Video History Project: Resources

Bibliographies - H

Hagen, Charles, "Video Art: The Fabulous Chameleon", Art News, Vol. 88, No. 6, Summer 1989

Hagen, Charles, Laddy Kite, "Walter Wright and his Amazing Video Machine", Afterimage, Vol. 2, No. 10, April 1975
Summary: Workshop by Walter Wright at Portable Channel; descrption of the programs at the Experimental Television Center; discussion of video synthesizers

Hagen, Charles, Laddy Kite, "A Syntax of Binary Images: An Interview With Woody Vasulka ", Afterimage, Vol. 6, No. 1/2, Summer 1978

Hagen, Charles, Laddy Kite, "Breaking The Box: The Electronic Operas of Robert Ashley and Woody Vasulka ", Artforum, Vol. 23, No. 7, March 1985

Hahn, Alexander, Alexander Hahn: Electronic Media, Arts Council of Switzerland, Zurich, 1989
Summary: Texts by Robert Fischer and Alex Hahn

Hahn, Alexander, Alexander Hahn: Of Shadow and Light, World Wide Video Center, Den Haag, Nederland, 1994
Organization: World Wide Video Center

Hahn, Alexander, Alexander Hahn: On the Nature of Things, LINK Project, Bologna, 1997

Hahn, Alexander, Alexander Hahn: On the Nature of Things, Galeria Foksal, Warszawa, 1996

Hahn, Alexander, Alexander Hahn: Rats.Ratten, DAAD/Stop Over Press, Berlin, 1994
Summary: Experimental Television Center

Hahn, Alexander, Alexander Hahn: Electronic Media Catalog Video Works, Arts Council of Switzerland, Zurich, 1989
Summary: Texts by Robert Fischer and Alex Hahn

Hahn, Alexander, One Hour of Deception, Istituto Svizzero di Roma, Rome, 1991

Hall, Doug, Sally Jo Fifer, Eds., Illuminating Video: An Essential Guide to Video Art, Aperature in association with the Bay Area Video Coalition, New York, NY, 1990
Summary: Foreward by David Ross; articles by Deirdre Boyle, John Handhardt, Marita Sturken, Ann-Sargent Wooster, Coco Fusco, Martha Gever, Martha Rosler. Sections on History, Furniture/Sculpture/Architecture, Audience/Reception, Syntax and GGenre, Telling Stories. Extensive bibliography.

Hall, Doug, The Spectacle of Image, Institute of Contemporary Art, Boston, 1987

Hall, Doug, "Ronald Reagan: The Politics of Image", Video 80, Vol. 4, Spring/Summer 1982

Hall, Doug, "Video Art: A Short History (On the Head of a Pin) ", Video Networks, Vol. 11, No. 1, December/January 1986/87

Hall, Sue , and John Hopkins, "The Metasoftware of Video ", Studio International , Vol. 5/6, 1976

Hall, David, Early Video Art: A look at a Controversial History from Diverse Practices: A Critical Reader on British Video Art , edited by Julia Knight, Arts Council of England and John Libbey, 1996

Halleck, Dee Dee, Hand-Held Visions: The Impossible Possibilities of Community Media, Fordham Univ Press, 2002
Summary: a collection of essays, presentations and lectures which Dee Dee wrote over the past 35 years

Halleck, DeeDee, Mind Power. Presented at the Conference Television Makers and Public Communications Policy, Rockefeller Foundation Arts Program, New York, New York, 1979

Halleck, DeeDee, "Guerrillas in our midst - books on guerrilla video", Afterimage, September October 1998
Summary: http://www.findarticles.com/p/articles/mi_m2479/is_n2_v26/ai_21187368

Halleck, DeeDee, "Public Radio and Television in America: A Political History", Afterimage, September October 1998
Summary: http://www.findarticles.com/p/articles/mi_m2479/is_n2_v26/ai_21187370

Haller, Robert, Virgil Grillo, An Alliance for the Media Arts in America: A Report on the formation of the National Alliance of Media Arts Centers and its Founding Conference in Boulder, Colorado, May 29-31, 1980, Rocky Mountain Film Center, Boulder, CO, 1980
Summary: History of the formation of NAMAC; upstate New York members included Portable Channel, Media Study/Buffalo, Synapse Video Center

Haller, Robert, "Interview with Steina", Video Texts: 1983, 1983
Summary: Interview with Steina Vasulka.

Haller, Robert, "Perspectives on Preserving Independently Produced Videotapes", Video Texts: 1983, 1983
Summary: Research by Amy Greenfield. Based on interviews with Barbara London, David Ross, Nam June Paik, Ralph Hocking, Davidson Gigliotti, John Hanhardt

Haller, Robert, Report on the 1979 National Conference of Media Arts Centers, Foundation of Independent Video and Film, NY, NY, 1979
Summary: Conference at Lake Minnewaska, NY, April 25-27, 1979 concerning condition of media arts centers in US. NYS participants included Synapse; MOMA, Educational Film Library Association; Institute of New Cinema Artists; Millenium Film Workshop; NYSCA; Foundation for Indepdent Video and Film; Global Village; Inter-Media Art Center; Media Study/Buffalo; TV Lab at WNET; Young Filmmakers Video Art; Kitchen Center; Anthology Film Archives.

Haller, Robert A., research by Amy Greenfield, "Perspectives on Preserving Independently Produced Videotapes", Video Texts: 1983, 1983

Haller, Robert A., Ed., "various", Field of Vision,, No. 9-10, Winter- Spring 1980
Summary: Nos. 9-10, Winter- Spring 1980. Contents include the following: Interview with Jim Vale, A Sense of Senseless, Autumn Fire, Stan Brakhage in Pittsburgh, Medieval Cinema: Three Papers, and Reviews, Notes, and Notices. This publication also features B&W photographs of artists at work and at play in their day to day lives.

Haller, Robert A., Video Art Review: An Interview with Steina, October 28, 1980., Anthology Film Archives and Electronic Arts Intermix, New York, NY, 1981
Summary: An interview with Steina Vasulka by Robert A. Haller. Conducted at Anthology Film Archives, October 28, 1980; published by Anthology Film Archives and Electronic Arts Intermix, March 1981.

Haller, Robert, Ed., First Light, Anthology Film Archives, NY, Ny, 1998
Summary: Texts by Haller, Shelly Rice, Fred Camper, Ying Tan, Elfriede Fischinger, Sally Shafto, P. Adams Sitney, John Pruitt, Angela Delle Vacche, William Moritz, Rune Kreutz and short notes on filmmakers.

Hallock, Don, Videola Proposal, National Center for Experiments in Television, 1974
Summary: Contiributed by Don Hallock. "The attached is part of a proposal booklet submitted for exhibit in 1974 at the Spokane World's Fair. I am not sure why the second page of the budget mentions "one location on the opposite coast from where the Videola and its technicians are presently located." Under any circumstances, it was not accepted."

Hallock, Don, Black and white images from the Videola and its creator Don Hallock. Photography by Penny d'Hammer., 1973

Hallock, Don, The Videola Under Construction in the Studio
Summary: The construction of the Videola by Don Hallock. Images and text courtesy of Don Hallock

Hallock, Don, Videola at the San Francisco Museum - V Concert, 1973
Summary: Images and text courtesy of Don Hallock.

Hallock, Don, Images of Artists Don Hallock, Bill Gwin, Bill Roarty and Stephen Beck. All worked at the National Center for Experiments in Television at KQED., undated

Hallock, Don, Images from the Work of Don Hallock with the Videola, undated

Hallwalls and Ars Electronica, Infermental 7 1988: A Travelling Exhibition of World Video, Hallwalls and Ars Electronica, Buffalo, NY, 1988
Organization: Ars Electronica, Festival of Art, Technology and Society
Summary: Infermental 7 is a 5 hour exhibition of 58 artists, coordinated by Chris Hill. Texts by Hill, Peter Weibel, Tony Conrad, Rotraut Pape.

Hamamoto, Darrell, "Bill Viola", LBMAVideo, Vol. 2, No. 2, 1982

Hamamoto, Darrell, "Computers & Video: Three Videos", LBMAVideo, Vol. 2, No. 3 , 1982
Summary: Vasulkas, S. Beck, G. Youngblood

Hammatsu Corporation, Hammatsu Corporation Sales Pages for C1000 Vidicon Camera for Computer System, PDP-11 to C1000 Interface M999-PDP-11; C158 Measuring Video System- Select-a-Line and Get-a-profile; C1064 Measuring Video System Perceptascope; Model 147 Video Slice-Profile Adaptor; List of Devices and Prices., Hammatsu TV Co. Ltd, Hammatsu, Japan, 1977
Summary: Hammatsu Corporation Sales Pages for C1000 Vidicon Camera for Computer System, PDP-11 to C1000 Interface M999-PDP-11; C158 Measuring Video System- Select-a-Line and Get-a-profile; C1064 Measuring Video System Perceptascope; Model 147 Video Slice-Profile Adaptor; List of Devices and Prices.

Handte, Jerry, "Tender, Loving Care for Video Artists", Binghamton Press, August 6, 1974

Hanhardt, John, Ed., Video Culture: A Critical Investigation, Visual Studies Workshop, Rochester, 1986
Summary: Concepts: Theory and Practice, Video and Television, Film and VIdeo: Differences and Futures. Texts by Walter Benjamin, Louis Althusser, David Antin, David Ross, Rosalind Krauss, Nam June Paik, Gene Youngblood (Art, Entertainment, Entropy ), Douglas Davis (Filmgoing/Videogoing: Making the Distinction), David Ross (Truth or Consequences - American Television and Video Art), John Ellis (Cinema and Broadcast TV Together) and others.

Hanhardt, John, "Video/Television: Expanded Forms ", Video 80 , Vol. 5, 1982

Hanhardt, John G., Nam June Paik, Whitney Museum of American Art and WW Norton and Co., NY, 1982
Organization: Whitney Museum
Exhibition Date: April 30 - June 27, 1982
Summary: Essays by Hanhardt, Dieter Ronte, Michael Nyman, David Ross (Nam June Paik's Videotapes). Bibliography, Videography. Color plates.

Hanhardt, John, Taka Iimura's "I=YOU=HE/SHE", Whitney Museum of American Art, NY, NY, 1979

Hanhardt, John, "The Passion for Perceiving: Expanded Forms of Film and Video Art", Art Journal: Video - The Reflexive Medium, Vol. Fall, No. 1985

Hanhardt , John, Strengthening the Media Arts in New York State : John Hanhardt , ETC, 2004
Summary: NYSCA Statewide Media Arts Meeting - Presentation by John Hanhardt. Strengthening the Media Arts in New York State A Statewide Media Arts Convening and NAMAC Regional Meeting Albany, New York - July 29 & 30, 2004

Hansen, Mark B.N., New Philosophy for New Media, MIT Press, 2004
Summary: Hansen focuses on new media artists who follow a "Bergsonist vocation"; through concrete engagement with the work of artists like Jeffrey Shaw, Douglas Gordon, and Bill Viola, Hansen explores the contemporary aesthetic investment in the affective, bodily basis of vision. The book includes over 70 illustrations (in both black and white and color) from the works of these and many other new media artists. - Amazon

Hara Museum of Contemporary Art, Hara, Extended Points: Three Contemporary Artists from Norway., Hara Museum of Contemporary Art, Oslo, Norway, 1998
Organization: Hara Museum of Contemporary Art
Exhibition Site: Hara Museum of Contemporary Art
Exhibition Date: November 1, 1997- January 18, 1998
Curator: Karin Hallandsjo
Artists: Per Barclay, Kjell Bjorgeengen, Per Inge Bjorlo
Summary: Extended Points: Three Contemporary Artists from Norway. Catalog features two Forewords, an Introduction, and Texts by Jorgen Lund translated from Norwegian by Inger Fluge Maeland.

Harari, Josue V, Ed., Textual Strategies, Cornell University Press,, Ithaca, NY

Hardison, O.B. Jr., Disappearing Through the Skylight: Culture and Technology in the Twentieth Century, Viking, NY, 1989
Summary: How tools and systems alter our relationships with the world.

Harithas, James
Summary: Work from Experimental Television Center Binghamton, NY. Sept. 19 to Oct. 2, 1972. Introduction by James Harithas, Director for the Everson Museum of Art.

Harries, Dan, Ed., The new media book, British Film Institute, London, 2002
Summary: With index and bibliography. A sampling of the contemporary approaches for studying new media and moving images.

Harris, Craig, Ed., "FAST", The Leonardo Almanac: International Resource in Art, Science and Technology, 1993
Summary: Profiles of organizations and individuals. An expanded version of the Leonardo Fine Art Science and Technology (FAST) Database and Archive Project.

Harris, Robert, Video Texts: 1983, Anthology Film Archives, NY, NY, 1983
Summary: Bob Harris, Video Curator. Texts by John Hanhardt, Buky Schwartz, Robert Haller. Interviews with Buky Schwartz, Al Robbins, Steina. Video Screenings at Anthology Fil Archives 1974-1983.

Harris Semiconductor, Harris CMOS Microprocessor Products Guide; HB-61000 Micro 12 CPU Product Sheet; OEM Price Schedule, Harris Semiconductor, Melbourne, FLA, 1978
Summary: Harris CMOS Microprocessor Products Guide; HB-61000 Micro 12 CPU Product Sheet; OEM Price Schedule. Illustrated with Price List.

Harrison Laboratories, Hewlett Packard, The Harrison Laboratories LVR Series DC Power Supply Operating and Service Manual Model 6263A DC Power Supply, Harrison Laboratories, Hewlett Packard, Berkeley Heights, NJ, 1965
Summary: The Harrison Laboratories LVR Series DC Power Supply Operating and Service Manual Model 6263A DC Power Supply. Includes schematics.

Harry N. Abrams, Art Since 1945, Washington Square Press, Inc., New York, NY, 1962
Summary: Art Since 1945. Texts by Umbro Apollonio, G. C. Argan and Nello Ponente, Oto Bihalji-Merin, Marcel Brion, Will Grohmann, J. P. Hodin, Sam Hunter, H. L. C. Jaffe, and Herbert Read. An abridged edition containing all the text with 111 of the black-and-white and 33 of the full-color illustrations that appeared in the original edition. Contents chapters depict art in the following countries: France, Belgium, Italy, Spain, Yugoslavia, Poland, Germany, Austria, Switzerland, Great Britain, Holland, The Scandinavian Countries, and The United States. The book also contains a Preface and Lest of Illustrations.

Hathaway, James, Ed., "Artist Uses Technology to Tackle the World", Arizona State University College of Fine Arts Newsletter, November - January 1994-95
Summary: Philip Mallory Jones and "First World Order"

Hayes, R.M., 3-D Movies: A History and Filmography Of Stereoscopic Cinema, McFarland & Company, Jefferson, NC, 1989
Summary: includes an exhaustive 250 page filmography that details the gauges, formats and 3-D processes utilized in each title.

Hayles, N. Katherine , Katherine Hayles , How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics, University of Chicago, 1999

Hayman, Randy, "Archiving Videotape", Audio Visual Communications, March 1991

Hays, Ron, Music Image. The WGBH Music-Image Workshop Report of Activities: June 1972 through January 1974 Excerpts, WGBH-TV, Boston, MA, 1974
Summary: Excerpts.

Haywood, Philip, Ed., Culture, Technology and Creativity in the Late Twentieth Century, London, 1990

HBS Equipment Divisioin, Catalog of Plating Equipment with Advanced Engineering for Electronics, Space, Missile, and the General Plating Industries, HBS Equipment Division, Los Angeles, CA
Summary: Catalog of Plating Equipment with Advanced Engineering for Electronics, Space, Missile, and the General Plating Industries. For Circuit Board Making.

Hearn, William, EAB VideoLab Instruction Manual (E-Module), Electronic Associates of Berkeley, Berkeley, California
Summary: EAB VideoLab designed by Bill Hearn: Complete instruction manual. Sections include: Introduction; General Theory; External Connections; Matrix Switcher; Output Keyer Fader; Colorizer; CV / Key Sources; Attenuators / CV Sources; Pattern Generator; Processor; Dual Tri-Stable; Timer; Sample Patch Diagrams; Blank Patch Diagrams.

Hearn, William, EAB VideoLab Instruction Manual (Modules A-D), Electronic Associates of Berkeley, Berkeley, California
Summary: EAB VideoLab designed by Bill Hearn: Complete instruction manual. Sections include: Introduction; Signals in the VideoLab; Jacks in the VideoLab; Diodes in the VideoLab; Module B; Module A; Module C; Module D; Effects Manual. Various illustrations throughout.

Hearn, William, EAB VideoLab Module E Effects Manual (Volume One), Electronic Associates of Berkeley, Berkeley, California
Summary: EAB VideoLab designed by Bill Hearn: Complete manual (volume one) of effects; descriptions of effects correspond with patch diagrams. Effects include: switiching and cross fading; split screens and wipes; grey level keying; effects amplifier; colorizer; audio interface; chroma keyer. Sample Patch Diagrams; Blank Patch Diagrams.

Hearn, William, Letter Regarding VideoLab , Electronic Associates of Berkeley, Berkeley, California, November 26, 1974
Summary: Cover letter to Woody Vasulka from electronic engineer William Hearn from EAB regarding Vasulka's interest in the VideoLab Colorizer; product literature enclosed. Mentions Edin Velez (of MPCS).

Hearn, William, EAB VideoLab Module E Summary, Electronic Associates of Berkeley, Berkeley, California, 1979
Summary: EAB VideoLab designed by William Hearn: Product Summary, Block Diagram "Typical Application", Applications, Specifications, Technical Specifications, "The Videolab Module E: A New Concept in Video Special Effectrs Generators"- Description, Features, Effects, Black and White Xerox of Front Panel of unit.

Hearn, William, EAB VideoLab Modules A through D (3 copies), Electronic Associates of Berkeley, Berkeley, California
Summary: EAB VideoLab designed by William Hearn: Color Xerox of Module A and B, Black and White Xeroxes of Modules A through D with corresponding descriptions. 1. The Basic System- Modules A and B are used together and provide Genlock, Switcher, SEG, and Colorizer features. These units are capable of producing most standard and many novel special effects. 2. Music Interface- Module C interfaces the basic system to any sound source and provides for producing automatic sequences of video effects. 3. Chroma Keyer- Module D provides the Videolab system user with four independent downstream chroma keyers utilizing joystick control. These units are fully color compensated and require no external delay lines. "The Videolab System- A Highly flexible, complete, low cost, modular video synthesizer. The EAB Videolab is a voltage controlled video synthesizer. The function of the Videolab is to accept up to six video images and to provide the user the capability of switching, combining, and modifying these images in a wide variety of ways..."

Hearn, William, 3,627,912 "Visual Display of Complex Color Television Sound Wave Signals" (2 copies) and EAB VideoLab Modules A through D , U.S. Patent Records, Electrical
Summary: Note on Xerox : "Vidium Patent". Patent Info.: 3,627,912 "Visual Display of Complex Color Television Sound Wave Signals", William E. Hearn, Atherton, California; assignor to Charles W. Kieser, San Francisco, California, a part interest. Filed April 23, 1969, Ser. No. 818,666. "This disclosure involves apparatus and modifying circuits for use in conjunction with a conventional cathode-ray tube to provide fanciful wide-band vector representations of the video signals by a pair of audio channels such, for example, as would be produced with a stereophonic recorded-signal source. The stereophonic signal may be generated through microphones, phonograph and magnetic tape recordings, or from stereophonic broadcasts and is amplified and processed by wide-band linear circuitry whose effect is substantially independent of frequency and displayed in vector form on a color cathode-ray tube utilizing magnetic deflection. The effect of the apparatus is to produce highly detailed visual patterns of great regularity and beauty of form and color, revealing fine details inherent in the stereophonic representation of the complex, nonrecurrent wave forms produced by music or voice. No filters or frequency sensitive elements are used except as required to enhance the signal-to-noise ratio of the progrqam material in which no timing signal, sweep signal, or raster representation is employed."

Hearn, William, The Video Colorizer, The Electronic Co-Op/ Electronic Associates of Berkeley, Berkeley, California
Summary: Video Colorizer designed by Bill Hearn. Illustration of front panel with description: "The Video Colorizer is capable of simultaneously adding color to a monochrome video signal and total modification of gray scale. This instrument allows the operator to divide the gray scale of video into four or more bands, and to assign brightness, hue, and saturation values to each band. The synthetic video signal thus formed may be mixed in any proportion with the unmodified video or may be used alone to achieve unusual video special effects." Features are listed, Uses (including enhancing medical X-Rays) and Product Summary for the Model 100, 200, and 400. The 200 and 400 are controlled by external control voltages.

Hearn, William
Summary: EAB Videolab designed by William Hearn. Black and White Glossy Photo of Modules A through D, Module E, Scientific Video Colorizer 400-S, Contact Sheet: of Lissajous type patterns, Woody Vasulka, wide shots of stacked modules. Location of Negatives unknown.

Hearn, William, '77 Videolab Input Board Sketch; Power Supply; Input Circuits-Pin Connections, Electronic Associates of Berkeley, Berkeley, California, November 26, 1977
Summary: EAB Videolab designed by William Hearn. Reduced xerox copy of circuit diagram with "CMS" initials on lower right. (Center For Media Study- SUNY Buffalo).

Hearn, William, '77 Videolab Output Keyer Fader, Effects Amp, and Options, Electronic Associates of Berkeley, Berkeley, California, November 26, 1977
Summary: EAB Videolab designed by William Hearn. Reduced xerox copy of circuit diagram.

Hearn, William, '77 Videolab Voltage Controlled Colorizer, Genlock Version, Electronic Associates of Berkeley, Berkeley, California, December 15, 1976
Summary: EAB Videolab designed by William Hearn. Reduced xerox copy of circuit diagram with "CMS" initials on lower right. (Center For Media Study- SUNY Buffalo).

Hearn, William, '77 Videolab Module "A" Complete, Electronic Associates of Berkeley, Berkeley, California, December 29, 1976
Summary: EAB Videolab designed by William Hearn. Reduced xerox copy of circuit diagram with "CMS" initials on lower right. (Center For Media Study- SUNY Buffalo).

Hearn, William, '77 Videolab Matrix Switcher, Electronic Associates of Berkeley, Berkeley, California, December 23, 1976
Summary: EAB Videolab designed by William Hearn. Reduced xerox copy of circuit diagram with "CMS" initials on lower right. (Center For Media Study- SUNY Buffalo).

Hearn, William, '77 Videolab Module Wiring, Electronic Associates of Berkeley, Berkeley, California, 1978
Summary: EAB Videolab designed by William Hearn. Reduced xerox copy of circuit diagram with "CMS" initials on lower right. (Center For Media Study- SUNY Buffalo).

Hearn, William, '77 Videolab Wiring Diagram for "A" Module, Electronic Associates of Berkeley, Berkeley, California, March 25, 1977
Summary: EAB Videolab designed by William Hearn. Reduced xerox copy of circuit diagram with "CMS" initials on lower right. (Center For Media Study- SUNY Buffalo).

Hearn, William, EAB Videolab Interconnections or Patch Diagrams 1 through 12, Electronic Associates of Berkeley, Berkeley, California, 1977
Summary: EAB Videolab designed by William Hearn. 1. Vertical Interval Switching. 2. Cross Fade Channel 1 and 3. 3. Automatic Crossfade Channel 1 and 3. 4. Horizontal (or other) Split Screen or Wipe Channel 1 and 3. 5. Luminance Key 6. Negative Video Using Effects Amp. 7. Colorizer, Synthetic (Artificial) Image. 8. Colorized Image mixed with Original 9. Colorized Image Retaining Highlights of Original 10. Use of Audio Interface Module C. 11. Alternating Images, Channel 1 and 3. 12. Use of Chroma Keyer Module D.

Hearn, Bill, Hearn, Relevant Distillation, 1978
Summary: Notes for Jon Burris in conducting an interview with Bill Hearn.

Hearn, Bill, Woody Vasulka Interviews Bill Hearn, 1978
Summary: Created with a grant from the National Endowment for the Arts to the Experimental TV Center in collaboration with the Vasulkas, c 1977. The research project concerned the design and creation of electronic moving-image instruments by independent artists and engineers, and the place of this work within the context of video art history. The project included original research, including audio interviews and the creation of original informational and other texts, and the compilation of existing descriptive materials. An interview of Bill Hearn by Woody Vasulka.

Hearn, Bill, David Dunn, Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Bill Hearn: Vidium (Analog XYZ driver/sequencer), 1969., Ars Electronica, Linz, Austria, 1992
Organization: Ars Electronica
Exhibition Date: 1969
Curators: Woody Vasulka, Steina Vasulka
Summary: Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Bill Hearn: Vidium (Analog XYZ driver/sequencer), 1969. Vasulka recounts his discovery of The Vidium and its inventor, Bill Hearn, at the Exploratorium in San Francisco. Also includes biographical, as well as autobiographical information on Hearn.

Hearn, William, EAB Videolab Schematics, Electronic Associates of Berkeley, Berkeley, CA, 1979, 1980
Summary: schematics for: rear panel and power supply; linear key colorizer; 4 x 4 matrix switcher; Output keyer/fader; control voltage keyer 1 of 3; attenuators and c.v. sources; pettern generator; processor; tristable logic 1 of 2; c.v. and timer; universal 6 channel video input circuits

Heath, Stephen, Patricia Mellencamp, Eds., Cinema and Language. American Film Institute Monograph Series, vol. 1., University Publications of America, Frederic, MD, 1983

Heathkit, Heathkit Model IG-72 Audio Generator (2 copies); Model IG-18 Sine-Square Audio Generator; Model IG-28 Color Bar and Dot Generator; Model IP-18 1-15 VDC Regulated Power Supply, Heathkit, Benton Harbor, MI
Summary: Heathkit Model IG-72 Audio Generator (2 copies); Model IG-18 Sine-Square Audio Generator; Model IG-28 Color Bar and Dot Generator; Model IP-18 1-15 VDC Regulated Power Supply. Instructions with illustrations.

Heathkit, Heath/Schlumberger, Heath/Schlumberger Instruments 1979; Heathkit Winter-1979, Heathkit, Benton Harbor, MI
Summary: Heath/Schlumberger Instruments 1979; Heathkit Winter-1979. 35 page and 96 page illustrated color catalogs. Includes prices.

Heidegger, Martin, The Question Concerning Technology and Other Essays. Translated by William Lovitt. , Harper Colophon Books, NY, 1977

Held, John Jr., Diary of Correspondence: 1979, Mid-York Library System, 1980
Summary: Index of correspondents includes: Tom DeWitt (Albany); David Held; Munson Williams Proctor Institute; Rochester Conference on Artists Books, 1979 at Visual Studies Workshop; Richard Simmons, curator at the Everson Museum of Art; Synapse Video Center.

Henderson, Brian, A Critique of Film Theory, E. P. Dutton, NY, 1980

Herbach and Rademan, Inc., Herbach and Rademan, Inc. "This Month: Electronics for Science and Industry"., Herbach and Rademan, Inc., Philadelphia, PA, 1980
Summary: Herbach and Rademan, Inc. "This Month: Electronics for Science and Industry". (5) 32 page black and white catalogs of parts and projects includes descriptions, photographs, and prices.

Herrick, Jon

Herskowitz, Richard, Ed., Media Buff: Media Art of Buffalo Being In Between, Herbert F. Johnson Museum of Art, Ithaca, NY, 1988
Organization: Herbert F. Johnson Museum of Art
Exhibition Site: Herbert F. Johnson Museum of Art
Exhibition Date: 9/9/88 - 11/12/88
Curator: Richard Herskowitz
Summary: texts and works by Barbara Lattanzi; Chris Hill and Hallwalls; Tony Conrad; Squeaky Wheel and Julie Zando; Richard Herskowitz catalog essay. Department of Media Study; Hallwalls; Squeaky Wheel; essay by Richard Herskowitz

Herskowitz, Richard, The School of Experimental Viewing from Edison Black Maria Film and Video Festival, 1991
Summary: Thomas A. Edison Media Arts Consortium (TAEMAC) website provides the catalog essays for the history of the Black Maria Film and Video Festival. This essays refers to the Cinema Department at Binghamton University: Larry Gottheim, Ken Jacobs, Ralph Hocking.

Herzogenrath, Wulf, Edith Decker, Video Skulptur: retrospectiv und aktuell 1963-1989, DuMont, Koln, 1989
Summary: in German; texts by John Handhardt, Wulf Herzogenrath, Edith Decker

Herzogenrath, Wulf, Ed., Videokunst in Deutschland: 1963-1982. In German., Verlag Gerd Hatje, Stuttgart, 1982
Summary: in German; texts by John Handhardt, Wulf Herzogenrath, Edith Decker

Herzogenrath, Wulf, Ed., Nam June Paik: Fluxus Video, Verlag Silke Schreiber, Munich, 1983
Summary: in German; texts by John Handhardt, Wulf Herzogenrath, Edith Decker

Herzogenrath, Wulf, Video Tapes. In German and English. Kolnischer Kunstverein, Kolnischer Kunstverein, Cologne, Germany, 1974
Summary: Ken Dominick; Ralph Hocking; Stephan Kolpan; Woody Vasulka; Stenia Vasulka; Videofreex; William Viola; Walter Wright

Herzogenrath, Wulf, "Attempts to Get Rid of the Damned Box.", Video 80 , Vol. 5, 1982

Herzogenrath, Wulf, "Eight Pieces by Dan Graham ", Studio lnternational, May 1972

Herzogenrath, Wulf, "The Video Scene ", LBMAVIDEO, Vol. 2, No. 6, 1986

Herzogenrath, Wulf, Notes on Video as an Artistic Medium in The New Television: A Public/Private Art, MIT Press, Cambridge, 1977
Summary: Based on "Open Circuits: An International Conference on the Future of Television" organized by Fred Barzyk, Douglas Davis, Gerald O'Grady and Willard Van Dyke for the Museum of Modern Art. Categories include the aesthetics of television; support structure; the international setting; politics, philosophy and the future of television. Chronology. Essay by Gerald O'Grady. David Ross (Video and the Future of the Museum). Allison Simmons (For An Improbable Alliance).

Hess, John, Patricia Zimmermann, "Transnational Documentaries: A Manifesto", Afterimage, February 1997

Hesse, Gary, "Tools, Technology and Access", Contact Sheet 97: 25th Anniversary Edition, No. 1998

Hewlett Packard, Hewlett Packard/ Sanborn Division. Instruction Manual for Sanborn ECG Preamplifier (Model 60-200)., Hewlett Packard/ Sanborn Division.
Summary: Hewlett Packard/ Sanborn Division. Instruction Manual for Sanborn ECG Preamplifier (Model 60-200). The Table of Contents is divided into the following Paragraphs: Introduction, Controls, Power Supply, Input Connectors, Operation: Using the Input Jacks, Operation: Preliminary Steps, Operating the System, ECG Technique (A Good Recording, Tremor, Alternating Current Interference, Wandering Baseline, Irregular Baseline, Indistrinct Baseline, Troubleshooting), Maintenance (Testing and Replacing Calibration Cells, Decay Curve Adjustment, Positive Voltage Adjustment, List of Replacements).

Hewlett Packard, Hewlett Packard/ Sanborn Division. Operating and Service Manual. 60-1300, 60-1300B Sanborn Twin-Viso Recorder., Hewlett Packard/ Sanborn Division., Waltham, MA, 1957
Summary: Hewlett Packard/ Sanborn Division. Operating and Service Manual. 60-1300, 60-1300B Sanborn Twin-Viso Recorder. The booklet is divided into the following sections: Introduction, Parts and Controls, Speed Controls, Writing Arms, Operation, Galvanometer Characteristics, Paper Speed, Replacement Parts, Rack- Control Panel, Mechanical Parts, and Sales and Services.

Hewlett Packard, Hewlett Packard/ Sanborn Division. Operating and Service Manual. D C General Purpose Amplifier 126, 126B, 64-300A, 64-300B, 67-300, 67-300B., Hewlett Packard/ Sanborn Division., USA, 1968
Summary: Hewlett Packard/ Sanborn Division. Operating and Service Manual. D C General Purpose Amplifier 126, 126B, 64-300A, 64-300B, 67-300, 67-300B. Table of Contents contains the following sections: Description and Data, Operating Procedures, The Oscilloscope Jack, Maintenance, Theory, Electrical Parts List, Mechanical Parts List, and Schematics.

Hewlett Packard., Hewlett Packard- Sanborn Division. Operating and Service Manual (140, 140B, 64-500A, 64-500B, 67-500, 67-500B Strain Gage Amplifier)., Hewlett Packard- Sanborn Division., Waltham, MA, 1958
Summary: Hewlett Packard- Sanborn Division. Operating and Service Manual (140, 140B, 64-500A, 64-500B, 67-500, 67-500B Strain Gage Amplifier). Notebook holds the following contents per section: Description, Operation w/ Strain Gage Half-Bridge, Operation w/ Strain Gage Full-Bridge, Operation w/ Resistance Bridge Transducer, Operation w/ Ractance Bridge Transducer (static calibration), Operation w/ Differential Transformer (static calibration), Operation w/ Resistance Thermometer (Special element), Operation w/ Resistance Thermometer, Special Operation, Operators Maintenance, and Theory.

Hickok Electrical Instrument Co., Hickok Model 209B Vacuum Tube Voltmeter, Hickok Electrical Instrument Co., Cleveland, Ohio, 1963
Summary: Hickok Model 209B Vacuum Tube Voltmeter. Service Manual illustrated with photograph, drawing, parts list.

Hickok Electrical Instrument Co., Hickok Instrumentation Sales and Pricing Sheets, Hickok Electrical Instrument Co., Cleveland, OH, 1976
Summary: Hickok Instrumentation Sales and Pricing Sheets. Illustrated with color photographs. Includes "Application Selector" manipulable pie chart.

High, Kathy, Ed., "Censoring the Media ", Felix: A Journal of Media Arts and Communication , Vol. 1, No. 1, Spring 1991
Summary: examines issues of censorship and its impact on the media community; Tony Conrad (Buffalo Artists Against Censorship and Repression; Dee Dee Halleck (Plunk Your Magic Twanger Yourself); Julie Zando (Censoring to Silence); Ellen Spiro (Operation Camcorder Storm).

High, Kathy, Venuto, Ed., "Voyeruism", Felix: A Journal of Media Arts and Communication , Vol. 2, No. 2, 1999
Summary: with guest editors Lisa Steele + Kim Tomzcak, and Nayan Shah, exploring the complex nature of the topics of VOYEURISM , surveillance, and the pleasures and risks of watching. VOYEURISM incorporated a significant international element, with guest editors from Canada, and articles and artist pages from Canadian artists comprising more than one quarter of the issue. The inclusion of a diverse group of artists broadens the dialogue between media arts communities in our countries, leading to new exchanges between Canadian and U.S. artists, as well as between cultural and educational institutions (also increasing distribution of FELIX in Canada).

High, Kathy, Cheang, Ed., "Shot/Reverse Shot: A Cross-Circuit Videologue", Felix: A Journal of Media Arts and Communication , Vol. 1, No. 2, Spring 1992
Summary: a series of written dialogues among video makers around questions of identity in relation to ethnicity and gender

High, Kathy, Reese, Ed., "Post Literate", Felix: A Journal of Media Arts and Communication , Vol. 1, No. 3, Fall 1993
Summary: examines the development of new technologies and their impact on our relationship to the written word

High, Kathy, Platt, Ed., " Landscape(s)", Felix: A Journal of Media Arts and Communication , Vol. 2, No. 1, 1995
Summary: dedicated to exploring issues of landscape and place, boundaries and territories, sites and mapping. Contributors to previous issues have included such artists and organizations such as: Peggy Ahwesh, Charles Atlas, Juan Downey, Cheryl Dunye, National Campaign for Freedom of Expression, DYKE TV, Ken Feingold, Coco Fusco, Gran Fury, Philip Mallory Jones, Tom Kalin, George Kuchar, the Wooster Group, Tony Oursler, Nam June Paik, Yvonne Rainer, Martha Rosler, Julia Scher, Rea Tajiri, Bruce and Norman Yonemoto, and Julie Zando.

High, Kathy, Ed., "Risk/ Riesgo. ", Felix: A Journal of Media Arts and Communication., Vol. 2, No. 3, 2003
Summary: Contents in Spanish and English. Chapter contents follow: Introduction by Kathy High, Public Space/ Public Interference, Spin Cycle/ Media Jamming, Inscribing the Body, Erosion/ Rewriting History, Further Disturbances, and Acknowledgements. with guest editors Ximena Cuevas (Mexico), Roberto Lopez (Mexico), Ricardo Nicolayevsky (Mexico) and Jesse Lerner (U.S.). RISK/RIESGO is an exchange between U.S. and Mexican media artists in the form of writings and graphic works. As the first bilingual (Spanish/English) issue of FELIX, RISK/RIESGO explores the political, the transgressive, the risk of making works described by artists living in Mexico and the US. RISK DVD is a compilation of video shorts by Mexican and U.S. artists who participated in the book project RISK/RIESGO. The works relate to the theme of risk - embodying a transgression, a gamble, a danger, a possibility. Contributors include from Mexico Miguel Calderon, Silvia Gruner, Ricardo Nicolayevsky (interview w/Rita Gonzalez), Mariana Botey, and artists like Miranda July, Alex Rivera, RT Mark, Shelly Silver, Barbara Hammer and POCHO from the States. RISK/RIESGO continued the cross border dialogue that was developed with VOYEURISM. These ambitious issues incorporated a significant international element, with guest editors from Canada and Mexico, and articles and artist pages from Canadian/Mexico artists comprising a significant portion of the issues. The inclusion of a diverse group of artists broadens the dialogue between media arts communities in our countries, leading to new exchanges between Canadian and Mexican and U.S. artists, as well as between cultural and educational institutions. RISK/RIESGO was released in 2003/04 with accompanying DVD, and received international support including funding from the Andy Warhol Foundation, NYSCA, and from Fideicomiso para la Cultura México-EUA, and Patronato de Arte Contemporáneo.)

High, Kathy , De Michiel, Co-Editor, A Closer Look: Hidden Histories - Radical Learning, Radical Perception The History of the Experimental Television Center (Kathy High, Ralph Hocking, Sherry Miller Hocking), NAMAC, San Francisco, CA, 2005
Summary: A CLOSER LOOK 2005 marks the twenty-fifth anniversary of NAMAC as a national organization serving independent media. We invited seven authors to look back at some of the “hidden histories” of the field: from underrecognized artists, collaborations and collectives, to organizations and intentional media communities. These creative clusters, found throughout the country, have embodied the dynamic spirit and vision of this media movement that continues to gain energy from – and exists in key dialogue with – issues of identity and race, marks of regionality, processes of tool and technology exploration, and the artifacts of mediated communication scattered throughout the environments we inhabit. The anthology opens up a field of inquiry for a new generation that may know very little about the artists, the organizations, or the times in which the media arts, as a self-described field, began developing and growing in cultural influence. Delving into perspectives about these subjects that only the long view backward can offer, the authors map a wide range of activities from a twenty-first century point of view, and look at how these transmissions from the past remain more than relevant today as our media environments change at warp speed. What are the lineages and patterns of practice that, when reexamined, have fresh significance for the concerns facing artists and organizations? These histories are strong reminders that uncertainty, playfulness and openness to unpredictability are part of the effort of making media. The driving forces surrounding the subjects that these authors explore may have changed over the years, but the questions they amplify re-emerge in new ways as creative generations overlap and eventually succeed one another. Introductions by Helen De Michiel and Kathy High. 97 pages. $19.95. Essays by: Patricia R. Zimmerman LIVE! Reconnecting the Histories of Live Multimedia Performance Scott McDonald Film History and “Film History” Mary M. Lampe SWAMP Roots Melinda Stone, in conversation with Andrew Lampert and Rick Prelinger Secrets in the Archives Robin Oppenheimer Visions and Hindsights: Seattle’s and/or Alternative Art Space Kathy High, Ralph Hocking, and Sherry Miller Hocking Radical Learning, Radical Perception Erika Dalya Muhammad Electrocultures

High, Kathy, Interviews at the Video History: Making Connections Conference. Interviews Conducted by Kathy High with Richard Fung, Tony Conrad, Richard Simmons, Connie Coleman, Peer Bode, Lisa Steele, Kim Tomczak, Sara Hornbacher, Ardele Lister, Rita Myers. , ETC, 1998
Summary: Video History: Making Connections Conference (October 16-18, 1998) at Syracuse University, and organized by the Experimental Television Center. Interviews Conducted by Kathy High with Richard Fung, Tony Conrad, Richard Simmons, Connie Coleman, Peer Bode, Lisa Steele, Kim Tomczak, Sara Hornbacher, Ardele Lister, Rita Myers.

High, Kathy, Interviews at the Video History: Making Connections Conference , ETC, 1998
Summary: Video History: Making Connections Conference (October 16-18, 1998) at Syracuse University, and organized by the Experimental Television Center. Interviews Conducted by Kathy High with Jean Haynes, Carlota Schoolman, Chris Hill.

High, Kathy , De Michiel, Co-Editor, A Closer Look: Hidden Histories - Introduction (Helen De Michiel), NAMAC, San Francisco, CA, 2005
Summary: A CLOSER LOOK 2005 marks the twenty-fifth anniversary of NAMAC as a national organization serving independent media. We invited seven authors to look back at some of the “hidden histories” of the field: from underrecognized artists, collaborations and collectives, to organizations and intentional media communities. These creative clusters, found throughout the country, have embodied the dynamic spirit and vision of this media movement that continues to gain energy from – and exists in key dialogue with – issues of identity and race, marks of regionality, processes of tool and technology exploration, and the artifacts of mediated communication scattered throughout the environments we inhabit. The anthology opens up a field of inquiry for a new generation that may know very little about the artists, the organizations, or the times in which the media arts, as a self-described field, began developing and growing in cultural influence. Delving into perspectives about these subjects that only the long view backward can offer, the authors map a wide range of activities from a twenty-first century point of view, and look at how these transmissions from the past remain more than relevant today as our media environments change at warp speed. What are the lineages and patterns of practice that, when reexamined, have fresh significance for the concerns facing artists and organizations? These histories are strong reminders that uncertainty, playfulness and openness to unpredictability are part of the effort of making media. The driving forces surrounding the subjects that these authors explore may have changed over the years, but the questions they amplify re-emerge in new ways as creative generations overlap and eventually succeed one another. Introductions by Helen De Michiel and Kathy High. 97 pages. $19.95. Essays by: Patricia R. Zimmerman LIVE! Reconnecting the Histories of Live Multimedia Performance Scott McDonald Film History and “Film History” Mary M. Lampe SWAMP Roots Melinda Stone, in conversation with Andrew Lampert and Rick Prelinger Secrets in the Archives Robin Oppenheimer Visions and Hindsights: Seattle’s and/or Alternative Art Space Kathy High, Ralph Hocking, and Sherry Miller Hocking Radical Learning, Radical Perception Erika Dalya Muhammad Electrocultures

Hightower, John B. , NYS Council on the Arts 1969-70: Executive Director's Statement, New York State Council on the Arts, NY, NY, 1970

Hill, Chris, "Interview with Peer Bode", The Squealer, Vol. 11, No. 2, Winter 1996/1997

Hill, Chris, Attention! Production! Audience!: Performing Video in its First Decade, 1968-1980. Introduction to Rewind: Video Art and Alternative Media in the United States (videotape collection with catalog, edited by Chris Hill; Kate Horsfield and Maria Troy, Collaborating Editors; Deirdre Boyle, Consulting Editor., Video Data Bank, Chicago, 1995

Hill, Chris, Interview with Peer Bode, March 1995

Hill, Chris, Interview with Steina Vasulka, May 1995

Hill, Gary, The Electronic Gallery, University Art Gallery, Binghamton University, Binghamton , NY, 1983
Organization: State University of New York at Binghamton
Exhibition Site: University Art Gallery
Exhibition Date: March 2-25, 1983
Curator: Maureen Turim
Summary: The Electronic Gallery. Gary Hill. Text covers Hill's videotapes and work at the Experimental Television Center (ETC). Videography: RING MODULATION (Color/sound) 1978- 3:25 minutes, PRIMARY (Color/sound) 1978- 1:10 minutes, ELEMENTS (B&W/sound) 1978- 2 minutes, SOUNDINGS (Color/sound) 1979- 19 minutes, PICTURE STORY (Color/sound) 1979- 7 minutes, VIDEOGRAMS (B&W/stereo) 1980-81- 13:25 minutes, PROCESSUAL VIDEO (B&W/sound) 1980- 11:30 minutes, and AROUND & ABOUT (Color/sound) 1980- 4:45 minutes.

Hill, Chris, "(Re)performing the Archive: Barbara Lattanzi and Hollis Frampton in Dialog", Millennium Film Journal, Vol. No. 39/40, 2003

Hill, Chris, Interview with Philip Mallory Jones, 1995

Hill, Chris, Interview with Steina Vasulka, 1995

Hill, Gary, Thank you for a residency., 1975

Himmelstein, Harold, On the Small Screen. New Approaches in Television and Video Criticism, Praeger, NY, 1981

Himmelstein, Harold, Television Myth and the American Mind, Praeger, NY, 1984

Hindman, James, "A Survey of Alternative Video Part I", AFI Edurational Newsletter, Vol. 4, No. 2, 1980

Hindman, James, "A Survey of Alternative Video Part 2", AFI Edurational Newsletter, Vol. 4, No. 3, 1980

Hirsch, Robert, Nicholson, Ed. , Contact Sheet: CEPA Gallery at Thirty, Light Works, Syracuse , NY, 2005
Summary: History of CEPA Gallery. Statements by Directors: Robert Muffoletto. Pierce Kamke. Kevon Nobel. Ken Pelka. Tom Damrauer. Kathy High. Biff Henrich. Gary Nickard. Gail Nicholson. Robert Hirsch. Lawrence Brose. CAPA Chronology 1974 - 2004.

Hitachi Denshi, Ltd., Hitachi Model EA-103U(E,K) Effects Amplifier Service Manual, Hitachi Denshi, Ltd., Tokyo, Japan
Summary: Hitachi Model EA-103U(E,K) Effects Amplifier Service Manual. Illustrated with controls views black and white photographs. Includes description and schematics.

Hitachi Denshi, Ltd., Hitachi Model FP-Z31/FP-Z31L Portable Color Camera Service Manual. Includes AP-40 Power Supply., Hitachi Denshi, Ltd., Tokyo, Japan
Summary: Hitachi Model FP-Z31/FP-Z31L Portable Color Camera Service Manual. Includes Ap-40 Power Supply. Includes technical specifications, exploded views and schematics.

Hitachi Denshi, Ltd., Hitachi Model FP-40SS Portable Color Camera Service Manual. Includes GL-40U Genlock Unit and Ap-60U AC Power Adaptor., Hitachi Denshi, Ltd., Tokyo, Japan
Summary: Hitachi Model FP-40SS Portable Color Camera Service Manual. Includes GL-40U Genlock Unit and Ap-60U AC Power Adaptor. Exlploded views and schematics.

Hitachi Denshi, Ltd., Hitachi Model FPC-1000BU (BE,BK) Color TV Viewfinder Camera and CCU Service Manual. , Hitachi Denshi, Ltd., Tokyo, Japan
Summary: Hitachi Model FPC-1000BU (BE,BK) Color TV Viewfinder Camera and CCU Service Manual. Exlploded views and schematics.

Hoberman, J., "Jon Alpert's Video Journalism: Talking to the People ", American Film, Vol. 6, No. 8, June 1981

Hochberg, J., Brooks, The Perception of Television Displays, Columbia University, 1973
Summary: A prepublication draft of a survey and analysis of the basic perceptual determinants that may affect viewers' responses to television as a unique mode of visual stimulation. The work was supported by the Experimental Television Lab of WNET-TV. Forward by David Loxton, Director of the TV Lab.

Hocking, Ralph, "Video Experiments ", Print, March/April 1972

Hocking, Sherry Miller, Landscape: Mediated Views, Visual Studies Workshop, Rochester, NY, 1998
Summary: Jeffrey Lerer; Kristin Lusca; Peer Bode; Mary Lucier; John Orentlicher; Branda Miller; Mike Camoin; Dave Ryan; Steina; Barbara Buckner; Bill Viola; Philip Mallory Jones; Woody Vasulka;

Hocking, Sherry Miller , Scan Processors, unpublished manuscript , 1978
Summary: research support from the National Endowment for the Arts to Experimental Television Center

Hocking, Sherry Miller, "Reflections from Owego ", The Squealer, January 1990

Hocking, Sherry Miller , Principles of Video Image Processing, Experimental Television Center, Binghamton, NY, 1978-1980

Hocking, Sherry Miller , An Introduction to Portable Video Systems, Experimental Television Center, Binghamton, NY, 1976

Hocking, Sherry Miller , Richard Brewster, with Walter Wright, Raster Manipulation Unit: Operation and Construction, Experimental Television Center, Binghamton, NY, 1980

Hocking, Sherry Miller, Principles of Electronic Image Processing - Image Processing Systems, 1978-1980
Summary: unpublished manuscript used as a studio manual at the Experimental Television Center

Hocking, Sherry Miller, Principles of Electronic Image Processing - Scanning , 1978-1980
Summary: unpublished manuscript used as a studio manual at the Experimental Television Center

Hocking, Sherry Miller, Principles of Electronic Image Processing - Signals, 1978-1980
Summary: unpublished manuscript used as a studio manual at the Experimental Television Center

Hocking, Sherry Miller, Principles of Electronic Image Processing - Switch, Mix, Compare , 1978-1980
Summary: unpublished manuscript used as a studio manual at the Experimental Television Center

Hocking, Sherry Miller, Principles of Electronic Image Processing - Sync, 1978-1980
Summary: unpublished manuscript used as a studio manual at the Experimental Television Center

Hocking, Sherry Miller, Two Texts Concerning Portable Video, 1992
Summary: chronology and description of early development

Hocking, Ralph, A Proposal for Low Cost Retrieval of Early Videotapes Produced on Obsolete Equipment and/or Videotape that Will Not Play Back. Or The Resurrection Bus, Experimental TV Center, Owego, NY, 1990

Hocking, Sherry Miller, How a Monitor and Camera Work: The Scanning Process, Experimental Television Center, Binghamton, NY, 1976

Hocking, Sherry Miller, "The Tapes are Disappearing", The Squealer, Vol. 13, No. 1, Spring/Summer 2002

Hocking, Sherry Miller, "Saving the Images: A Report from the Looking Back/Looking Forward Symposium", The Squealer, Vol. 13, No. 2, Fall/Winter 2002

Hocking, Sherry Miller, "The Evolution of Thinking Machines", The Squealer, Winter/Spring 2004

Hocking, Ralph, Miller, The Electronic Gallery, University Art Gallery, Binghamton University, Binghamton , NY, 1983
Organization: State University of New York at Binghamton
Exhibition Site: University Art Gallery
Exhibition Date: March 2-25, 1983
Curator: Maureen Turim
Summary: The Electronic Gallery. Ralph Hocking and Sherleen Miller. Biographical paragraph in conjunction with Miller-Hocking's endeavors regarding The Experimental Television Center (ETC) in Owego, NY. Works cited: OVALS (Color/stereo), 1979- 30 minutes, WALK/RUN (Color/sound) 1981- 6:35 minutes, and PIXELS (Color/sound) 1981- 12 minutes.

Hocking, Ralph, System Revision 1984, Experimental Television Center, Owego, NY, 1984
Summary: System Revision 1984. Notes on modules relation to the Main Matrix. Folder also includes scrap layouts for Input/ Output Patching by Ralph Hocking.

Hocking, Ralph, Brewster, Hocking System, Experimental Television Center, Binghamton, NY, 1973, 1981, 1983, 1986
Summary: Hocking System. Hocking Proc Amplifier notes by Ralph Hocking includes Proc. Amplifier schematic, Connector Panel, and Keyer (grey level) schematic. Output Amplifier Parts Count. Output Amplifier schematics (pp. 1 & 2 of 2, 09.15.1981). OA 1 parts list (3 pages). OA-1 option guide. Edge Connector. Engineering Box. Hocking System Rack (Back View) (Hocking, 01.09.83), dismantled 08.86 (Brewster). Disk Routines by Tarbell Electronics (12.13.1981). Sawtooth Phaser schematic. Hocking System Phase Shift, Bin Card. Hocking System P.S. General schematic. Hocking Sytem Back Panel. Sequencer Board B Logic. Hocking System 8 Channel Sequential Switch. Stancor Service Data Sheet (part nos. TP-2 thru TP-6) (05.24.73). Hocking System Patch Panel diagram. Block Diagram of Control Room Rack. 4 Input Sequencer schematic. Ralph's Output Amplifier schematic. Ralph's Phase Shifter. Tracking Oscillator Regulator (on card) schematic. Voltage Controlled Bank: text on rules for Patching Matrix- General, Mixers/Inverters, and Oscillators (front and back). Ralph's Oscillator Ranges. Voltage Controlled Bank Phase Shift schematic. Mixer and Inverter. Experimental Television Center Oscillator Ranges. Hocking Voltage Controlled Bank, Ramp Generator. Hocking VC Bank, Video Line Drivers. VCB Boards. VCB Rack Disignation. ETC Oscillator 8038B. Phase Shift for Veritical and Horizontal Locked Waveforms. Hocking System, Memorex 550 Drives, schematic by Tarbell Electronics.

Hocking, Ralph, National Endowment for the Arts: Computer Interface with Video Synthesizer. Proposal, Experimental Television Center, Bingamton, NY, 1975
Summary: Computer Interface with Video Synthesizers concentrates on the design and construction of an interface between computer and image synthesizer and the development of a computer language to permit the artist to enter the system to create images and notate compositions. Computer Interface with Video Synthesizers will be conducted at the Center under the direction of Ralph Hocking; project participants will include Walter Wright, computer consultant, Don McArthur, design consultant, Nam June Paik, artist, Woody and Steina Vasulka and David Jones. Project concerns the design and implementation of the interface between the Intel computer and video system components which include gray level hard and soft edge keyers, the Spatial and Intensity Digitizer (SAID) by McArthur and the Voltage Controlled Colorizer by Jones, McArthur and Wright.

Hocking, Sherry Miller, Bibliography. Appendix to the Experimental Television Center Equipment Operating Manuals, Experimental Television Center , Binghamton, NY, undated
Summary: circa 1983. Books, periodicals. An appendix to the Center's Equipment Manuals, distributed to artists in residence at ETC, and in the field.

Hocking, Sherry Miller
Summary: An historical overview of the evolution of Squeaky Wheel in Buffalo.

Hocking, Ralph, Sponsors Sell Networks Develop, 1972

Hocking, Sherry Miller, Want Ads, unpublished, 1972
Summary: Telephone messages at the Experimental Television Center, in the form of want ads.

Hoffman, Ann, Ed., Open Source: Artists from the Institute for Electronic Arts, China Light Industries, 2001
Summary: Catalog from the exhibition at the Central Academy of FIne Arts, Bejing, China, October 17 - November 9, 2001. Articles by Gara Edizel (Revolution by Digits), Pauline Oliveros (Tools of Change and Transformation).

Hohendahl, Peter, The Institution of Criticism, Cornell University Press, Ithaca, 1982

Hollie, Paul, "Hocking is "Champion of the Arts"", unknown, 1989
Summary: Ralph Hocking receives a Champion of the Arts award from the New York Foundation for the Arts.

Holman, David, Holman, A Better Mousetrap: The CAESAR, Filmmakers Newsletter, February 1975
Summary: A Better Mousetrap: The CAESAR. Article from Filmmakers Newsletter by L. Bruce and David Holman. Shows relationship between cel animation and computer animation at this time. Illustrated with drawings

Holzmann, Gerard J., Beyond Photography: The Digital Darkroom, Prentice Hall, Englewood Cliffs, NJ, 1988

Hoone, Jeffrey, "Many Hands: Light Work's First 25 Years", Contact Sheet 97: 25th Anniversary Edition, No. 1998

Hoptman, Laura
Summary: Review of the American Film Institute's exhibition at the 1986 National Video Festival.

Horitz, Robert, "Chris Burden", Artforum, May 1976

Horkheimer, Max, Theodor W. Adorno, Dialectic of Enlightenment. Translated by John Cumming , Seabury Press, NY, 1977

Hornbacher, Sara, Path of Dreams: Video in the Boroughs, Locus Communications and the Newhouse Gallery, 1983
Curator: Sara Hornbacher
Summary: Tapes by Bill Viola, Dan Reeves and Jon Hilton, Sara Hornbacher.

Hornbacher, Sara, Artist's Video I: Video in the Boroughs, Locus Communications and BACA, NY, 1983
Exhibition Site: Downtown Cultural Center Gallery Two
Curator: Sara Hornbacher
Summary: Tapes by Peer Bode

Hornbacher, Sara, Artist's Video II: Video in the Boroughs, Locus Communications , NY, 1983
Exhibition Site: Pratt Institute
Curator: Sara Hornbacher
Summary: Tapes by Neil Zusman

Hornbacher, Sara, American Community Video : Video in the Boroughs, Locus Communications and BACA, NY, 1983
Exhibition Site: Downtown Cultural Center Gallery Two
Curator: Sara Hornbacher

Hornbacher, Sara, Ed., Video: The Reflexive Medium, College Art Association, NY, NY, 1985
Summary: Sara Hornbacher (Video: The Reflexive Medium); Katherine Dieckman (Electra Myths); Ann-Sargent Wooster (Why Don't They Tell Stories Like They Used To); John Handhardt (The Passion for Perceiving); Benjamin H.D. Buchloh (From Gadget Video to Agit Video); Deirdre Boyle (Subject to Change); Lucinda Furlong (Tracking Video Art: Image Processing as a Genre); Martha Geever (Pressure Points); Tricia Collins and Richard Milazzo (The New Sleep); Barbara London (Video: A Selected Chronology).

Hornbacher, Sara, Ed., "Editor's Statement", Video: The Reflexive Medium Issue:vCollege Art Association Art Journal , Fall 1985

Hornbacher, Sara, Barbara Schreiber, A Thousand Plateaus, Atlanta, GA, 2001
Organization: Atlanta Contemporary Art Center
Exhibition Site: Atlanta Contemporary Art Center
Exhibition Date: January 12- March 10, 2001
Curator: Teresa Bramlette
Artists: Sara Hornbacher, Andrew Deutsch
Summary: A Thousand Plateaus. Contents follow: Foreword by Teresa Bramlette (Curator), Machinic Art, Machinic Subjects: Sara Hornbacher's A Thousand Plateaus by John Johnston, Biography by Sara Hornbacher, Biography by Andrew Deutsch and John Johnston, and Acknowledgements.

Hornbacher, Sara, Ed., "Video: The Reflexive Medium", Art Journal: Video - The Reflexive Medium, Vol. Fall, No. 1985

Horrigan, Bill, Ed., The Media Arts in Transition, Walker Art Center, Minneapolis, MN, 1983
Summary: Includes Bill Viola "Sonic Recommendations on Establishing Standards for the Exhibition and Distribution of Video Works."

Horrigan, Bill, Ed., The Media Arts In Transition, Walker Art Center, Minneapolis, MN, 1983
Summary: Texts by Ron Green, Brian O'Doherty, VIrgil Grillo, Gene Youngblood, Howard Wise, Jonas Mekas, Stan Brakhage, Nam June Paik, Shirley Clarke, Ed Emshwiller, Tony Conrad, Alvey Ray Smith, Frank Hodsoll, B. Ruby RIch, Renee Tajima, Barbara London, John Giancola, Jon Alpert, George Stoney, Bill Viola and Robert Haller.

Horsfield, Kate , Hilderbrand, Ed. , Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews, Temple University Press, PA, 2006
Summary: The first printed catalog of the Video Data Bank's complete holdings, Feedback offers readers essays on the history of media arts, the Video Data Bank, video activism, experimental performance art, and the On Art and Artists Collection. It includes 325 frame grabs and stills from some of the collection's most important pieces and outlines the styles and directions taken by artists throughout the entire history of video art. Contents Introduction to the Video Data Bank Collections – Kate Horsfield 1. Busting the Tube: A Brief History of Video Art – Kate Horsfield 2. Grow Gills and Swim: The Evolution of Activist Video – Gregg Bordowitz 3. Vertical Hold: A History of Women's Video Art – Vanalyne Green 4. Performance Art and Experimental Video: Highlights from the Video Data Bank Collection – Peggy Phelan 5. Video Art Collection 6. Video Art Anthologies 7. On Art and Artists: An Introduction – Kate Horsfield 8. On Art and Artists Collection Ordering Information Artist Index Title Index

Houston Instrument, Houston Instrument Series 2000 and 3000 Recorders, Houston Instrument (a division of Bausch and Lomb), Austin, TX
Summary: Houston Instrument Series 2000 and 3000 Recorders. Plotters. Illustrated with photos, diagrams, technical specifications.

Howard, Brice, Videospace and Image Experience, National Center for Experiments in Television, San Francisco, 1972
Summary: National Center for Experiments in Television (NCET) at public broadcasting station KQED in San Francisco

Howard, Brice, "About Television Reality and Performance", National Center for Experimental in Television Reports 2, no date
Summary: National Center for Experiments in Television (NCET) reports, no date

Howard, Brice, "An Ancient Gift", National Center for Experimental in Television Reports 2, no date
Summary: National Center for Experiments in Television (NCET) reports, no date

Howard, Brice, "Letter to David Dowe", National Center for Experimental in Television Reports 2, no date
Summary: National Center for Experiments in Television (NCET) reports, no date; David Dowe was head of the Dallas Center for Experiments in Television

Howard, Brice, Dear David, National Center for Experiments in Television, San Francisco, CA
Summary: Dear David, ... Love, Brice Howard. This is a letter to David Dowe, head of the Dallas Center for Experiments in Television, from National Center director Brice Howard, in preparation for the two organizations' co-production, "An Electric Concert," held in the Bob Hope Theatre at Southern Methodist University last November. It was reprinted in the program for that event.

Howard, Brice, An Ancient Gift, National Center for Experiments in Television at KQED, San Francisco, CA
Summary: An Ancient Gift by Brice Howard.

Howard, Brice, About Television Reality and Performance, National Center for Experiments in Television at KQED, San Francisco, CA
Summary: by Brice Howard. 24 pages.

Howard W. Sams & Co., Inc., Howard W. Sams & Co., Inc. Production Change Bulletin., Howard W. Sams & Co., Inc., Indianapolis, IN, 1973
Summary: Howard W. Sams & Co., Inc. Production Change Bulletin. Contains supplemental data to Photofact set 1281, folder 1.

Howard W. Sams & Co., Inc., Howard W. Sams & Co., Inc. The Photofact Servicer, Set 749., Howard W. Sams & Co., Inc., Indianapolis, IN, 1965
Summary: Howard W. Sams & Co., Inc. The Photofact Servicer, Set 749. Make and Models featured: Television Receivers: Catalina (122-570A/ -572A/ -574A, -576A/ -578A, AM-FM Radio used in Model 122-578A, FM Stereo Adapter used in Model 122-578A), General Electric (Chassis EA), Sylvania (Chassis 585-1/ -2/ -4/ -5), Truetone (2DC1501A, 2DC1501B), Production Change Bulletin: Zenith (Tel Rec. M2004JU/ JU4/ LU4, M2014RU4/ W4/ WU4, M2127W4/ WU4, M2231LU4/ W4/ WU4, T1986CU4/ JU4/ WU/ WU4 (Ch. 14M27)), Other Equipment: Coronado (PH13-3828), Philco (N-730, N-940), RCA Victor (Chassis RC-1215D/ E, RS-203C), Star-Lite (FM-520, FM-540).

Howard W. Sams & Co., Inc., Howard W. Sams & Co., Inc. The Photofact Servicer, Set 1249., Howard W. Sams & Co., Inc., Indianapolis, IN, 1972
Summary: Howard W. Sams & Co., Inc. The Photofact Servicer, Set 1249. Contents of this package: Television Receivers: Bradford (1171B22 (WTG-54321)), Magnavox (Chassis T959-01-AA), Sears Silvertone (528.44100000 thru 528.41100020, AM-FM Radio), Other Equipment: Truetone (TEW6275A-17 (4DC6275), Special Equipment Data: Kay-Townes (AB-7000 UHF Amp, AB-7700 VHF/ UHF/FM Amp), Winegard (DA-815 TV Amp).

Howard W. Sams & Co., Inc., Howard W. Sams & Co., Inc. Photofact Folder, Set 1459., Howard W. Sams & Co., Inc., Indianapolis, IN, 1975
Summary: Howard W. Sams & Co., Inc. Photofact Folder, Set 1459. Contents of this Package: Television Receivers: Panasonic (CT-2514, CT-2524, CT-2534 (Ch. ETA-82)), Sylvania (Chassis A12-3/ -4/ -5, A16-2/ -3), Truetone (WEG2587A-57 (2DC2587), WEG2589A-57 (2DC2589)), Production Change Bulletin: Channel Master (6143B), Philco-Ford (B311FWH (Ch. 3BH15A), B460FWA (Ch. 3BM23), C1907FWA (Ch. 3CS90E)), Sony (KV-1210U (Late Production), Other Equipment: Soundesign (3490).

Howard W. Sams & Co., Inc., Howard W. Sams & Co., Inc. Production Change Bulletin, Set 683, Folder 4., Howard W. Sams & Co., Inc., Indianapolis, IN, 1964
Summary: Howard W. Sams & Co., Inc. Production Change Bulletin, Set 683, Folder 4. Supplemental data to Photofact Folder 1, Set 594.

Howley, Kevin

Howley, Kevin, Community Media: People, Places, and Communication Technologies, Cambridge University Press, 2005

Hoy, Anne, The Thinking Eye: Juan Downey, International Center for Photography, NY, NY, 1987
Organization: International Center for Photography
Exhibition Site: International Center for Photography
Exhibition Date: April 24-June 21, 1987
Artist: Juan Downey

Hubbard, Jim, "Preserving the Immaterial: The Guggenheim Museum's Variable Media Initiative", MAIN, Spring/Summer 2001

Hubbard, Jim, Jimenez, Meeting the Challenges of Video Preservation: A Progress Report on Initiatives within the Media Arts Field by Media Alliance, Media Alliance, NY, NY, March 1996

Huberman, Anthony , Heiss, Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and the New Art Trust , P.S. 1, 2003
Summary: historical overview of video art created for display on a single monitor, with more than 100 pieces, dating from the mid-60s through 2000, including numerous landmarks in the development of this young medium by Marina Abramovic, Gilbert & George, Acconci, Jonas, and Nauman, as well as more recent work by Tony Oursler, Darren Almond, Pipilotti Rist, and others redefining the genre. Artists Include: Dan Graham, Christopher Eamon, Vito Acconci, Gilbert & George, David Hammons, Gary Hill, Joan Jonas, Mike Kelley, Anthony Huberman, John Baldessari, Peter Campus, Steve McQueen and Bill Viola. Essays by Klaus Biesenbach, Barbara London and Christopher Eamon, Foreword by Glenn Lowry. Introduction by Alanna Heiss. - Amazon

Hudlin, Warrington, Cunningham, Black Filmmakers, Black Audiences, and Public Television Programming: An Examination of Issues and Options for the Future. Presented at the Conference Television Makers and Public Communications Policy, Rockefeller Foundation Arts Program, New York, New York, 1979

Huffman, Kathy Rae, California Video, Long Beach Museum of Art, 1980

Huffman, Kathy Rae, Video: A Retrospective, Long Beach Museum of Art, 1984

Hulser, Kathleen, "Artists Gain Access to Cable", Videography, Vol. 10, No. 1, January 1985
Summary: Collaborative Projects, Potato Wolf, The Live! Show, Cast Iron TV, Paper Tiger Television,

Hulser, Kathleen, "Skip Blumberg's Great Performances ", American Film , July/August 1983