Biblio

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Martinez, Charles, and A. L. Rees. "Taka Iimura Interview." Intercut 9 (1984).
Morris, Frances. Tate Modern: Between Cinema and a Hard Place. London, England: The Tate Gallery, undated.
Ferkiss, Victor C., and Elting E. Morison. Technological Man: The Myth and the Reality. New York, Toronto, NY, Ontario, Canada: New American Library/ Times Mirror, 1969.
Murphy, William T.. Television and Video Preservation 1997: A Report on the Current State of American Television and Video Preservation. Washington: Library of Congress. Vol. 1-5., 1997.
Marshall, Stuart. "Television/Video: Technology/Forms." Afterimage (London), no. 40764 (1981).
Anderson, Lindsay, Chuck MacCann, and Jack Paritz. Televisions: Video Pioneers, Volume 8, Number 1/2, $2.50., Edited by Gayle Gibbons, Larry Kirkman and Rebecca Moore., undated.
Anderson, Lindsay, Chuck MacCann, and Jack Paritz. Televisions: Video Pioneers, Volume 8, Number 1/2, $2.50., Edited by Gayle Gibbons, Larry Kirkman and Rebecca Moore., undated.
Marcuse, Herbert. The Aesthetic Dimension. Boston: Beacon Press, 1978.
Moore, Carman. "The Avant-Garde in Dry Dock." The Village Voice (1972).
Miller, Gregory. "The Best of the West?" Videography 10, no. 5 (1985).
McDonald, Laurie. "The Electron Movers: Research in the Electronic Arts, Inc." Videoscope 1, no. 1 (1976).
Hocking, Ralph, and Sherleen Miller. The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Metz, Christian. "The Fiction Film and Its Spectator: A Metapsychological Study." New Literary History 8, no. 1 (1976).
Manoogian, Haig P.. The Film-Maker's Art. New York, London, NY, England: Basic Books, Inc., 1966.
MacDonald, Scott. The Garden in the Machine: A Field Guide to Independent Films about Place. University of California Press, 2001.
McLuhan, Marshall. The Gutenberg Galaxy. Toronto: University of Toronto Press, 1962.
Muybridge, Eadward, and Robert Taft. The Human Figure in Motion. New York, NY: Dover Publications, Inc., 1955.
Manovich, Lev. The Language of New Media. MIT Press, 2001.
Mignot, Dorine. The Luminous Image. In Dutch and English., Edited by Dorine Mignot. Amsterdam: Stedelijk Museum, 1984.
Mignot, Dorine. The Luminous Image. In Dutch and English., Edited by Dorine Mignot. Amsterdam: Stedelijk Museum, 1984.
Reilly, John, and Stefan Moore.. "The Making of the Irish Tapes." Filmmakers Newsletter December (1975).
Miller, Jonathon. "The Mind's Eye and the Human Eye." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 185-200.
The Mindset Computer Animation System; Mindset Lumena graphics software.. Sunnyvale, CA: Mindset Corporation, 1984.
Monkhouse, Richard. The Moving Art of Video Graphics- or How to Drive a Spectre. Video and Audio-Visual Review, undated.
Wardrip-Fruin, Noah. The New Media Reader, Edited by Noah Wardrip-Fruin and Nick Montfort. MIT Press, 2003.
Collins, Tricia, and Richard Milazzo. "The New Sleep: Stasis and the Image-Bound Environment." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
McGriff, Teresa. "The Panama Tapes: Videographers Enin and Ethel Velez." Videography 3, no. 12 (1978).
Mayer, Alfred. The Performer Synthesizer Newspaper Reprints from various sources. Morristown, NJ: Ionic Industries, Inc., 1970.
Mayer, Alfred. The Performer Synthesizer: A Non-Technical Approach to Electronic Music Synthesis.. Morristown, NJ: Ionic Industries, Inc., 1972.

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