Biblio

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Book
Gill, Johanna. Video: State of the Art. NY, NY: Working Papers, The Rockefeller Foundation, 1976.
Tennant, Carolyn. Video Rewind: A Seminar on Early Video History with Deirdre Boyle, Barbara London, Paul Ryan and Perry Teasdale., Edited by Carolyn Tennant. ETC, 1998.
Bode, Peer. UBER ORGAN ( body of life )., 2003.
Minkowsky, John. Two Early Video Portraits. One-Eyed Bum by Andy Mann (1974, 6 minutes, b/w, sound). Ama L'uomo Tuo (Always Love Your Man) by Cara DeVito (1974, 20 min. b/w, sound)., 1978.
Transcript from The International Video Art Symposium. Kingston, Ontario, Canada: Agnes Etherington Art Centre, Queens Univeristy. Fleming., 1979.
Culler, Jeremy. Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.
Day, James. The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Sherman, Tom. The Premature Birth of Video Art. Syracuse, NY: self-published, 2007.
Sturken, Marita. The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.
Sanz, Luciana. The Language of Video., undated.
Reilly, John. The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Film., undated.
Dordick, H. S.. The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
The Electronic Image: A Touring Workshop by Ralph Hocking and the Experimental Television Center. Albany, NY: Statewide Programs in the Arts, 1979.
The Electronic Gallery. Binghamton , NY: University Art Gallery, Binghamton University, 1983.
Quasha, George. The Dialogical Mode., 1982.
Ruiz, Jose Luis. The Case for Hispanic Recognition (The Case Against a Single Center for Independent Television). Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
DeMartino, Nick. The Case for a Center for Independent Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Hanhardt, John. Taka Iimura's "I=YOU=HE/SHE". NY, NY: Whitney Museum of American Art, 1979.
Hanhardt, John. Strengthening the Media Arts in New York State : John Hanhardt. ETC, 2004.
Strengthening the Media Arts in New York State : A Statewide Media Arts Convening and NAMAC Regional Meeting. New Technologies. ETC, 2004.
Strengthening the Media Arts in New York State : A Statewide Media Arts Convening and NAMAC Regional Meeting. Panel Discussion.. ETC, 2004.
Strengthening the Media Arts in New York State : A Statewide Media Arts Convening and NAMAC Regional Meeting. Agenda. Participants. Screening.. ETC, 2004.
Stern, Rudi. Stern Media Information., 1975.
Turim, Maureen, and Scott Nygren. Steina and Woody Vasulka: Machine Media - Reading the Tools, Writing the Image., 1996.
Zimmermann, Patricia R.. States of Emergency: Documentaries, Wars, Democracies. University of Minnesota Press, 2000.
Minkowsky, John. Some Notes on Vasulka Video - 1973-74., 1978.
Furlong, Lucinda. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents - Film and Video Works Funded, Edited by Lucinda Furlong. New York, NY: The New York State Council on the Arts, 1994.
Rhizome ArtBase Management Policy. NY, NY: Rhizome, 2002.
Dzwonkoski, Julia, and Kyle Potter. Reverse Engineers. Tonawanda, NY: Carnegie Art Center, 2005.

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