Mayer, Alfred. The Performer Synthesizer: A Non-Technical Approach to Electronic Music Synthesis.. Morristown, NJ: Ionic Industries, Inc., 1972.

Mayer, Alfred. The Performer Synthesizer Newspaper Reprints from various sources. Morristown, NJ: Ionic Industries, Inc., 1970.

Jacobs, Lewis. The Emergence of Film Art. New York, NY: Hopkinson and Blake, 1969.

The Extraordinary Javelin Master X-400 Video Tape Recorder ; Model SC 950 Camera; CC 700 Camera; CC 500 Camera; Video Monitors Sales Literature. Los Angeles, CA: Javelin Electronics Co., 1970.

Johnston, Claire. "The Subject of Feminist Film Theory/Practice." Screen 21, no. 2 (1980).

Jones, Joe. Test file., 1999.

Kaufman, Paul. Television and Reality: A Report from the Television: Art and Information Meeting. San Francisco, CA: National Center for Experiments in Television at KQED, undated.

Kaufman, Paul. Television: Art & Information, Values and practices in public broadcasting.. San Francisco, CA: National Center for Experiments in Television at KQED, 1973.

Kaufman, Paul. "Television and Reality: A Report from the Television: Art and Information Meeting (Asilomar, CA 6/8-11/73." National Center for Experimental in Television Reports 2 (undated).

Kearns, Mary Ann. The Role of Technology in the Art of Nam June Paik: The Social Implications of Television. unpublished thesis, 1988.

Kearns, Mary Ann. The Role of Technology in the Art of Nam June Paik: Paik's Videotapes. unpublished thesis, 1988.

Kearns, Mary Ann. The Role of Technology in the Art of Nam June Paik: Paik's Video Sculpture. unpublished thesis, 1988.

Kepes, Gyorgy. The Nature and Art of Motion, Edited by Gyorgy Kepes. NY: George Braziller, 1965.

Kirby, Michael. The Art of Time. NY: E. P. Dutton, 1969.

Kirby, Lynne. The Electronic Gallery - Perceptual Process and Processed Video Art. Owego, NY: SUNY Binghamton & The Experimental Television Center, 1980.

Klein, Howard. The Rise of the Televisualists in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.

Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. London, England: Oxford University Press, 1960.

Kruger, Barbara. TV Guides Twenty-one Essays on Television, Edited by Barbara Kruger. NY: Kuklapolitan Press, 1985.

Labat, Tony. "The Hearing." SEND (undated).

Lacan, Jacques. "Television." October 10 (1987).

Lacan, Jacques. The Language of the Self. NY: Delta, 1968.

Lacan, Jacques. The Four Fundamental Concepts of Psychoanalysis. Edited by Jacques Alain Miller. Translated by Alan Sheridan.. NY: W. W. Norton, 1978.

Landnzan, Katherine. "The Kitchen." Videoscope 1, no. 2 (1977).

Lane, Giles. The Biotica Project : An Artificial Life Installation, Edited by Giles Lane and RIchard Brown., undated.

Tele Techno Conference., 1975.

Tele Techno Notes., 1975.

de Lauretis, Teresa, and Kathleen Woodward and Andreas Huyssen. The Technological Imagination: Theories and Fictions. Madison, Wis.: , 1980., Edited by Teresa de Lauretis. Madison, WI: CODA Press, 1980.

de Lauretis, Teresa, and Stephen Heath. The Cinematic Apparatus, Edited by Teresa de Lauretis. NY: St. Martin's Press, 1980.

Leogrande, Ernest. "The Video Stretch." Daily News (1973).

Levine, Les. "The Programmer's Genitals." SEND 2, no. 1 (1983).