Biblio
Technology Delivers People." The Squealer 15, no. 1 (2004): 16.
"What I Would Like the Future to Hold is Both/And." The Squealer 15, no. 1 (2004): 17.
"New England's Creative Economy The Non-Profit Sector: 2000. New England Foundation for the Arts, 2003.
Permanence Through Change: The Variable Media Approach, Edited by Alain Depocas, Jon Ippolito and Caitlin Jones. NY and Montreal: Solomon Guggenheim Foundation and the Daniel Langlois Foundation for Art, Science and Technology, 2003.
Permanence Through Change: The Variable Media Approach, Edited by Alain Depocas, Jon Ippolito and Caitlin Jones. NY and Montreal: Solomon Guggenheim Foundation and the Daniel Langlois Foundation for Art, Science and Technology, 2003.
Chris Petit and Iain Sinclair Asylum." Film Comment (2000).
"Who's in Control? Issues in Interactive Media Art." Connect: Information Technology at NYU, no. Fall 1999 (1999).
"Interview with Steina Vasulka, Edited by Pamela Hawkins. Experimental Television Center, 1998.
After the End of Art. Princeton, 1997.
Determining Copyright Status for Preservation and Access: Defining Reasonable Effort." Library Resources and Technical Services 41, no. 4 (1997).
"Performing Arts Journal 56: Artaud at 100, Fassbinder Play, La MaMa in Vietnam, Janie Geiser Storyboard, New Video., Edited by Bonnie Marranca, Gautam Dasgupta and Daryl Chin. Baltimore, Maryland: The Johns Hopkins University Press, 1997.
Performing Arts Journal 56: Artaud at 100, Fassbinder Play, La MaMa in Vietnam, Janie Geiser Storyboard, New Video., Edited by Bonnie Marranca, Gautam Dasgupta and Daryl Chin. Baltimore, Maryland: The Johns Hopkins University Press, 1997.
Electronic Culture, Edited by Timothy Druckery. NY, 1996.
Electronic Culture, Edited by Timothy Druckery. NY, 1996.
New Tools for Preservation: Assessing Long-Term Environmental Effects on Library and Archives Collections. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology., 1995.
Thoughts on 3-D., 1995.
Still Life in Real Time: Theory after Television. Durham, NC: Duke University Press, 1994.
Computer Art: An Ohio Perspective. Dayton, OH: Dayton Visual Arts Center, 1993.
Iterations: The New Image., 1993.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Aldo Tambellini: Black Spiral (TV Sculpture), 1969., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Bill Etra & Steve Rutt, Rutt/Etra Scan Processor (Analog), 1973., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Bill Hearn: Vidium (Analog XYZ driver/sequencer), 1969., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Curatorial Statement, Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Dan Sandin, IP (Analog Image Processor), 1972., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: David Jones: Jones Frame Buffer (Spatial and Intensity Digitizer), 1977., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Don Buchla, Buchla 100 Series (Audio synthesizer), 1964., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Eric Siegel: EVS Electronic Video Synthesizer (Analog), 1970, Dual Colorizer (Analog), 1971., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.