Zimmermann, Patricia. "Revolutionary Pleasures: Wrecking the Text in Compilation Documentary." Afterimage (1989).

High, Kathy, and Ralph Hocking. A Closer Look: Hidden Histories - Radical Learning, Radical Perception The History of the Experimental Television Center. San Francisco, CA: NAMAC, 2005.

Supanick, Jim. "Quest for What: Video by the HalfLifers." Film Comment (1999).

Turim, Maureen. "Artisanal Prefigurations of the Digital: Animating Realities, Collage Effects, and Theories of Image Manipulation." Wide Angle 21, no. 1 (1999).

Experimental Television Center, Ralph Hocking, and Sherry Miller Hocking. New York State Council on the Arts Proposal: Electronic Video Processing System Development. 1977., 1977.

London, Barbara. Video from Tokyo to Fukui and Kyoto. NY, NY: The Museum of Modern Art, 1979.

Stein, Anne-Marie. "The Passing of an Era: Boston Film/Video Foundation." MAIN, no. Spring (2004).

Vasulka, Woody, and Jeffrey Schier. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Don Mc Arthur - Spatial and Intensity Digitizer. Linz, Austria: Ars Electronica, 1992.

Sonsbeek 71 Introduction and Statements by Artists. Vol. June 19 - August 15., 1971.

New York State Council on the Arts Video Conference at the Whitney Museum. NY, NY: New York State Council on the Arts, 1975.

Chin, Daryl. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Notes on the Rise of Independent Media. New York, NY: The New York State Council on the Arts, 1994.

Furlong, Lucinda. "Tracking Video Art: Image Processing as a Genre." Art Journal (1985).

Day, James. The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.

Experimental Television Center, Ralph Hoking, and Sherry Miller Hocking. New York State Council on the Arts Proposal: General Operating and Discussion of Imaging System. 1975., 1975.

O'Grady, Gerald. Introduction to The Frontier 1979-1980. Buffalo, NY: Media Study/Buffalo, 1980.

Mikas, Matt. Tune (In))): Radio Community in Microcosm., 2004.

Zimmermann, Patricia. Reverse Engineering., 2005.

Sturken, Marita. "Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media Arts." Afterimage 14, no. 6 (1987).

Electronic Arts Series: January - May 1977. Buffalo, NY: Media Study/Buffalo, 1977.

Frank, Peter. "The Avant Garde Festival: And Now, Shea Stadium." Art in America 62, no. Six (1974).

Sturken, Marita. "Out of Sync: Electronic Visions at the Hudson River Museum." Afterimage (1983).

Gips, Terry. "Computers and Art: Issues of Content." Art Journal 49, no. 3 (1990).

Siegel, Eric. Eric Siegel - Documents: Modifications to Portapak, Video Synthesizer 1971 - 1976., 1971.

Schlanger, Matthew. Black Dog Dreams., 1999.

Tambellini, Elisa. "The Gate Theater." Artscanada (1967).

Ancona, Victor. "Shalom Gorewitz: Metaphoric Image Manipulator." Videography 5, no. 11 (1980).

Butler, Michael L. V.. The Dreme-Style Michael L.V. Butler and His Circle . The Program. Syracuse, NY: Everson Museum, 1976.

Wooster, Ann-Sargent. "Why Don't They Tell Stories Like They Used To?" Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).

Hays, Ron. Music Image. The WGBH Music-Image Workshop Report of Activities: June 1972 through January 1974 Excerpts. Boston, MA: WGBH-TV, 1974.

Tambellini, Aldo. "A Conversation on Electronics and Black TV with Aldo Tambellini." Artscanada (1968).