Biblio
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Image Processing by Sherry Miller Hocking & Richard Brewster at the Experimental Television Center, 1986., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: George Brown, Video Sequencer (a.k.a. Field Flip/Flop Switcher, with digital control), 1972, Multikeyer (Analog with digital control), 1973., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Eric Siegel: EVS Electronic Video Synthesizer (Analog), 1970, Dual Colorizer (Analog), 1971., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Don Buchla, Buchla 100 Series (Audio synthesizer), 1964., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: David Jones: Jones Frame Buffer (Spatial and Intensity Digitizer), 1977., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Dan Sandin, IP (Analog Image Processor), 1972., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Curatorial Statement, Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Bill Hearn: Vidium (Analog XYZ driver/sequencer), 1969., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Bill Etra & Steve Rutt, Rutt/Etra Scan Processor (Analog), 1973., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Aldo Tambellini: Black Spiral (TV Sculpture), 1969., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Computer Art: An Ohio Perspective. Dayton, OH: Dayton Visual Arts Center, 1993.
coming and going: New York (Subway) Paris (Metro) San Francisco (BART) Washington (Metro). San Francisco: NSF Press, 1982.
Be a Musician, You'll Understand Video. Catalogue of the National Video Festival.. Los Angeles: American Film Institute, 1986.
Alternating Currents. NY: Alternative Museum, 1985.
Alpha, Trans, Chung. Peter D'Agostino: A Photographic Model: Semiotics, Film, and Interpretation. Dayton: University Art Galleries, Wright State University, 1978.
FreeCooperation, Edited by Geert Lovink and Trebor Scholz. Buffalo, NY: Department of Media Study, SUNY at Buffalo, 2004.
50 (Fifty) Years of Flaherty: Inspired Filmmaking, Edited by Nadine Covert. New York, NY: International Film Seminars, Incorporated/ The Flaherty, 2004.
Z80 HROMF4. Paul C. Davis. School of Advanced Technology, SUNY at Binghamton.. Binghamton, NY: Paul C. Davis. School of Advanced Technology, SUNY at Binghamton., 1979.
Video Art (Basic Art). Taschen, 2006.
Video Art. Philadelphia: Institute of Contemporary Art,, 1975.
Transmission: Theory and Practice for a New Television Aesthetics, Edited by Peter D'Agostino. NY: Tanam Press, 1985.
Transmission: Theory and Practice for a New Television Aesthetics, Edited by Peter D'Agostino. NY: Tanam Press, 1985.
The Vasulka Imaging System, LSI-11. Buffalo, NY: The Vasulka Corporation, 1978.
The UnNecessary Image, Edited by Peter D'Agostino. NY: MIT/Tanam Press,, 1982.
The UnNecessary Image, Edited by Peter D'Agostino. NY: MIT/Tanam Press,, 1982.
The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The New Television: A Public/Private Art, Edited by Douglas Davis. Cambridge: MIT Press, 1977.
The New Television: A Public/Private Art, Edited by Douglas Davis. Cambridge: MIT Press, 1977.