Biblio

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C
C. Itoh Digital Products User Manual Dot Mastrix Printer Models Prowriter, Prowriter II. Torrance, CA: Leading Edge Products, Inc., 1982.
Cage, John. Towards (a definition of) Experimental Music.., undated.
"Special series Video Art Exploration Dominique Belloir." Cahiers du Cinema (1981).
Cahn, Joel. "Seeing Things: The Work of Ralph Hocking." Print XXVI, no. II (1972).
Cameron, Eric. "On Painting and Video." Pararcute 11 (1978).
Cameron, Eric. "The Grammar of the Video Image." Arts Magazine 49, no. 4 (1974).
Cameron, Eric. "Dan Graham: Appearing in Public." Artforum 15, no. 3 (1976).
Camras, Marvin. Magnetic Recording Handbook. NY: Van Nostrand Reinhold Co, 1988.
Canadian Centre of Photography and Film. Image Nation 26: New Canadian Photography, La Nouvelle Photographie Canadienne., Edited by David Hlynsky and Jayce Salloum. Toronto, Canada: Canadian Centre of Photography and Film, 1982.
Canemaker, John. "Animation Today: The Fabulous Invalid" Is On the Move Again."." Millimeter (1977): 50-55.
Canepa, Anna. "Artist Contributors." Art-Rite, no. 7 (1974).
Canepa, Anna. "Video Issue." Art Rite, no. 4 (1974).
Canon Roll Duplicator 460, Kaljet Printer 200, Kalkard Mounter 350, Documat Microfilmer 230, Processor Camera 161G, Microfiche Reader 150, Universal Reader 302/303, 301/301A, 300, 180/180Y, Microfiche Reader 200, Universla Printer 330F, Roll Duplicator 80. Tokyo, Japan: Canon, 1972.
Caplan, Elliot. "Producing Videodance." Videography 10, no. 9 (1985).
Caranicas, Peter. "Video Hardware Gets Smart: Bill Etra." Videography (1976).
Independent Television Makers and Public Communications Policy: A Seminar-Conference to Promote Telecommunications for Diversity in the 1980's. A Public Trust: A Summary and Overview of the Findings and Recommendations of the Carnegie Commission on the Fu. New York, New York: Rockefeller Foundation Arts Program, 1979.
A Public Trust. A Summary and Overview of the Findings and Recommendations of the Carnegie Commission on the Future of Public Broadcasting. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
American Landscape Video. Pittsburgh: Carnegie Museum of Art, 1988.
Carroll, Noel. "Joan Jonas: Making the Image Visible." Artforum 12 (1974).
Carroll, Noel. "The Power of Movies." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 79-104.
Casado, Jose Carlos, and Harkaitz Cano. "Reality, Artificial Reproduction, and Sexuality." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
Castoriadis, Cornelius. Crossroads in the Labyrinth. Translated by Kate Soper and Martin H. Ryle.. Cambridge: MIT Press, 1984.
Howard W. Sams & Co., Inc. Photofact Folder, Set 834, Folder 1. Catalina Model 122-142.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1966.
Cathcart, Linda. Steina Vasulka: Machine Vision/Woody:Description, Edited by Linda Cathcart. Buffalo: Albright-Knox Art Gallery., 1978.
Caughie, John. Television: Ideology and Exchange., Edited by John Caughie. London: British Film Institute, 1978.
Caulfield, Bill. "A Man and His Music." The Sun-Bulletin (1972).
Cavaliere, Barbara. "Concepts in Performance: Taka Iimura." Soho Weekly News (1979).
Cavell, Stanley. The World Viewed. Cambridge: Harvard University Press, 1979.
Cawley, Tom. "City Director Films Life of Valentino." Binghamton Press (1973).
EVR from the Inside Out, Cassette TV: How soon can it start helping your students learn?, others. New York, NY: CBS, 1970.

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