Biblio

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Salloum, Jayce. Migration and Location: Transcultural Documentary Practice. the video installation as an active archive., 2005.
Sanz, Luciana. The Language of Video., undated.
Schlanger, Matthew. Art Statement., undated.
Schlanger, Matthew. Jones Modular Video Synth., 2011.
Schlanger, Matthew. Conversation with Barbara London, David Ross and Constance Dejong at Hunter College Art Gallery In matthewschlanger.com., 2015.
Schlanger, Matthew. ETC Memories. NY, NY: Art in General, NY and Mobius, Boston, 1997.
Schlanger, Matthew. Black Dog Dreams., 1999.
Schlanger, Matthew. Video Hardware Development for Experimental Television Center., 1997.
Schreiber, Rachael. "Net.art: Shedding the Utopian Moment?" Link 7 (2001).
Sherman, Tom. Reflecting on the Future of Video., 1991.
Sherman, Tom. The Premature Birth of Video Art. Syracuse, NY: self-published, 2007.
Sherman, Tom. Granular Synthesis., undated.
Sherman, Thomas. The Art Style Computer Processing System. Toronto, Ontario, 1974.
Sherman, Tom. "Memory and Hope (1996-2006)." The Squealer 11, no. 2 (1996).
Siegel, Eric. Eric Siegel - Documents: Modifications to Portapak, Video Synthesizer 1971 - 1976., 1971.
Silverfine, Debbie, and Linda Earle. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Introduction to Set in Motion., 1994.
Simmons, Richard. From the Academy to the Avant Garde. Rochester, NY: Visual Studies Workshop, 1981.
Simmons, Richard. New Work in Abstract Video Imagery Abstract Video. Syracuse, NY: Everson Museum of Art, 1977.
Simmons, Richard. Everson Video Revue. Catalog with Images. Syracuse, NY: Everson Museum of Art, 1979.
Simmons, Richard. From the Academy to the Avant Garde - The Family Jewels. Rochester, NY: Visual Studies Workshop, 1981.

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