Biblio
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The Moving Image." Daedalus Fall (1985).
"The New Television: A Public/Private Art, Edited by Douglas Davis. Cambridge: MIT Press, 1977.
The New Television: A Public/Private Art, Edited by Douglas Davis. Cambridge: MIT Press, 1977.
The Story of WGBH New Television Workshop." Ars electronica (Supplement) (1986).
"The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The UnNecessary Image, Edited by Peter D'Agostino. NY: MIT/Tanam Press,, 1982.
The UnNecessary Image, Edited by Peter D'Agostino. NY: MIT/Tanam Press,, 1982.
The Vasulka Imaging System, LSI-11. Buffalo, NY: The Vasulka Corporation, 1978.
Thoughts on 3-D., 1995.
Transmission: Theory and Practice for a New Television Aesthetics, Edited by Peter D'Agostino. NY: Tanam Press, 1985.
Transmission: Theory and Practice for a New Television Aesthetics, Edited by Peter D'Agostino. NY: Tanam Press, 1985.
Video Art. Philadelphia: Institute of Contemporary Art,, 1975.
Video Art (Basic Art). Taschen, 2006.
Video Obscura." Artforum 10, no. 8 (1972).
"Video Skulptur: retrospectiv und aktuell 1963-1989. Koln: DuMont, 1989.
Visual Intelligence: The First Decade of Computer Art (1965-1975)." IEEE Computer Graphics and Applications - Art and Animation (1985).
"Visual Music: Searching for an Aesthetic." Leonardo: Visual Art, Sound, Music and Technology 20, no. 2 (1987).
"What I Would Like the Future to Hold is Both/And." The Squealer 15, no. 1 (2004): 17.
"Whispers and Cries: Bill Viola at AFI." Video 80 (1983).
"Who's in Control? Issues in Interactive Media Art." Connect: Information Technology at NYU, no. Fall 1999 (1999).
"Z80 HROMF4. Paul C. Davis. School of Advanced Technology, SUNY at Binghamton.. Binghamton, NY: Paul C. Davis. School of Advanced Technology, SUNY at Binghamton., 1979.