Biblio

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Curran, Ann. "Signals in Syracuse - Video History: Making Connections conference." Afterimage (1999).
Culler, Jeremy. Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.
Cuba, Larry. "An Introduction to Computer Animation." Video 80 4 (1982).
Creston, Bill. Circle 8: International Forum of Super-8 Catalog. NY, NY: Exit Art, 1988.
Electronic Hokkadim. Washington, DC, 1971.
Cooper, Christian. "Low-Cost Creativity." Videography 11, no. 11 (1986).
Conrad, Tony. "1 2 3 4: A Position Statement on Upstate Media Development." NY Media Decentralization Institute June (1989).
Conrad, Tony. "Lessons for Localism from the Censorship Wars." The Squealer (1991).
Collins, Tricia, and Richard Milazzo. "The New Sleep: Stasis and the Image-Bound Environment." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Collins, Dan. "Electronic Linguistics: Taka Iimura." ArtWeek 11, no. 41 (1980).
Chris, Cynthia. "Video art: dead or alive?" Afterimage, no. November December (1996).
Chin, Daryl. "The Video Art of Takahiko Iimura." FILM AND VIDEO: Takahiko Iimura (1990).
Chin, Daryl. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Notes on the Rise of Independent Media. New York, NY: The New York State Council on the Arts, 1994.
Chang, Chris. "Discovery: Miranda July Renaissance Riot Grrrl." Film Comment (2000).
Chang, Chris. "Trent Harris: Beaver Trilogy." Film Comment (2000).
Chamberlain, Peter. G.R.I.D.. Elmira, NY: The Arnot Museum, 1986.
Cavaliere, Barbara. "Concepts in Performance: Taka Iimura." Soho Weekly News (1979).
A Public Trust. A Summary and Overview of the Findings and Recommendations of the Carnegie Commission on the Future of Public Broadcasting. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Canepa, Anna. "Artist Contributors." Art-Rite, no. 7 (1974).
Cahn, Joel. "Seeing Things: The Work of Ralph Hocking." Print XXVI, no. II (1972).

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