Vogel, Amos. Film as a Subversive Art. ny: Random House, 1974.

Klein, Howard. The Rise of the Televisualists in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.

Shine, Chris. SVID Use of Sandin IP., undated.

Johnson, Steven. Interface Culture How New Technology Transforms the Way We Create and Communicate. Basic Books, 1999.

Schier, Jeffrey, and Diana Dosch. The Vasulka Imaging System, LSI-11. Buffalo, NY: The Vasulka Corporation, 1978.

Eidophor Black and White Video Projector Operating Instructions Appendix One for Video and Deflection Chassis Type 250. Eidophor, 1966.

Ancona, Victor. "8th Annual Ithaca Video Festival." Videography 8, no. 2 (1983).

Mamber, Stephen. Cinema Verite in America: Studies in Uncontrolled Documentary. Cambridge: MIT Press, 1974.

Sony P.E.T.I-4S Using the CVC-2000 for CCTV Applications (Product Engineering Technical Information) (2 copies)., undated.

DeWitt, Tom. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: The Video Synthesizer by Tom Dewitt., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.

Ampex VPR-5800 Color Video Production Recorder, Dramatic Ampex 1 Inch VPR Versatility, Features, and Ease. Also VPR-5200, VPR-4500.. Elk Grove Village, Ilinois: Ampex Corporation, undated.

Lichty, Patrick. "The Cybernetics of Performance and New Media Arts." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).

Sony Corporation of America. Sony. Glossary of Basic language.. Sony Corporation of America., undated.

Freed, Hermine. "Video and Abstract Expressionism." Arts Magazine 49, no. 4 (1974).

Namaroff, Annette. Thank you letter to ETC. October 2, 1972.., 1972.

3M Model DCD-1 Data Cartridge Drive Service Manual for DCS-1 character generator system.. St. Paul, MN: 3M Company Datavision Video Products Mincom Division, 1975.

Sturken, Marita. "TV As a Creative Medium: Howard Wise and Video Art." Afterimage 11, no. 10 (1984).

New York State Council on the Arts Proposal: Electronic Video Processing System Development., 1977.

Mignot, Dorine. "Bill Viola's Room for St. John of the Cross: A Video Installarion Viewed within the Tradition of Visual Art." Video (1986).

Barthes, Roland. Mythologies. Translated by Annette Lavers.. NY: Hill and Wang, 1972.

Sony Corporation of America. Sony Camera Adapter CMA-6 Operating Instructions.. Japan: Sony Corporation of America., 1977.

Hallock, Don. Images from the Work of Don Hallock with the Videola., undated.

Midi Dimensions "Passport" Software Product Catalog: Passport Midi Interface, MIDI/4, MIDI/4plus, MIDI/8plus, Polywriter, Polywriter Utilities, Leadsheeter, Music Tutor, Midi Player. Half Moon Bay, CA: Passport Designs, Inc., 1985.

Unterseher, Fred, Jeannene Hansen, and Bob Schlesinger. Holography Handbook: Making Holograms the Easy Way: Hologram included.. Berkeley, CA: Ross Books, Inc., 1982.

Anker, Suzanne. "Gene Culture: Molecular Metaphor in Visual Art." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).

Grass Valley Group Operator Manuals for Model 962 Color Lock, 950/955 Color Sync Generator, 937 Chroma Keyer. Beaverton, Oregon: Grass Valley Group, 1969.

Paik, Nam June. "T-Valley: Ralph Hocking." Video 81 2, no. 1 (1981).

Independent Television Makers and Public Communications Policy: A Seminar-Conference to Promote Telecommunications for Diversity in the 1980's. A Public Trust: A Summary and Overview of the Findings and Recommendations of the Carnegie Commission on the Fu. New York, New York: Rockefeller Foundation Arts Program, 1979.

Varela, Willie, and James Irwin. Foreign Correspondence: The International Super 8 Phenomenon., Edited by Elyse Topalian. Somerville, MA: The International Center for 8mm Film and Video, Inc., 1986.

Iimura, Takahiko. Takahiko Iimura, Seeing: Film et Video. Espace Donguy APEGAC, undated.