Biblio
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From Portapak To Camcorder: A Brief History Of Guerrilla Television." Journal of Film and Video 44, no. 1 – 2 (40545) (1992).
"A PDF listing issues of Afterimage from 1972 through Vol 29 Issue 1. Rochester, NY: Visual Studies Workshop, 2002.
Program Notes for The Moving Image State-Wide: 13 Tapes by 8 Videomakers. Buffalo, NY: Media Study/Buffalo, 1978.
Has TV Finally Become An Art?" California Living (1973).
" Trent Harris: Beaver Trilogy." Film Comment (2000).
"Why do I keep repeating myself?" Felix Voyerism 2, no. 2 (1999).
" NYS Council on the Arts 1969-70: Executive Director's Statement. NY, NY: New York State Council on the Arts, 1970.
Art, Science. http://visualmusic.org/vibeke, 1995.
Lessons for Localism from the Censorship Wars." The Squealer (1991).
"The Parapoetics of Video., 1982.
Notes Toward a History of Image-Processed Video: Eric Siegel, Stephen Beck, Dan Sandin, Steve Rutt, Bill and Louise Etra." Afterimage 11, no. 1 and 2 (1983).
"Evolution : Aldo Tambellini - Electromedia & The Black Film Series. UK: Lumen, 2007.
The Film., undated.
Concepts in Performance: Taka Iimura." Soho Weekly News (1979).
" The Language of Video., undated.
Origins: REdiscovering the Future of Video Art. Vol. Cambridge. Boston, MA: Art Interactive, 2003.
From the Academy to the Avant Garde - Introduction. Rochester, NY: Visual Studies Workshop, 1981.
Landscape: Mediated Views. Rochester, NY: Visual Studies Workshop, 1998.
How to Keep Experimental Video on PBS National Programming. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Notes on Videotape and TV., 1972.
The Art Style Computer Processing System. Toronto, Ontario, 1974.
The Form and Sense of Video." Artscanada: The Issue of Video Art XXX, no. 4 (1973).
"Preserving the Rhizome ArtBase. NY, NY: Rhizome, 2002.
Video art: dead or alive?" Afterimage, no. November December (1996).
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