Biblio

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Salloum, Jayce. Migration and Location: Transcultural Documentary Practice. the video installation as an active archive., 2005.
Sanz, Luciana. The Language of Video., undated.
Schlanger, Matthew. ETC Memories. NY, NY: Art in General, NY and Mobius, Boston, 1997.
Schlanger, Matthew. Video Hardware Development for Experimental Television Center., 1997.
Schlanger, Matthew. Black Dog Dreams., 1999.
Schlanger, Matthew. Art Statement., undated.
Schlanger, Matthew. Jones Modular Video Synth., 2011.
Schlanger, Matthew. Conversation with Barbara London, David Ross and Constance Dejong at Hunter College Art Gallery In matthewschlanger.com., 2015.
Schreiber, Rachael. "Net.art: Shedding the Utopian Moment?" Link 7 (2001).
Sherman, Tom. "Memory and Hope (1996-2006)." The Squealer 11, no. 2 (1996).
Sherman, Tom. The Premature Birth of Video Art. Syracuse, NY: self-published, 2007.
Sherman, Tom. Granular Synthesis., undated.
Sherman, Tom. Reflecting on the Future of Video., 1991.
Sherman, Thomas. The Art Style Computer Processing System. Toronto, Ontario, 1974.
Siegel, Eric. Eric Siegel - Documents: Modifications to Portapak, Video Synthesizer 1971 - 1976., 1971.
Silverfine, Debbie, and Linda Earle. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Introduction to Set in Motion., 1994.
Simmons, Richard. Psycho-Flux Reunion.., 1998.
Simmons, Richard. Everson Video Revue Introduction. Syracuse, NY: Everson Museum of Art, 1979.
Simmons, Richard. From the Academy to the Avant Garde. Rochester, NY: Visual Studies Workshop, 1981.
Simmons, Richard. Everson Video Revue. Catalog with Images. Syracuse, NY: Everson Museum of Art, 1979.

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