Biblio

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bibliographic
Depocas, Alain. Permanence Through Change: The Variable Media Approach, Edited by Alain Depocas, Jon Ippolito and Caitlin Jones. NY and Montreal: Solomon Guggenheim Foundation and the Daniel Langlois Foundation for Art, Science and Technology, 2003.
A Guide to Media and Formats. Redwood City, CA: Ampex, Magnetic Tape Division., 1989.
Film Preservation 1993: A Study of the Current State of American Film Preservation Volume 1: Report. Washington, DC: National Film Preservation Board of the Library of Congress, 1993.
New York State Council on the Arts Annual Report 1972-73., 1973.
Frankenstein, Alfred. "Some Video Sculptures." San Francisco Chronicle (1973).
Instruction Manual for Type 526 Vectorscope, Edited by Tektronix. Beavertown, OR: Tektronix, 1960.
Robinson, Richard, and Danny Goldberg Lisa Robinson. "various articles." Magnetoscope, no. 3 (1972).
Williams, Raymond. Television: Technology and Cultural Form. NY: Schocken Books, 1974.
New York State Council on the Arts: Proposal for Operation of Experimental Television Center.., 1976.
Barthes, Roland. Critical Essays. Translated by Richard Howard. Evanston, IL: Northwestern University Press, 1972.
Tandy Corporation. Radio Shack. The biggest name in little computers. TRS-80 Color Computer Micro-Computer System.. USA: Tandy Corporation., 1981.
Hallock, Don. Images of Artists Don Hallock, Bill Gwin, Bill Roarty and Stephen Beck. All worked at the National Center for Experiments in Television at KQED.., undated.
Viola, Bill. "Sight Unseen: Enlightened Squirrels and Fatal Experiments." Video 80, no. 4 (1982).
Shibaden. Solid State Video Tape Recorder, SV-510U (SC124K).. Japan: Shiba Electric Co., LTD., undated.
Anderson, Lindsay, Chuck MacCann, and Jack Paritz. Televisions: Video Pioneers, Volume 8, Number 1/2, $2.50., Edited by Gayle Gibbons, Larry Kirkman and Rebecca Moore., undated.
Grass Valley Group Schematics for Model 953, 940H, 950H, 950, 955. Beaverton, Oregon: Grass Valley Group, 1969.
Caplan, Elliot. "Producing Videodance." Videography 10, no. 9 (1985).
Sandin, Dan, and Thomas DeFanti. Some Organizing Principles in Man Machine Interaction. Chicago, IL: University of Illinois at Chicago Circle, undated.
School of Art and Design, NYSCC at Alfred University. Alfred, NY: IEA (Institute for Electronic Arts), undated.
Zusman, Neil. The Interactive Show. Buffalo, NY: Artists Gallery, 1990.
Sony Video Products Catalog., undated.
Boyle, Deirdre. "Whatever Happened to Guerrilla TV?" Videography 9, no. 12 (1984).
High, Kathy. "Landscape(s)." Felix: A Journal of Media Arts and Communication 2, no. 1 (1995).
Dage-Bell Corporation Series 900 Portable Television System. Michigan City, Indiana: Dage-Bell Corporation, undated.
Sony Corporation of America. Sony. Automatic Editing Control Unit BVE-500A. U-Matic Professional Operation and Maintenance Manual: 3rd Edition. Serial No. 20301 to 21010.. Japan: Sony Corporation of America., 1978.
KSN TC 100B Time Base Corrector Service Manual. KSN, undated.
Muchnic, Suzanne. "Eleanor Antin." Artweek 10, no. 6 (1979).
Stooss, Toni, and Thomas Kellein. Nam June Paik: Video Time - Video Space, Edited by Toni Stooss. New York, NY: Harry N. Abrams Inc., 1993.
Conrac Corporation Television Monitor Model CEA25, CVAA, CF17A-CF21A, CQECWA10, CVA-WVA, Kinescope Recording Monitor, CFB, CGB, CKB, CLB. CQC. Glendora, CA: Conrac Corporation, undated.
JVC Instructions for Color Video Casette Recorder BR-6400U. Tokyo, Japan: JVC (Victor Company of Japan, Ltd.), 1981.

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