Robinson, Richard. The Video Primer: Equipment, Production and Concepts. New York, NY: Links Books, 1974.

del Renzio, Toni. "The TV Aesthetic." Art and Artists 9, no. 8 (1974).

Wijers, Gaby. The Sustainability of Video Art: Preservation of Dutch Video Art Collections, Edited by Gaby Wijers, Evert Rodrigo and Ramon Coelho. Amsterdam, Netherlands: Foundation for the Conservation of Modern Art, 2003.

Ross, David. "The Success of the Failure of Video Art." Videography 10, no. 5 (1985).

Robertson, Clive, and Lisa Steele. "The Story Behind Organized Art." FUSE: The Cultural Media and News Magazine 4, no. 6 (1980).

Robertson, Clive, and Lisa Steele. "The Story Behind Organized Art." FUSE: The Cultural Media and News Magazine 4, no. 6 (1980).

Schramm, Wilbur, and Donald F. Roberts. The Process and Effects of Mass Communications. Urbana, IL: University of Illinois Press, 1971.

Reilly, John, and Stefan Moore.. "The Making of the Irish Tapes." Filmmakers Newsletter December (1975).

Boomgaard, Jeroen. The magnetic era : video art in the Netherlands : 1970-1985., Edited by Jeroen Boomgaard and Bart Rutten. Rotterdam: NAI Publishers, 2003.

Roth, Cliff. The Low Budget Video Bible. Revised Second Edition. New York, NY: Desktop Video Systems, 1995.

Reilly, John. The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.

Rose, Brian. "The Future of Cultural Programming." Videography 11, no. 5 (1986).

Reilly, John. The Endangered Documentary and Other Species: A Continuing Series.... New York, NY: Global Village, undated.

Rosenberg, Harold. The De-definition of Art. New York. NY: Horizon Press, 1972.

Ruiz, Jose Luis. The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.

Rifkin, Jeremy. The Biotech Century: Harnessing the Gene and Remaking the World. J P Tarcher, 1999.

Text from a Sales Brochure., undated.

Tandy Corporation. Radio Shack. TRS-80 Color Computer: Operation Manual. Catalog No. 26-3001/3002.. Fort Worth, TX: Tandy Corporation., 1980.

Tandy Corporation. Radio Shack. TRS-80 Color Computer Technical Reference Manual.. Fort Worth, TX: Tandy Corporation., 1981.

Tandy Corporation. Radio Shack. The biggest name in little computers. TRS-80 Color Computer Micro-Computer System.. USA: Tandy Corporation., 1981.

Tandy Corporation. Radio Shack. Going Ahead with Extended Color Basic: TRS-80 Color Computer.. Fort Worth, TX: Tandy Corporation., 1981.

Tandy Corporation. Radio Shack. Getting Started with Color Basic: TRS-80 Color Computer.. Fort Worth, TX: Tandy Corporation., 1981.

Tandy Corporation. Radio Shack. Diagnostics: TRS-80 Color Computer. Cat. No. 26-3019.. Fort Worth, TX: Tandy Corporation., 1980.

Martinez, Charles, and A. L. Rees. "Taka Iimura Interview." Intercut 9 (1984).

Rose, Barbara. "Switch On Art." New York Magazine (1971).

Rudolph, Hank. Studio Notes: Experimental Television Center., 1999.

Riley, Robert, and Marita Sturken. Steina and Woody Vasulka: Machine Media. San Francisco, CA: San Francisco Museum of Modern Art, 1996.

Rifkin, Ned. Stay Tuned. NY: The New Museum, 1981.

Rhodes, Gabe. "Squeaky Wheel Celebrates Ten Years." MAIN (undated).

Hocking, Sherry Miller, Richard Brewster, Peer Bode, Hank Rudolph, and Matthew Schlanger. Special Effects Generator - excerpt from the Experimental Television Center Studio System Manual., 1980.