Biblio
Interaction: Artistic Practice in the Network, Edited by Amy Scholder. Distributed Art Publishers, 2001.
Interaction: Artistic Practice in the Network, Edited by Amy Scholder. Distributed Art Publishers, 2001.
Net.art: Shedding the Utopian Moment?" Link 7 (2001).
"Productive Unclarities - An interview with media artist Barbara Lattanzi." Springerin 4, no. 1 (2001).
"Before and After the I-Bomb, Edited by Peggy Gale. Alberta, Canada: Banff Centre Press, 2002.
"Future Cinema : The Cinematic Imaginary After Film (Electronic Culture: History, Theory, and Practice), Edited by Jeffrey Shaw and Peter Weibel. MIT Press, 2003.
Future Cinema : The Cinematic Imaginary After Film (Electronic Culture: History, Theory, and Practice), Edited by Jeffrey Shaw and Peter Weibel. MIT Press, 2003.
Telematic embrace : visionary theories of art, technology, and consciousness, Edited by Edward A. Shanken. Berkeley: University of California Press, 2003.
FreeCooperation, Edited by Geert Lovink and Trebor Scholz. Buffalo, NY: Department of Media Study, SUNY at Buffalo, 2004.
Alchemy to AC/DC to Ones & Zeros: DIY Film to Video to Digital Transfers." The Squealer 15, no. 1 (2004): 14.
"Cage: A Filmic Circus on Metaphors on Vision An Interview with Film Artist Lawrence Brose." Afterimage (2004).
"It's Not Just the Clouds, or Maybe It Is An Email Interview with Cory Arcangel." The Squealer 15, no. 1 (2004): 5-7.
"Technological Visions: The Hopes and Fears that Shape New Technologies, Edited by Marita Sturken, Douglas Thomas and Sandra J. Ball-Rokeach. Philadelphia, PA: Temple University Press, 2004.
Technological Visions: The Hopes and Fears that Shape New Technologies, Edited by Marita Sturken, Douglas Thomas and Sandra J. Ball-Rokeach. Philadelphia, PA: Temple University Press, 2004.
The Passing of an Era: Boston Film/Video Foundation." MAIN, no. Spring (2004).
"Migration and Location: Transcultural Documentary Practice. the video installation as an active archive. London: Wallflower Press:, 2005.
The VJ Book: Inspirations and Practical Advice for Live Visuals Performance.. Los Angeles, CA: Feral House, 2005.
Video: Das reflexive Medium. Franfurt, Germany: Suhrkamp Press, 2005.
Visual Music: Synaesthesia in Art and Music Since 1900. Smithsonian Institution and Museum of Contemporary Art (Los Angeles)., 2005.
The Premature Birth of Video Art. Syracuse, NY: self-published, 2007.
Jones Frame Buffer Prototype., 2011.
Jones Modular Video Synth., 2011.
Conversation with Barbara London, David Ross and Constance Dejong at Hunter College Art Gallery In matthewschlanger.com., 2015.
Ture Sjolander - complete CV. self, 2017.
Art Statement., undated.
Binocularis. NY: Galerie Ariadne, undated.
Buffer Memory. Binghamton, NY: Experimental Television Center, undated.