bill Viola." Sightlines 16, no. 3 (1983).
"Whispers and Cries: Bill Viola at AFI." Video 80 (1983).
"What I Would Like the Future to Hold is Both/And." The Squealer 15, no. 1 (2004): 17.
"Walter Benjamin, or, Towards a Revolutionary Criticism. New Left Books, 1981.
Weltonville Meeting., 1978.
Walter Wright Video Synthesis Workshop and Performance. Binghamton University. April 7 - 9, 1974., 1974.
We Can't Go Home Again." Sight & Sound 50, no. 2 (1981).
"What the Manual Didn't Tell You: Film/Tape Image Conversion." The Independent 15, no. 1 (1992).
"What Sound Does a Color Make?. NY, NY: Independent Curators International, 2005.
Watching Television: A Pantheon Guide to Popular Culture, Edited by Todd Gitlin. NY: Pantheon,, 1986.
Work from Experimental Television Center. Syracuse, NY: Everson Museum of Art, 1972.
Want Ads., 1972.
Wrong Move." Sight & Sound 50, no. 2 (1981).
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