Biblio

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C
C. Itoh Digital Products User Manual Dot Mastrix Printer Models Prowriter, Prowriter II. Torrance, CA: Leading Edge Products, Inc., 1982.
Cage, John. Towards (a definition of) Experimental Music.., undated.
"Special series Video Art Exploration Dominique Belloir." Cahiers du Cinema (1981).
Cahn, Joel. "Seeing Things: The Work of Ralph Hocking." Print XXVI, no. II (1972).
Cameron, Eric. "Dan Graham: Appearing in Public." Artforum 15, no. 3 (1976).
Cameron, Eric. "On Painting and Video." Pararcute 11 (1978).
Cameron, Eric. "The Grammar of the Video Image." Arts Magazine 49, no. 4 (1974).
Camras, Marvin. Magnetic Recording Handbook. NY: Van Nostrand Reinhold Co, 1988.
Canadian Centre of Photography and Film. Image Nation 26: New Canadian Photography, La Nouvelle Photographie Canadienne., Edited by David Hlynsky and Jayce Salloum. Toronto, Canada: Canadian Centre of Photography and Film, 1982.
Canemaker, John. "Animation Today: The Fabulous Invalid" Is On the Move Again."." Millimeter (1977): 50-55.
Canepa, Anna. "Video Issue." Art Rite, no. 4 (1974).
Canepa, Anna. "Artist Contributors." Art-Rite, no. 7 (1974).
Canon Roll Duplicator 460, Kaljet Printer 200, Kalkard Mounter 350, Documat Microfilmer 230, Processor Camera 161G, Microfiche Reader 150, Universal Reader 302/303, 301/301A, 300, 180/180Y, Microfiche Reader 200, Universla Printer 330F, Roll Duplicator 80. Tokyo, Japan: Canon, 1972.
Caplan, Elliot. "Producing Videodance." Videography 10, no. 9 (1985).
Caranicas, Peter. "Video Hardware Gets Smart: Bill Etra." Videography (1976).
Independent Television Makers and Public Communications Policy: A Seminar-Conference to Promote Telecommunications for Diversity in the 1980's. A Public Trust: A Summary and Overview of the Findings and Recommendations of the Carnegie Commission on the Fu. New York, New York: Rockefeller Foundation Arts Program, 1979.
A Public Trust. A Summary and Overview of the Findings and Recommendations of the Carnegie Commission on the Future of Public Broadcasting. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
American Landscape Video. Pittsburgh: Carnegie Museum of Art, 1988.
Carroll, Noel. "The Power of Movies." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 79-104.
Carroll, Noel. "Joan Jonas: Making the Image Visible." Artforum 12 (1974).
Casado, Jose Carlos, and Harkaitz Cano. "Reality, Artificial Reproduction, and Sexuality." Leonardo: Journal of the International Society for the Arts, Sciences and Technology. Fifth Annual New York Digital Salon. 33, no. 5 (2000).
Castoriadis, Cornelius. Crossroads in the Labyrinth. Translated by Kate Soper and Martin H. Ryle.. Cambridge: MIT Press, 1984.
Howard W. Sams & Co., Inc. Photofact Folder, Set 834, Folder 1. Catalina Model 122-142.. Indianapolis, IN: Howard W. Sams & Co., Inc., 1966.
Cathcart, Linda. Steina Vasulka: Machine Vision/Woody:Description, Edited by Linda Cathcart. Buffalo: Albright-Knox Art Gallery., 1978.
Caughie, John. Television: Ideology and Exchange., Edited by John Caughie. London: British Film Institute, 1978.
Caulfield, Bill. "A Man and His Music." The Sun-Bulletin (1972).
Cavaliere, Barbara. "Concepts in Performance: Taka Iimura." Soho Weekly News (1979).
Cavell, Stanley. The World Viewed. Cambridge: Harvard University Press, 1979.
Cawley, Tom. "City Director Films Life of Valentino." Binghamton Press (1973).
EVR from the Inside Out, Cassette TV: How soon can it start helping your students learn?, others. New York, NY: CBS, 1970.

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