Biblio
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The Search for a Personal Vision in Broadcast Television. Milwaukee, WI: Marquette University, 2001.
The Second Emerging Expression Biennial: The Artist and the Computer. Bronx, NY: Bronx Museum, 1987.
The Seventh Ithaca Video Festival." Videography 6, no. 11 (1981).
"The Singer Co. GPL TV Systems Education & Training Products Group. GPL's New Color Video Tape Recorder: VR-400.. Pleasantville, NY: Singer-General Precision, Inc., 1969.
The Singer Company, Link Division. Singer GPL TV Systems. Portable Television Production Console, GPL MP100.. Binghamton, NY: The Singer Company, Link Division., undated.
The Singer Company, Simulation Products Division. Architect's and Engineering Specifications: EIAJ-1 1/2" Video Tape Recorder Monochrome. VR-1 (hand-written).. Binghamton, NY: The Singer Company, Simulation Products Division., undated.
The Singer Company. Singer Education & Training Products. MP-100 Studio Console.. Binghamton, NY: The Singer Company., undated.
The Sixth International Video Exchange Directory, Edited by Sharon Lovett. Vancouver: Press Gang Publishers, 1978.
The Social Production of Art. NY: New York University Press, 1984.
The Society of Mind. "270 brilliantly original essays on... how the mind works.". New York, NY: Simon & Schuster, Inc., 1985.
The Spaghetti City Video Manual: A Guide to Use, Repair and Maintenance. New York: Praeger, 1973.
The Spectacle of Image. Boston: Institute of Contemporary Art, 1987.
The Sponsor: Notes on a Modern Potentate. NY: Oxford Press, 1978.
The State of the Art." Videography 4, no. 1 (1979).
"The Story Behind Organized Art." FUSE: The Cultural Media and News Magazine 4, no. 6 (1980).
"The Story of WGBH New Television Workshop." Ars electronica (Supplement) (1986).
"The Structure of Art. NY: Braziller, 1970.
The Subject of Feminist Film Theory/Practice." Screen 21, no. 2 (1980).
"The Success of the Failure of Video Art." Videography 10, no. 5 (1985).
"The Sustainability of Video Art: Preservation of Dutch Video Art Collections, Edited by Gaby Wijers, Evert Rodrigo and Ramon Coelho. Amsterdam, Netherlands: Foundation for the Conservation of Modern Art, 2003.
The Synapse Media Center: An Object Lesson in Closing an Artists' Organization." Afterimage 9, no. 7 (1982).
"The Tarbell Floppy Disk Interface. Carson, CA: Tarbell Electronics, 1978.
The Technique of Kinetic Art. London, England: B T Batsford Limited, 1971.
The Technological Imagination: Theories and Fictions. Madison, Wis.: , 1980., Edited by Teresa de Lauretis. Madison, WI: CODA Press, 1980.
The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Temporary State of the Art." Videography 10, no. 6 (1985).
"The Thinking Eye: Juan Downey. NY, NY: International Center for Photography, 1987.
The TV Aesthetic." Art and Artists 9, no. 8 (1974).
"The TV Commercial: Getting from There to Here." Print: Designing for TV: A Special Issue XXVI, no. I (1972): 34-41.
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