Tadlock, Thomas, program notes for TV as a Creative Medium, 1969
Tajchman, Birger E.J., "The Incredible Electronic Animation Machine", Computer Image, November 1977 Summary: The Incredible Electronic Animation Machine about CAESAR and Scanimate. Description, photo of Dave Holman operating CAESAR.
Tajchman, E. J., "The Incredible Animation Machine", Videography, Vol. 2, No. 11, November 1977 Summary: Caesar computer system, an electronic animation system at Computer Image Corporation in Denver, CO.
Takahiko Iimura Media Institute, Kazuyo Yasuda, Reviews of Takahiko Iimura: Film, Video, Multimedia (1978-2001)., Takahiko Iimura Media Institute, Tokyo, Japan, 2001 Summary: Reviews of Takahiko Iimura: Film, Video, Multimedia (1978-2001). Articles for Film follow: I saw my first Iimura film in 1964.... by Jonas Mekas, The Films of Takahiko Iimura by Scott MacDonald, Eiga No Kojiki: Fat Man Rising- Note on Takahiko Iimura and Ono Yoko by Olaf Moller, Between Two Straight Parallel Lines- The Films and Video Work of Takahiko Iimura by Bruno Di Marino, Takahiko Iimura- Getting the Measure of Time by Malcolm Le Grice, and Bringing Ryoan-ji to the Screen by Daniel Charles. Articles for Video follow: The Ultimate Landscape Video by Katsuhiro Yamaguchi, The Play of the Codes or the Revenge of the Codes?- Two or Three Comments on Takahiko Iimura by Kenji Asanuma, I = YOU = HE/SHE by John G. Hanhardt, I am Not Takahiko Iimura by Carl Eugene Loeffler, The Video Art of Takahiko Iimura by Daryl Chin, (I)/You. DOUBLE DA.MA (and Taka Iimura) by Peter D'Agostino. Articles on Multimedia Art follow: Narcissism and Postmodernity (Notes on Takahiko Iimura) by Daniel Charles, Takahiko Iimura OBSERVER/OBSERVED and Other Works of Video Semiology by Mike Leggett, and Takahiko Iimura- Film et Video, Daniel Charles, Takahiko Iimura and others. Galerie nationale du Jeu de Paume, Paris by Fred Anderson. Final pages of catalog include Biography, Filmography, Film Performance/Installation, Videography, Video Performance/Installation, Laserdisc, CD-ROM, and Distributors.
Tambellini, Aldo, "A Conversation on Electronics and Black TV with Aldo Tambellini", Artscanada, April 1968 Summary: A conversation on electronics and Black TV with Aldo Tambellini and four engineers: Charles Bruner, Ronald Reisdorf, John San Pietro and Kenneth Wise.
Tambellini, Aldo Summary: Interview of Aldo Tambellini. Brief biography of Tambellini.
Tambellini, Aldo, A Brief History of "6673", New York, New York, 2003 Summary: The 55 minute black and white tape from 1966 described was reprocessed in 1973 at Channel 13 using the Paik-Abe Synthesizer; therefore, the title "6673."
Tambellini, Aldo, Otto Piene, Aldo Tambellini, Black Gate, Tambellini, New York, New York, 1968 Summary: A poster for Tambellini's Black TV edited and compiled by Otto Piene and Aldo Tambellini.
Tambellini, Elisa , "The Gate Theater", Artscanada, October 1967 Summary: The Gate Theater and Black Gate founded by Aldo Tambellini and Otto Piene
Tambellini, Aldo, David Dunn, Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Aldo Tambellini: Black Spiral (TV Sculpture), 1969., Ars Electronica, Linz, Austria, 1992 Organization: Ars Electronica Exhibition Date: 1969 Curators: Woody Vasulka, Steina Vasulka Summary: Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Aldo Tambellini: Black Spiral (TV Sculpture), 1969. Introduction divulges Woody Vasulka's regards for Tambellini's Black Spiral. Also, biography of and quotes by Aldo Tambellini.
Tambellini , Elsa Summary: Description and photograph of the Gate Theater. Description by Elsa Tambellini. Photo by Jesse Fernandez.
Tambellini , Aldo, Biography, Communicationsphere, Cambridge, Massachusetts Summary: Biography of Aldo Tambellini. The Age of Communicationsphere by Tambellini.
Tamblyn, Christine, "Whose Life Is it, Anyway? ", Afterimage, Vol. 15, No. 1, Summer 1987
Tamblyn, Christine, "Image Processing in Chicago Video Art, 1970-1980", Leonardo, Vol. 24, No. 3, 1991
Tapco (Technical Audio Products Corporation), Tapco Model 2200 Owner's Manual, Tapco (Technical Audio Products Corporation), Redmond, WA, 1977 Summary: Tapco Model 2200 Owner's Manual. Ilustrated with photographs and diagrams, technical specifications.
Tarbell Electronics, The Tarbell Floppy Disk Interface, Tarbell Electronics, Carson, CA, 1978 Summary: The Tarbell Floppy Disk Interface includes Overview, Theory of Operation, Assembling the Interface Board, Setting the Jumpers, Checkout, Firmware and Drivers, Reference Information. Price Information.
Taylor, Deems, A Pictoral History of the Movies, Simon and Schuster, New York, NY, 1943 Summary: A Pictoral History of the Movies. Contents follow: Birth and Infancy, Griffith Turns a Page, The Twenties, Come the Revolution, The Talking Picture, Appendix, and Index.
Teasdale, Parry D. , Videofreex: America's First Pirate TV Station and the Catskills Collective That Turned It On, Black Dome, Mensonville, NY, 1999
Technisphere Corp., Technisphere Corp. Rover Modification Package. , Technisphere Corp., New York, NY Summary: Technisphere Corp. Rover Modification Package. Technisphere is offering six modifications to the SONY Rover Open-reel half-inch Portable Video Recording Deck. These modifications include the following: Install Camera Target Level Control, Install Mike/Line Switch, Install Manual Audio Gain Control, Convert Battery Meter to Battery/ Audio Meter, Install Coax Video Output, Install Coax Video Input with Internal-External Switch. At the time, Technisphere had a Special Package Offer of $180 for these modifications.
Technisphere Corp., Technisphere Corp. Color "Technically." Technisphere's color conversions for 1/2-inch black and white VTR's., Technisphere Corp., New York, NY Summary: Technisphere Corp. Color "Technically." Technisphere's color conversions for 1/2-inch black and white VTR's. Front page: stacked like dominoes, these modifications for VTR's are sold as color-pack modifications for their own units or complete VTR with color adapter packages. Adapter modifications are available for the following models: Sony AV-3600, 3650, Panasonic NV-3010, 3020, 3020SD, JVC KV-360, Shibaden SV-510, 510D, 512, Sanyo VTR-1200, 1350, and under the Special TC Pkg. Sony's AV-3400. The average cost for said modifications is between $650-750.
Technisphere Corp., Technisphere Corp. 1976 Video Rental Guide., Technisphere Corp., New York, NY, 1976 Summary: Technisphere Corp. 1976 Video Rental Guide. Includes rental of black and white as well as color open-reel video recording equipment. Ancillary equipment includes audio, lighting, cables, etc. The brochure also includes a pricelist. On the back cover, sections include consulting services and special consideration for grants.
Technisphere Corp., Technisphere Corp. 1/2" Color Video Tape Recorder/ Editor, Model TC-3130. Technisphere announces the most advanced half inch editor available. , Technisphere Corp., New York, NY, 1973 Summary: Technisphere Corp. 1/2" Color Video Tape Recorder/ Editor, Model TC-3130. Technisphere announces the most advanced half inch editor available. A revision of the Panasonic NV-3130, the TC-3130 is touted as the most versatile recorder/editor. This leaflet covers Quality Engineering Features, TC-3130 Editing Modes (represented pictorally), and Standard Performance Data & Specifications.
Technisphere Corp., Smith, Raymond C., Technisphere Corp. "Video Talk: A Technical Service to the Industry from the makers of Scotch Magnetic Tape" Volume I, No. 2, Volume II, No. 2, also Recording and Data: Handling and Storing Magnetic Tape, Technisphere Corp., New York, NY, 1968, 1969, 1971 Summary: Technisphere Corp. "Video Talk: A Technical Service to the Industry from the makers of Scotch Magnetic Tape" Volume I, No. 2, Volume II, No. 2, also Recording and Data: Handling and Storing Magnetic Tape. Through black and white pictures these booklets instruct on topics such as contamination, physical damage, safeguards, and shipping.
Tektronix, Tek Instruction Manual, Part No. 070-2899-00 Product Group 24, Models: 1420 NTSC, 1421 PAL, 1422 PAL-M, Vectorscope (SN B050000 and up)., Tektronix, UK, 1979 Summary: Tek Instruction Manual, Part No. 070-2899-00 Product Group 24, Models: 1420 NTSC, 1421 PAL, 1422 PAL-M, Vectorscope (SN B050000 and up). This blue notebook includes sections on installation, theory of operation and service information. The manual also includes a block diagram, schematics and photographs.
Tektronix, Inc., Tektronix, Instruction Manual for Type 526 Vectorscope, Tektronix, Beavertown, OR, 1960 Summary: Yellow cardboard bound notebook contains operating information for Tektronix Type 526 Vectorscope. Coverpage picture of unit. Section 1: Characteristics include color-phase vector diagrams, phase, saturation, burst gate, etc. Mechanical characteristics include a cathode-ray tube, graticule, ventilation, and construction. Other attributes include circuit description with block diagrams, maintenence and troubleshooting, calibration, parts lists and ordering info, illustrations, accessories, and rackmounting.
Tektronix, Inc., Gordon Allison., Tekscope: Volume 11, Number 1. Tektronix., Tektronix., Beavertown, OR, 1979 Summary: Cover page shows two state-of-the-art products, the 7104 and 7912AD, which provide new measurement capability and operating ease for analyzing high-speed signals. Other featured products include a 1 GHz at 10 mV in a General Purpose Plug-in Oscilloscope, a New Calibration Fixture for the 7000-Series, an Intelligent, Programmable Transient Digitizer, and other new products. Limited block diagrams of circuitry are also present along with original pricelist and order form.
Tektronix, Inc., Gordon Allison., Tekscope: Volume 13, Number 1. Tektronix., Tektronix., Beavertown, OR, 1981 Summary: A colorful coverpage conceptually demonstrates the multivendor capability of the new 8550 Microcomputer Lab. The 8550 supports a multiplicity of devices, 26 at present, and more in the near future. Other pros of the 8550 are due to two new hard copy units featuring low-cost, high-contrast copies, programmable calibration generator that speeds instrument checkout, slewed-edge signals that simplify fast sweep timing. Rear cover page includes photographs and text for a New Pulse Generator for the TM 500 Series.
Tektronix, Inc., Television Products Application Notes, Nos. 1-5, Tektronix., Beavertown, OR Summary: Five red and white pamphlets entitled "Using the Tektronix 140, 144, or 146 as a VIT Signal Source," "Measuring Luminance Cross Modulation with the Tektronix types 140, 144, and 146," "In-Service Random Noise Measurements Using The Tektronix 147," "Remote TV Transmitter Monitoring with Tektronix Television Equipment," and "Measuring Chrominance-To-Luminance Gain and Delay." They each provide four pages of text, photographs, vectorscopes, and block diagrams on said topics.
Tektronix, Inc., Excerpts from the 7D02 Logic Analyzer Operators' Manual., Tektronix., Beavertown, OR, 1980 Summary: This leaflet begins with Section 4, 7D02 Programming Concepts, of the 7D02 Logic Analyzer Operators' Manual. It uses computer events and syntax in its instruction. Timing option and Shortcuts are also explored. The document further includes a letter from Sales Engineer, Roger Williams.
Tektronix, Inc., Tekscope. Volume 10, Number 4., Tektronix., Beavertown, OR, 1978 Summary: This booklet delves into the following points of interest: The 4027- adding a color dimension to graphics, Reliability- the Continuing Challenge, an Easy Language for Talking with Color Machines, and New Products. Various diagrams and photographs aid this explanation. New Products include The S-3270 20 MHz LSI Tester, the GMA 125 Display Module, and the 4016-1 Computer Display Terminal.
Tektronix, Inc., Tekscope. Volume 8, Number 1., Tektronix., Beavertown, OR, 1976 Summary: This volume of Tekscope explores Time measurement for the 7000 Series. Other sections include Spotlighting hidden pulses, The T900 Series- solving the cost versus quality question, A 50-MHz pulse generator with variable transition times, Troubleshooting phase lock loops, and New products. New products include a 40 MHz Function Generator, a 1 GHz Leveled Sine Wave Generator, the Versatile New Oscilloscope Cart, the 400 MHz Sweep Generator, a Low Cost Oscilloscope Camera, and a Dual Trace Portable Patient Monitor.
Tektronix, Inc., Tekscope. Volume 7, Number 4., Tektronix., Beavertown, OR, 1975 Summary: A rather abstract coordinant plane marked by horizontal aqua lines heads the cover of this notebook. Contents include sections on A 16-channel logic analyzer, Display monitors- through the looking glass, Repairing pushbutton switches, and New Products: A Portable Test and Measurement System, and the New T900-Series Oscilloscope.
Tektronix, Inc., Tekgraphics. Number 11. Transportation., Tektronix., Beavertown, OR, 1975 Summary: Planes, Trains, and Automobiles. This version of Tekgraphics uses a technological approach to explore the transportation industry.
Tektronix, Inc., Tekscope. Volume 7, Number 2., Tektronix., Beavertown, OR, 1975 Summary: Cover: A riveting photograph of a 502 TDR Cable Tester caught in a torrential downpour. Contents include Two weatherproof TDR cable testers for field use, a new 50-MHz oscilloscope, the TM 500 mobile test lab, and a review of Transmission line characteristics.
Tektronix, Inc., Tekscope. Volume 6, Number 4., Tektronix., Beavertown, OR, 1974 Summary: The dual-beam crt gun structure ussed in the 7844 is featured on the coverpage of this installation of Tekscope. Contents include a 400-MHz dual-beam oscilloscope, the oscilloscope with the digital multimeter, Op amp bandwidth approximations using the 577/178, and troubleshooting the 7B70 and 7B71 time bases. Photographs, graphic representations and block diagrams are also in evidence.
Tektronix, Inc., Tekscope. Volume 7, Number 3., Tektronix., Beavertown, OR, 1975 Summary: The motherboard gives birth to a new baby in this installment of Tekscope. Contents include a 5 MHz digitally controlled spectrum analyzer, transition counting with an oscilloscope, storage expands your oscilloscope measurement capabilities, a potpourri of modifications and service notes, and New Products. The new products section features the 5444 Dual-Beam Oscilloscope, the 1502 and 1503 TDR Cable Testers, the 455 Portable 50-MHz Oscilloscope, the E4010 and E4010-1 Graphic Display Terminals, the 4923 Digital Cartridge Tape Recorder, the 2701 and 2703 Step Attenuators, the one-degree Luminance Probe, and the WP 1205 Digital Processing Oscilloscope (DPO).
Tektronix, Inc., Tekscope. Volume 8, Number 4., Tektronix., Beavertown, OR, 1976 Summary: On the cover, two operators sit at work personalizing their data using the new DFI Display Formatter, a companion plug-in for the Tektronix 7D01 Logic Analyzer. Contents of this magazine include the following sections: A display formatter- the indispensible tool for the data domain, Plug-ins to reach the limits of your imagination, Two graphics technologies merged, and Tektronix products get dirty, too! New Products this time around features the 7LS Options Expand Versatility and P6302 Current Probe and AM 503 Current Probe Amplifier.
Tektronix, Inc., Tekscope. Volume 9, Number 2., Tektronix., Beavertown, OR, 1977 Summary: A lone engineer works hard at bringing together and thoroughly checking software and prototype hardware using the 8002 Miscroprocessor Lab with optional Prototype Control Probe on this cover of this issue of Tekscope. The CT8100 Crt Terminal is another option discussed here. Contents lists the following: The 8002- a new design tool for miscroprocessor users, the fundamental beauty of computer graphics, and measuring harmonic distortion with a spectrum analyzer.
Tektronix, Inc., Tekscope. Volume 9, Number 3., Tektronix., Beavertown, OR, 1977 Summary: Cover: The three-sphere YIG preselector in the 7L18 provides spurious-free performance from 1.5 to 18 GHz and allows accurate amplitude measurements while still in the signal path. Contents include: Microwave Technology at Tektronix, A High Performance Transportable Microwave Spectrum Analyzer, Digital Storage for a Microwave Spectrum Analyzer, A Phase Lock Stabilization System for 30 Hz Resolution at 12 GHz, and Two New Graphic Display Modules for the OEM System Designer. Technological photographs and block diagrams make this magazine both interesting and informative. New Products features a Finite Element Modeling System that Reduces Model Building Time and Cost, the DL2 and DL 502 Digital Latches, and a Versatile, New Digital Tester, the Tektronix 851.
Tektronix, Inc., Tekscope. Volume 10, Number 3., Tektronix., Beavertown, OR, 1978 Summary: Cover: The finger pattern on the SAW filter substrate is fine enough to serve as a diffraction grating as depicted in this photo of a photomask containing three SAW filter patterns. Contents include An Ultra-Stable Precision Demodulator for the Television Broadcaster, Spectrum Analyzer Applications in Baseband Measurements, and a 24 MHz Nyquist SAW Filter for the 1450 Demodulator. Block diagrams and illustrations, in bright red, are quickly brought to the eyes' attention throughout the pamphlet. New Products unveils SC 503 10 MHz Storage Oscilloscope, Bistable Storage for TM 500, DC 508 1 GHz Frequency Counter, A GHz Counter for TM 500, and the 634 Video Display Monitor, Three New Monitors that Broaden Your Price/ Performance Choice.
Tektronix, Inc., Tekscope. Volume 10, Number 2., Tektronix., Beavertown, OR, 1978 Summary: Cover: A ray of light falls on the DF2 Display Formatter, which illuminates the activity taking place on the GPIB by disassembling the instructions and displaying them in familiar IEEE 488 message mnemonics. Contents features Unraveling the Mystery on the GPIB, IEEE 488 Bus- Going Your Way?, and Pulse Generator or Function Generator- Making an Intelligent Choice. In this issue schematics and illustrations are clearly marked in lime-green. New Products introduces The T932A and T935A Portable Oscilloscope, The New C-5B Oscilloscope Camera, and the Harmonica Connector to Logic Probe Adapter.
Tektronix, Inc., Tekscope. Volume 9, Number 1., Tektronix., Beavertown, OR, 1977 Summary: Cover: Dr. Gail Massey of Oregon Graduate Center studies a YAG laser pulse stored and displayed on the 400 MHz 7834 Storage Oscilloscope. He wears a black suit and black shop goggles. Contents are outlined as follows: A big step forward for direct-view storage, Counter and oscilloscope combination makes difficult measurements, testing three-terminal regulators with a curve tracer, and Tektronix products get dirty, too! (Part II). As usual, block diagrams, graphics, and photographs accompany the text in a descriptive fashion.
Tektronix, Inc., Tektronix Instruction Manual for the P6060 Probe., Tektronix., Beavertown, OR, 1971 Summary: Booklet includes two sections: Characteristics and Operating Instructions for the P6060 Probe. The former covers Description and Specification with tables and graphs. The latter includes an introduction, Probe Compensation, Differential Operation, Probe Grounding, Maximum Input Voltage, Circuit Loading ushered by illustrations, oscilloscopic graphs, and a list of replacement parts. The back cover shows a schematic diagram for the 10X Probe.
Tektronix, Inc., Tektronix Oscilloscope 545A., Tektronix., Beavertown, OR, 1961 Summary: Detailed schematics of the Power Supply and CRT Circuit for the Type 545A Oscilloscope. This comprehensive file also includes block diagrams, Time-Base A Trigger, Time-Base B Trigger (Circuit Numbers 50 thru 99), Time-Base Generator B, Delay Pickoff, External Horizontal Amplifier, Verticle Amplifier, a Heater Wiring Diagram, a chart of Electrical Characteristics, a Schematics of the Signal Processing Board, the Printed Circuit, Sync Generator and Signal Processing Boards, along with Test Points and Waveforms.
Tektronix, Inc., Tektronix Oscilloscope 535A., Tektronix., Beavertown, OR, 1959 Summary: The seven sections of this blue bound notebook are as follows: Characteristics, Operating Instructions, Applications, Circuit Description, Maintenance, Calibration, and Parts Lists and Diagrams. The schematic apendices include a block diagram, Time-Base A Trigger, Time-Base Generator A, Time-Base A Timing Switch, Time-Base B Trigger, Time-Base Generator B, Delay Pickoff, Ext. Horizontal Amp., Horizontal and Verticle Amps., Delay Line Network, Calibrator, Power Supply, CRT Circuit, and Manual Change Information.
Tektronix, Inc., Tektronix Instruction Manual for the Type 524 Cathode-Ray Oscilloscope., Tektronix., Beavertown, OR, 1960 Summary: This notebook contains the following sections on the Type 524 Cathode-Ray Oscilloscope: Specifications, Operating Instructions, Circuit Description, Maintenance, and Parts List and Circuit Diagrams. Apendices include a block diagram, and schematics for Probe, Sync Separator, Trigger Delay & Field Shift, Multi & Sweep Generator, Sweep Amp., Time-Mark Generator, Preamp., Vert. Amp., Delay Line, Calibrator, LV Power Supply, and CRT Circuit. The final section covers Manual Change Information.
Tektronix, Inc., Tektronix Instruction Manual for the Type RM 529 Oscilloscope. , Tektronix., Beavertown, OR, 1964 Summary: Tektronix Instruction Manual for the Type RM 529 Oscilloscope. Notebook includes ten sections as follows: Characteristics, Operating Instructions, Circuit Description, Maintenance, Performance Check, Calibration, Abbreviations and Symbols, Parts Ordering Information, Electrical and Mechanical Parts Lists, Diagrams, and Rackmounting. Apendices contain a block diagram, Vert. Amp., Response Switches S/N 9000-up, S/N 7320-8999, S/N 100-7319, DC Restorer, Sync Separator, Field and Line Selectors, Sweep Generators S/N 9000-up and S/N 2997-8999, Horizontal Amp., Power Supplies S/N 9000-up and S/N 100-8999, CRT Circuit & Calibrator S/N 9000-up, Installation, Dimension Drawing, and Manual Change Information.
Tektronix, Inc., Tektronix Instruction Manual for the 1420 NTSC, 1421 PAL, 1422 PAL-M Vectorscope., Tektronix., Beavertown, OR, 1975 Summary: Tektronix Instruction Manual for the 1420 NTSC, 1421 PAL, 1422 PAL-M Vectorscope. Contents include Installation, Operating Instructions (Description, Controls and Connectors, Check-Out Procedure, and Obtaining Display Photographs), Specification (Chrominance Processing, Amplifier, Power Supply, Environmental, as well as Physical Characteristics), Circuit Description, Maintenance and Calibration, an Electrical and Mechanical Parts Lists, Servicing Illustrations, Diagrams, and Manual Change Information. Other points of interesting include an exploded view of the instrument, and schematics re: the Demodulator, Input Processing, Phase Lock and Timing, and Sub Ref Switching.
Tektronix, Inc., Tektronix Instruction Manual for the Type 529 Waveform Monitor. , Tektronix., Beavertown, OR, 1965 Summary: Tektronix Instruction Manual for the Type 529 Waveform Monitor. Main contents are split into the following sections: Characteristics, Operating Instructions, Circuit Description, Maintenance, Performance Check, Calibration, Abbreviations and Symbols, Parts Ordering Info., Electrical and Mechanical Parts Lists, and Diagrams. Apendices: Block Diagram and Schematics for Vert. Amp., Response Switches S/N 6000-up and S/N 100-5999, DC Restorer, Field and Line Selectors, Sweep Generators S/N 6000-up and S/N 998-5999, Hor. Amp., Power Supply, CRT Circuit & Calibrator, and finally Manual Change Information.
Tektronix, Inc., Schrock, Clifford B., Tektronix, No Loose Ends: the Tektronix Proof-of-Performance Program for CATV., Tektronix, Beavertown, OR, 1973 Summary: A blue slipknot of cable entwines this "cookbook" by Clifford B. Schrock. Contents of the booklet include photographs of the author and testing equipment, and CTR Readout. Sections include testing information for amplitude, intermodulation, frequency measurements, co-channel interference, frequency response, signal-to-noise, hum and low-frequency distortion, terminal isolation, radiation, measurements with spectrum analyzer, hints for Analyzer Use, and FCC (symbol) 76:605.
Television Microtime, Inc. (Delta), Delta 44-028 Drifcor Time Base Corrector for Universal Monochrome TBC for all VTR's Operating on 525 line/60 field Standard Specifications Effective 1 June 1973; Delta 14- ( ) Sync-Loc VTR Servo Interface Module Kit 1 July 1973 Summary: Delta 44-028 Drifcor Time Base Corrector for Universal Monochrome TBC for all VTR's Operating on 525 line/60 field Standard Specifications Effective 1 June 1973; Delta 14- ( ) Sync-Loc VTR Servo Interface Module Kit 1 July 1973. 4 page Product Sale Brochures includes photos, block diagrams, and technical specifications.
Telex Communications, Inc., Installation Operation Maintenance Manual. Audiocom. Telex Communications, Inc. Models: RM-10, RM-11, RM-12, RM-13, HE-15, ME-50, etc., Telex Communications, Inc., Minneapolis, Minnesota, 1988 Summary: Installation Operation Maintenance Manual. Audiocom. Telex Communications, Inc. Information includes description of parts and products, instructions, and schematics. Models: RM-10, RM-11, RM-12, RM-13, HE-15, ME-50, etc.
Telos, "El Video issue", Telos, No. 9, March/May 1987
Templeton, Lawrence W., Hallock, A Video Processing Facility for Artistic Use: Design Philosophy and a Description of Components, National Center for Experiments in Television at KQED, San Francisco, CA, 1972 Summary: A Video Processing Facility for Artistic Use: Design Philosophy and a Description of Components by Lawrence W. Templeton, Don Hallock, Richard Stephens, and Ann Turner. Specifics include information on Design Philosophy, Processing of Signals dealing with Keyers, Colorizers, Color Modulator, Edge Generator, Delay Lines, Multi-Keyer, and Remote Control Switcher, and Control of Signals.
Tennant, Carolyn, Roundtable - Discussion with Carolyn Tennant, Mona Jimenez, Pamela Susan Hawkins, Sherry Miller Hocking., 2006
Tennant, Carolyn , Ed., Video Rewind: A Seminar on Early Video History with Deirdre Boyle, Barbara London, Paul Ryan and Perry Teasdale., ETC, 1998 Summary: Video History: Making Connections, a conference organized by the Experimental Television Center, at Syracuse University. Video Rewind: A Seminar on Early Video History Videofreex, Radical Software, The Kitchen, Global Groove, Global Village, closed circuit video, portapaks, Challenge for Change, Media Burn, People's Video Theater, Wipe Cycle, feedback, The Spaghetti City Video Manual, multi-channel installations, Four More Years, The TV Lab, Expanded Cinema, Electronic Arts Intermix, Video/Television Review, Everson Museum, video synthesizers, Rockefeller Foundation, Guerrilla Television..... If these names are not "a blast from the past" but rather tantalizing fragments of a remote and hidden history, then join us for a day-long seminar designed to introduce curators, critics, librarians, archivists, funders, artists, students, and interested others to the early history of independent video in America (1965 and 1980). This seminar will offer an intensive day of screenings, discussions, and presentations by and about video pioneers. Screenings will include selections of significant video art and documentary tapes that illustrate some of the diverse interests, preoccupations, styles, and approaches of early video. Lectures and discussions will explore how this new medium for art, activism, and information was developed by artist?innovators, video collectives, new technology manufacturers, funders, museum curators, and public television producers, to name a few of the key players. Depending upon participant interests, discussion may cover: how video differentiated itself from network television and affiliated with the fine arts; the role of cable TV; the importance of collectives; differences among video's early black?and?white and color formats and their impact on video aesthetics; the rise of women's video; the relationship of early video theory to prevailing theories of media, cybernetics and social change, etc. Deirdre Boyle, Seminar Leader Senior Faculty, Graduate Media Studies Program, The New School for Social Research (New York) and author of Subject to Change: Guerrilla Television Revisited (Oxford, 1997), Video Preservation: Securing the Future of the Past (Media Alliance, 1993) and Video Classics: Video Art and Documentary Tapes (Oryx, 1986) Barbara London Curator of Video, The Museum of Modern Art and founder of the museum's video program Paul Ryan McLuhan fellow, member of Raindance and TVTV, and author of Cybernetics of the Sacred and Video Mind/Earth Mind: Art, Communications, and Ecology Parry Teasdale founding member of the Videofreex and Media Bus and author of the forthcoming Videofreex: A Memoir of Lanesville TV, America's First Pirate Television Station
Tennant, Carolyn, Interview with David Jones, 2005 Summary: An interview by Carolyn Tennant with tool designer David Jones.
Tennant, Carolyn, The Process of Image Processing, unpublished, Buffalo, NY, 2006 Summary: Experimental Television Center, analog image processing, video image processing
Tennant, Carolyn, Dialog with Ralph Hocking, Sherry Miller Hocking, Peer Bode, Pamela Hawkins and Carolyn Tennant, 2005
The 6th Tokyo Video Festival, The 6th Tokyo Video Festival, The 6th Tokyo Video Festival, Tokyo, Japan, 1983 Summary: Reynold Weidenaar: Grand Prize
The 7th New York Lesbian & Gay Experimental Film/ Video Festival and The Kitchen, The 7th New York Lesbian & Gay Experimental Film/ Video Festival and The Kitchen present: Mix., New York, NY, 1993 Organization: The 7th New York Lesbian & Gay Experimental Film/ Video Festival and The Kitchen Exhibition Site: The 7th New York Lesbian & Gay Experimental Film/ Video Festival and The Kitchen Exhibition Date: September 9-19, 1993 Curators: Karim Ainouz, Shari Frilot Summary: The 7th New York Lesbian & Gay Experimental Film/ Video Festival and The Kitchen present: Mix.
The American Film Institute, The American Film Institute. News. Festival Track II: Cultural Identities and Regional Styles. The Other New York: Regional Reflection., The American Film Institute, Los Angeles, CA Summary: The American Film Institute. News. Festival Track II: Cultural Identities and Regional Styles. The Other New York: Regional Reflection. The tapes in this program represent the best of this "Other New York," produced at such cutting edge regional centers as The Experimental Television Center at Owego (ETC) and Media Studies/ SUNY at Buffalo (both of which are famous for their pioneering work in synthesized and computer-generated video imagery).
The Banff Centre for the Arts, Richards, Angles of Incidence: Video Reflections of Multimedia Artworks, The International Council for Computer Communication and The Banff Centre for the Arts, Banff, Alberta, Canada, 1993 Organization: The Banff Centre for the Arts Exhibition Site: The Banff Centre for the Arts Exhibition Date: April 13-16, 1993 Curator: Sara Diamond Artists: Don Ritter, John Crawford, Molly Cleator Summary: Angles of Incidence: Video Reflections of Multimedia Artworks. This compilation of new media work by artists is published in conjunction with the Multimedia Communications '93 conference sponsored by the International Council for Computer Communication (April 13-16, 1993, Banff, Alberta, Canada). Contents includes the following: Angles of Incidence: Video Reflections of Multimedia Artworks by Sara Diamond, Virtual Bodies: What a Blow That Phantom Gave Me by Catherine Richards, and Inevitable Tension: Art in Electronic Culture by Mary Anne Moser. Artists discussed in this catalog follow: Peter Callas, Vera Frenkel, Anne Bray and Molly Cleator, Diana McIntosh, Benjamin Jay Britton, Sara Roberts, Christa Sommerer and Laurent Mignonneau, Peter d'Agostino, Tessa Elliot and Jonathon Jones-Morris, Catherine Richards, Mona Sarkis, John Crawford and Thecla Schiphorst, Henry See, Don Ritter, Nell Tenhaaf, David Rokeby, and Nina Sobell. Compilations: Les Artistes et la Lumiere, Imago, fin de siecle in dutch contemporary art.
The Black Filmmaker Foundation, "various", Black Face, No. Premiere, Fall 1989 Summary: Black Face: The Quarterly Jounal of the Black Filmmaker Foundation. Premiere Issue Fall 1989. Contains several articles and artists' profiles as well as interviews, photographs and illustrations.
The Bronx Museum of the Arts, Cancel, Moholy-Nagy, Fotoplastiks: The Bauhaus Years., The Bronx Museum of the Arts, Bronx, NY, 1983 Organization: The Bronx Museum of the Arts Exhibition Site: The Bronx Museum of the Arts Exhibition Date: July 30- September 25, 1983 Artist: Moholy-Nagy Summary: Molholy-Nagy, Fotoplastiks: The Bauhaus Years. Catalog contains a page of associates to The Bronx Museum of the Arts and Lenders to the Exhibition. Further contents include an Introduction and Acknowledgements by Luis R. Cancel, "Tracking the Hungarian Leonardo" by Philip Verre, "Moholy-Nagy's Photographic Practice at The Bauhaus" by Julie Saul, a Photomontage in Germany and Russia Following World War I, Moholy-Nagy's Fotoplastiks, The Catalogue by Julie Saul, Personal Themes, Advertising and Typography, Theater and Film, Sports, Social and Political Themes, Checklist, Footnotes, and Bibliography. B&W photographs of Moholy-Nagy's artwork are found throughout the catalog.
The Cat Fund, The Cat Fund: The Contemporary Art Television Fund, The Cat Fund, Boston, MA, 1988 Organization: The Cat Fund Exhibition Site: The Cat Fund Exhibition Date: 1983-1988, ('89) Curator: Kathy Rae Huffman Artists: Bill Seaman, Tony Oursler, Jone Jonas Summary: The Cat Fund: The Contemporary Art Television Fund. This catalog lists videos produced by videographer with financial support from The Cat Fund during the 1980's. The Introduction, The Contemporary Art Television Fund: The first five years, speaks to the creation of the CAT Fund, and its growth as a foundation since its inception. This folder also includes a letter of correspondence from Curator/ Producer, Kathy Rae Huffman.
The Center for Photography at Woodstock, "Personalizing the Commercial (Part Two)", Center Quarterly: A Journal of Photography and Related Arts, Vol. 10, No. 3, 1989 Summary: Center Quarterly: A Journal of Photography and Related Arts, Personalizing the Commercial (Part Two). Articles include Don't Ask for Who the Light Shines: An Interview with Kenro Izu by Gay Leonhardt, Art + Commerce by The Editors, Separation of Powers: An Interview with David LaChapelle by Robert Mahoney, Cooking in a Continuum: An Interview with Steven Kolpan by Mikhail Horowits, and Noted Books posted by The Editors.
The College of New Jersey, Feature Presentation: Black Box Video Shorts (+), The College of New Jersey, Ewing, NJ, 2000 Organization: The College of New Jersey Exhibition Site: Holman Hall, College Art Gallery Exhibition Date: October 11- November 8, 2000 Curator: Anita Allyn Summary: Feature Presentation: Black Box Video Shorts (+). EAT Presents: Experiments in Art & Technology. Paragraphs follow: Curators' Statements by Assistant Professor of Art, Anita Allyn, Backroof by Sue Wrbican, Blank Generation by Amos Poe, and a list of video performances. October 11 - November 8, 2000.
The Evolutionary Girls Club (EGC), The Evolutionary Girls Club, PEP Studios, Rochester, NY, 2003 Organization: Carnegie Arts Center Exhibition Site: North Tonawanda, NY Exhibition Date: 2003 Curators: Erica L. Eaton, Pamela Susan Hawkins Summary: The Evolutionary Girls Club. Includes introduction, Evo Description, and the following Writings: Introduction by Jessica Nathanson and Jenna Rossi, 3 years and still evolving by Erica L. Eaton, MEDITATING ON THE NIGHTS AND DAYS OF TRIBADES by Virva Hepolampi, 2 writings by Kelly Jacobson, on being home/sick and motherlines or breatfeeding the Diaspora by Deborah Jack, just feeling by Joy Messinger, The [Prison Industrial] Complex by Mel Kozakiewica, and The Lighthouse by Mima Simic. The latter half of this catalog contains Image Pages, information on Upcoming Exhibitions, Community Activist Events, Special Thanks, Thanks to Organizations, Thanks for support, Evo Girls Herstory/Past Events and Bios for artist, such as Peer Bode, Monica Duncan, Barbara Hammer, Steve Frost, Joo-Mee Paik, and many others.
The Evolutionary Girls Club (EGC), "The Evolutionary Girls Club" (Not to be Mistaken for the Old Boys Club), PEP Studios, Rochester, NY, 2002 Organization: Carnegie Arts Center Exhibition Site: North Tonawanda, NY Exhibition Date: 2002 Curators: Erica L. Eaton, Pamela Susan Hawkins Summary: The Evolutionary Girls Club. Table of Contents holds an Evolutionary Girls Club Description, Introduction by Jenna Rossi, Angela Duron, Barbara Hammer, Caroline Koebel, Christine M. Walsh, Debora Brown, Deborah Jack, Devlin Shea, Erica Eaton, Joy Patterson Wurthmann, Judy Sylwester, Kelly Spivey, Liz Richards, Lindsay Sampson, Mary Ann Wincorkowski, Meg Knowles, Natasha Pachano, Pemela Susan Hawkins, Siew-wei Kok, Rachel J. Siegel, Stephanie Gray, Susan Heggestad, Renee Prisble, and Svetlana Kuklenko.
The Evolutionary Girls Club (EGC), Evo: The is a Reality Check, PEP Studios, Rochester, NY, 2003 Organization: Carnegie Arts Center Exhibition Site: North Tonawanda, NY Exhibition Date: 2003 Curators: Erica L. Eaton, Pamela Susan Hawkins Summary: The Evolutionary Girls Club. Table of Contents holds the following Writings: Peace Statement, The Evoluntionary Girls Club by Erica L. Eaton, Moonbow again supporting international LGBT-culture, Making invisible visible by means of culture by Minna Vaisanen, The Space in-between by Rachel J. Siegel, The Quilt of My Skin by Jessica Ann Nathanson, letter from my mom, the fly, and lust by Siew-wai Kok, To imagine the future of the media arts, we need to understand its past by Sherry Miller Hocking, Borderlands by Erica L. Eaton, and [Imaginary hand], <confirmation> by Jax Deluca. Also, artists' Biographies, Color Images, Upcoming Events, Thank yous, and Evo Girls History.
The Evolutionary Girls Club (EGC), "The Evolutionary Girls Club", PEP Studios, Rochester, NY, 2001 Organization: Carnegie Arts Center Exhibition Site: North Tonawanda, NY Exhibition Date: 2001 Curators: Erica L. Eaton, Pamela Susan Hawkins Summary: The Evolutionary Girls Club. Table of Contents holds an Evolutionary Girls Club Description, TUPILAK Description, Acknowledgements, Introduction by Jenna Rossi, Angela Duron, Erica Eaton, Stephanie Gray, Barbara Hammer, Pamela Hawkins, Susan Heggstad, Debbie Jack, Meg Knowles, Caroline Koebel, Siew-wei Kok, Natasha Pachano, Liz Richards, Devlin Shea, Rachel J. Siegel, Kelly Spivey, Judy Sylwester, and Mary Ann Wincorkowski.
The Guggenheim Museums, @ Guggenheim: The Guide to the Guggenheim Museums: The Worlds of Nam June Paik., Solomon R. Guggenheim Museum, New York, NY, 2000 Organization: Solomon R. Guggenheim Museum Exhibition Site: Solomon R. Guggenheim Museum Exhibition Date: February 11- April 26, 2000 Artist: Nam June Paik Summary: @ Guggenheim: The Guide to the Guggenheim Museums: The Worlds of Nam June Paik. Catalog also includes Paik and the Worlds of Film and Video, 1965-1974 (March 8-25), Generation N (tilde on top- pronounced EN-YAY): New Latino Films and Videos, Postmedia: Conceptual Photography in the Guggenheim Museum Collection (Spring 2000), Global Exhibitions, a Calendar of events for February, March, April and May, Public Programs, Programs for Educators, Programs for Members, and the Patrons Circle.
The Institute for Studies in the Arts at Arizona State University., Visions of Diaspora, The Institute for Studies in the Arts at Arizona State University., Tempe, AZ Artist: Philip Mallory Jones Summary: Visions of Diaspora. The Institute for Studies in the Arts at Arizona State University. Paragraphs follow: Overview, Philip Mallory Jones, First World Order, Icono Negro^2, and Alchemy. Inside cover: A 6" X 6" B&W photograph of Jones chilling with his equipment. Back cover: A synopsis of the Institute for Studies in the Arts.
The International Center for 8mm Film and Video, Inc., Varela, Elyse Topalian, Foreign Correspondence: The International Super 8 Phenomenon. , The International Center for 8mm Film and Video, Inc., Somerville, MA, 1986 Organization: The International Center for 8mm Film and Video, Inc. Exhibition Site: The International Center for 8mm Film and Video, Inc. Curators: Toni Treadway, Michele Furst Summary: Foreign Correspondence: The International Super 8 Phenomenon. Contents follow: Introduction, For a Cinema of Possibility, Low-Cost Art in a High-Cost Medium, Super 8 in Latin America, Thoughts on Super 8 from Algeria, Manifesto from the Philippines, Super 8 Puerto Rico, The Rise of Super 8 in Australia, Super 8: Where are You?, Super 8 Chronogramme
The Japan Foundation, From , The Japan Foundation, Rome, Italy, 1997 Organization: The Japan Foundation Exhibition Site: The Japan Foundation Exhibition Date: March 18- April 18, 1997 Curators: Takahiko Iimura, Samuel Fuyumi Namioka Artist: Takahiko Iimura Summary: From <Time> to <See you>, Takahiko Iimura. Contents: Between two straight perallel Lines: The film and video works of Takahiko Iimura by Bruno Di Marino, I saw my first Iimura film in 1964 at Knokke-Le-Zoute by Jonas Mekas, The Films of Takahiko Iimura by Scott MacDonald, On "Reflected Cinema" (A Note on the Program) by Takahiko IimuraFilm Installations, by Takahiko Iiumura, From "Time Piece"- Film score on Japanese manuscript paper by Takahiko Iiumura, Dubbing Session by Takahiko Iiumura, The Structure of Seeing and Hearing: A Lecture/ Performance by Takahiko Iiumura, Interview with Take Iimura (on his films) by Scott MacDonald, The Video Art of Takahiko Iiumura by Daryl Chin, The Visuality in the Structure of Japanese Language by Takahiko Iiumura, A Semiology of Video by Takahiko Iiumura, An Interview with Taka Iimura (on his video) Reprinted from Centerfold, September 1978, Toronto, On Talking to Myself by Takahiko Iiumura, Talking to Myself: Phenomenological Operation (Video Script) by Takahiko Iiumura, Video Installations by Takahiko Iiumura, Biography, and Biliography. Except the first essay by Bruno Di Marino, all the articles were written at first in the catalogue, "Takahiko Iimura Film and Video," published by Athology Film Archives, New York, 1990.
The Kitchen, Image/Process II, The Kitchen, NY, NY, 1983 Organization: The Kitchen Exhibition Site: The Kitchen Exhibition Date: January 1983 Curator: Shalom Gorewitz Summary: Steina Vasulka; Woody Vasulka; Barbara Buckner; Frank Dietrich and ZsuZsa Molnar; Lisa Marie Sanfilipo; Neil Zusman; Pier Marton; Max Almay
The Kitchen, Image/Process I, The Kitchen, NY, NY, 1982 Organization: The Kitchen Exhibition Site: The Kitchen Exhibition Date: December 3-31, 1982 Curator: Shalom Gorewitz Summary: Mimi Martin; Matt Schlanger; Julie Harrison; The Lubies; Connie COleman and Alan Powell; Merrill Aldighieri and Joe Tripician; Central Control; Maureen Nappi; Mark Lindquist; Sara Hornbacher
The Kitchen, Themes in Electronic Image Processing, The Kitchen, NY, NY, 1981 Organization: The Kitchen Exhibition Site: The Kitchen Exhibition Date: December 1-31, 1981 Curator: Shalom Gorewitz Summary: Peer Bode; Ralph Hocking; Connie Coleman and Alan Powell; Tom DeWitt, Vibeke Sorenson and Dean Winkler; Reynold Weidenaar; Barbara SYkes; Barbara Buckner; Jo Ann Gillerman; Gillerman and Jim Whiteaker; Henry Baker and Jane Steuerwald; Pier Marton; Shalom Gorewitz; Doris Chase; Kit Fitzgerald and John Sanborn; Gary Hill; Michael Scroggins; Neil Zusman; Maureen Nappi; Janice Tanaka; Marc Casey; Sara Hornbacher
The Kitchen, Digital Happy Hour, The Kitchen, New York, NY, 2001 Organization: The Kitchen Exhibition Site: The Kitchen Exhibition Date: December 18, 2001 Curators: Christina Yang, Judith Donath Summary: Digital Happy Hour. Programs includes a schedule for events at The Kitchen for Fall 2001, a questionnaire, and Selected Artists: Marc Downie, Shelley Eshkar, Paul Kaiser, Richard Kostelanetz, Raffi Krikorian, Hyun Yeul Lee, and Marshall Reese. (3 copies)
The Kitchen, ID/entity: Portraits in the 21st Century, The Kitchen, New York, NY, 2002 Organization: MIT Media Lab Exhibition Site: The Kitchen Exhibition Date: November 30, 2001 to January 15, 2002 Curators: Christina Yang, Judith Donath Summary: ID/entity: Portraits in the 21st Century. Exhibition participants: Edith Ackermann, Stefan Agamanolis, Jd Beltran, Merce Cunningham, Kelly Dobson, Marc Downie, Shelley Eshkar, Tristan Jehan, Paul Kaiser, Youngmoo Kim, Richard Kostelanetz, Raffi Krikorian, Hyun-Yeul Lee, Nora Ligorano/ Marshall Reese, Joan Logue, Joe Paradiso, Rebecca Reich, Julia Scher, Steven Smith, Jeff Talman, and Nicholas Yu.
The Kitchen, Performance by Nam June Paik and Charlotte Moorman at The Kitchen. June 29, 1972., 1972
The Kitchen, Poster for the 2nd Annaul Video Arts Festival. May 1973, 1973
The Kitchen, Official Program of the 1973 International Computer Arts Festival. April 1 - 14, 1973, 1973
The Kitchen, Kitchen Calendar November 1973. Live performance by Walter Wright on the Paik Abe Video Synthesizer. November 2, 1973, 1973.
The Kitchen, January 1975 Programs. Exhibition by artists from ETC.
The Kitchen. Haleakala, Inc., The Kitchen: Center for Video and Music 75-76. Library of Congress Catalogue No. 76-56972., Haleakala, Inc., New York, NY, 1976 Organization: The Kitchen Exhibition Site: The Kitchen Exhibition Date: 1975-76 Artists: Ralph Hocking, Sherry Miller, Steina and Woody Vasulka Summary: The Kitchen: Center for Video and Music 75-76. Library of Congress Catalogue No. 76-56972. Catalog includes Preface by Director, Robert Stearns, Introduction by Peter Frank. Other contents follow: Chronology 1975/76, Documentation and Appendix. Features several artists, namely Ralph Hocking, Sherry Miller, and Steina and Woody Vasulka.
The MIT Press, Jones, Jonathon Green, The MIT Press. Continuous Replay: the Photographs of Arnie Zane., The MIT Press, Cambridge, MA, 1999 Organization: The MIT Press Exhibition Site: UCR/ California Museum of Photography Artist: Arnie Zane Summary: The MIT Press. Continuous Replay: the Photographs of Arnie Zane. This catalog includes the following photographs and paragraphs: Introduction, The Book's Choreography, Amsterdam & Binghamton & San Francisco, Continuous Replay, Pearl Pease, Pictures of a World We Left Behind: Binghamton 1972 to 1977, Dance Asylum, Projections, Simply (?) The Doing of It, Like Two Arms Going Round and Round, Torsos, A Hand Grenade of a Man, Repetitions & Accumulations, The Body as Evidence: Recovering a Memory, Snapshots, Flasher, Chronology, Illustrations and Photographic Credits, Notes to the Essays, Texts for Further Reading, Acknowledgements, and Contributors.
The MIT Press, "Eighth Annual New York Digital Salon", Leonardo: Journal of the International Society for the Arts, Sciences and Technology. , Vol. 33, No. 5, 2000
The National Committee for Cultural Resources., National Report on the Arts: A research report on the economic and social importance of arts organizations and their activities in the United States, with recommendations for a national policy of public and private support., The National Committee for Cultural Resources., New York, NY, 1975 Organization: The National Committee for Cultural Resources. Exhibition Site: The National Committee for Cultural Resources. Summary: National Report on the Arts: A research report on the economic and social importance of arts organizations and their activities in the United States, with recommendations for a national policy of public and private support. Contents follow: Introduction, The Rising Interest in the Arts, NCCR's Nationwide Look at the Arts, A Growth Industry- And How it Has Grown, The Attitude of Americans Toward the Arts, The Arts and the National Economy, Why is There Cause for Concern?, The Loss to the Public, The Case for Government Aid, What Must be Done, Acknowledgements, Appendix I: Methodology of the Nationwide Study, and Appendix II: Selected Bibliography.
The Power Plant, Philip Monk, Steve Reinke: The Hundred Videos, The Power Plant, Toronto, Ontario, Canada, 1997 Organization: The Power Plant Exhibition Site: The Contemporary Art Gallery at Harbourfront Centre Exhibition Date: January 17- March 31, 1997 Curator: Philip Monk Artist: Steve Reinke Summary: Steve Reinke: The Hundred Videos.
The Royal Film Archive of Belgium , EXPRMNTL5, The Royal Film Archive of Belgium, Brussels, Belgium, 1975 Organization: The Royal Film Archive of Belgium Exhibition Site: The Royal Film Archive of Belgium Exhibition Date: 25.12.1974, 2.1.1975 Summary: EXPRMNTL5. Black and silver folder contains the following: Program Notes by Seth Feldman, a Programme of Films out of Competition from The Royal Film Archive of Belgium, a list of Video Environments Programmation by The Royal Film Archive of Belgium, a note from Walter Wright of the Experimental Television Center, an exhibition schedule, 5 fliers, a bilingual (English/French/Flemish) brochure with schedule, a list of Organization of Personnel including credits, and A Retrospective of Hollis Frampton's Work. Exhibit programs include the following titles: Essence No. 2, Musique socialiste, Ephemere, Integrasie, et, Wat te doen, Nuits sans nuit, Calligraphie N, and R.A.T.T. Further inquiry into the folders contains reveals an invitation from The Royal Film Archive of Belgium including brief biographies for jury panelists and information on film screenings, a Daily Comment, and synopses of the following exhibitions: EXPRMNTL: Music, EXPRMNTL: Theatre, Electronic games: Walter Giers, ROAST KALVAR, Tony Conrad, 1974. Furthermore, the folder offers a list of Some Restaurants, and Trains for Brussels.
The Vasulka Corporation, Woody and Steina, McArthur, Vasulka, Experimental Television Center Computer Project documents (1977), Experimental Television Center, Binghamton, NY, 1977 Summary: Vasulka, Experimental Television Center Computer Project documents (1977). NEA Report (5 pages). The Vasulka Corporation, paragraphs follow: Background, Reasons for the Corporation, The Corporate Intent, Proposal for Art Exploration of Computer Languages, Motivation, Purpose, Conditions, Results, and Summary (Buffalo, NY, 03.11.1977). Two page list of inventory at The Experimental Television Center by McArthur, Brewster, and Miller (06.17.1977).
The Vasulka Corporation, Vasulka System Block Diagram, The Vasulka Corporation, Buffalo, NY Summary: Vasulka System Block Diagram (5 pages). Block Overview. Sequencer- Control Unit. Digital to Analog Converters. Arithmetic Logic Unit- Register Section. X-Y Address Unit.
Theile, R., "Recent Investigations Into The Operation of Image Orthicon Tubes", Reprinted from the Journal of the Television Society, Vol. 9, No. No. 2, April/June 1959 Summary: Recent Investigations Into The Operation of Image Orthicon Tubes. Reprint booklet includes photographs, technical diagrams, screen shots.
Thomas, Lew, Structuralism and Photography, NFS Press, San Francisco, 1978
Thomas, Sari, Ed., Film/Culture: Explorations of Cinema in its Social Context, The Scarecrow Press, Metuchen, NJ, 1982
Thomas, Willard, "A Computer-Animation Dream Machine. ", Videography, Vol. 1, No. 9, December 1976 Summary: Tom DeFanti, Phil Morton, Dan Sandin
Thompkins, Calvin, "Profile: Video Visionary Nam June Paik", The New Yorker, May 5, 1975
Thomson, Patricia, "Under Fire on the Home Front: An Interview With Jon Alpert ", Afterimage, Vol. 14, No. 19, April 1987
Thomson, Patricia, "Video and Electoral Appeal", Afterimage, Vol. 12, No. 7, February 1985
Thread Waxing Space, Gangitano, Thread Waxing Space. LP: Luther Price: Imitation of Life., Thread Waxing Space, New York, NY, 1999 Organization: Thread Waxing Space Exhibition Site: Thread Waxing Space Exhibition Date: January 28, 1999 Curators: Lia Gangitano, Mark McElhatten Artists: Luther Price, Tom Rhoads Summary: Thread Waxing Space. LP: Luther Price: Imitation of Life. Catalog includes B&W photographs of video work, "Groupie" by Lia Gangitano, and Filmographies for Luther Price and Tom Rhoads. All films are in Super 8 format.
Thread Waxing Space, Gilliam, Leah, Subrin, Lia Gangitano, Thread Waxing Space. CD: The Failure to Assimilate: The Video Works of Cecilia Dougherty., Thread Waxing Space, New York, NY, 1998 Organization: Thread Waxing Space Exhibition Site: Thread Waxing Space Exhibition Date: November 13, 14, 15, 1998 Curators: Lia Gangitano, Mark McElhatten Artist: Cecilia Dougherty Summary: Thread Waxing Space. CD: The Failure to Assimilate: The Video Works of Cecilia Dougherty. Catalog includes B&W photographs of video work and Filmography for Cecilia Dougherty. Paragraphs by Laurie Weeks follow: Laboratory, Love and Surveillance, Multiple Personality Disorder, and Homelessness/ Nomad.
Three M Company, The Handling and Storage of Magnetic Recording Tape, 3M Company
Three M Company, Magnetic Tape Erasure - How Serious Is the Threat?, 3M Company
Tobenfeld, Emile, Dr. T's Music Software: Keyboard Controlled Sequencer; DX7 Patch Librarian; CZ Patch Librarian; Echo-Plus. Summary: Dr. T's Music Software: Keyboard Controlled Sequencer; DX7 Patch Librarian; CZ Patch Librarian; Echo-Plus.
Toffler, Alvin, The Culture Consumers: A Study of Art and Affluence in America, St. Martin's Press , NY, 1964
Toledo Museum of Art, Noah's Raven: A Video Installation by Mary Lucier, Toledo Museum of Art, Toledo, OH, 1993 Organization: Toledo Museum of Art Exhibition Site: Toledo Museum of Art Exhibition Date: 2/7/93-5/9/93 Summary: Essay by Eleanor Heartney; Biographical notes by Melinda Barlow
Tomkins, Calvin, "Profiles: Video Visionary ", The New Yorker, Vol. 51, No. 11, May 1975 Summary: Nam lune Paik
Tonus, Inc. (Arp Instruments Inc.), Preliminary Development Report: The Arp Synthesizer, Tonus, Inc., Newton Highlands, MA, 1970 Summary: Preliminary Development Report: The Arp Synthesizer. Duotone, illustrated with photo of system, approx. 75 pages in binder with generic sales cover letter, pricing of system, data sheets on each module which includes functional diagram and technical specifications. Included, unattached to binder: Sample Page from Electronic Music Manual Soon Available From Tonus. "This page: how to set up "voices" with vibrato. A basic patching operation on the Arp Synthesizer." Also, two page personal resume of Paul F. Conly from 1968. Studied with Walter Sear at the Sear Electronic Music Production Studio, NYC. Programmed Moog synthesizer, did fifty hours of work at the Computer Based Laboratory at the Harvard University Department of Psychology in December 1969 using a Moog Synthesizer and a PDP-9T digital computer. "Lothar and the Hand People" website indicates revived interest, photos by Richard Avedon of band-prescient of Robert Longo's "Men in the Cities".(NZ)
Tonus, Inc. (Arp Instruments Inc.), The Arp Electronic Music Synthesizer, Tonus, Inc., Newto Highlands, MA, 1970's Summary: The Arp Electronic Music Synthesizer. Duotone 6 page booklet illustrated with photographs, testimonials, prices. Back cover indicates Paul Bley sold them through his company, Synthesizers, Inc. in NYC. Main features represented in this booklet are "Matrix Switches" and "Stable Oscillators". Some of the testimonial respondents include: Harold Shapero of Brandeis University, Milton Babbit of Princeton University, J.K. Adams, Gerald Shapiro of Brown University, Paul Conly of "Lothar and the Hand People", Edith Oliver of The New Yorker, Richard Watts of the New York Post, Lee Silver of the Daily News.
Top Value Television (TVTV), The Prime Time Survey, TVTV, San Francisco, 1974
Torgerson, Ellen, Eh, What's Up Doc: If Bugs Bunny and his cartoon companions seem less animated these days, blame it on high costs., T.V. Guide, July 22, 1978 Summary: Article which features costs of producing animation in the 1970's.
Tovey, John, The Technique of Kinetic Art, B T Batsford Limited, London, England, 1971 Summary: The Technique of Kinetic Art. Contents follow: Part I (Vision and perception, Illusion, and Illusory movement), Part II (Light and simple optics, Colour, and The use of light), Part III (Control of light: mechanical, Control of light: electro-mechanical, Control of light: electronic, and Basic circuits), Part IV (Electricity, Low voltage supplies and rectification). Appendices includes SI Units and abbreviations, Pulfrichs pendulum, Rhombic dodecahedron, Details of construction, Electronic and electrical symbols and resistor code. See also a Bibliography, Suppliers in Great Britain and the USA, and an Index.
Town, Elke, Ed., Video By Artists 2, Art Metropole, Toronto, 1986
Trend, David, Laddy Kite, "The Synapse Media Center: An Object Lesson in Closing an Artists' Organization", Afterimage, Vol. 9, No. 7, February 1982
Triadex Incorporated, Minsky, How to Make Muse Music User's Manual., Triadex Incorporated, Newton Upper Falls, MA, 1970 Summary: How to Make Muse Music User's Manual. Illustrated with photographs, descriptions. "The Muse is a completely new form of musical self-expression. It makes composing and playing music almost as easy as adjusting your television set. This booklet shows you how to make Muse music...composing music that has never been heard before. It's a small digital computer...but no experience is required, either in computers or in music..."
Tribe, Mark, Jana, New Media Art, Taschen, 2006 Summary: Artists featured: Cory Arcangel, Jonah Brucker-Cohen and Katherine Moriwaki, Young-Hae Chang Heavy Industries, Vuk Cosic, Mary Flanagan, Ken Goldberg, Paul Kaiser and Shelly Eshkar, Jennifer and Kevin McCoy, Mouchette, MTAA, Keith and Mendi Obadike, Radical Software Group, Raqs Media Collective, RTMark, and John F. Simon Jr. see https://wiki.brown.edu/confluence/x/Wkg
Trocco, Frank , Trevor Pinch, Robert Moog , Analog Days : The Invention and Impact of the Moog Synthesizer, Harvard University Press, 2002 Summary: In this well-researched, entertaining, and immensely readable book, Pinch (science & technology, Cornell Univ.) and Trocco (Lesley Univ., U.K.) chronicle the analog synthesizer's early, heady years, from the mid-1960s through the mid-1970s. The authors give preeminent pioneer Robert Moog due prominence, but they also chart the achievements of other luminaries from this era, such as rival inventors Donald Buchla and Alan Perlman, composers Wendy Carlos and Pauline Oliveras, and rock stars Keith Emerson and Mick Jagger.
Troy, Maria, "Video Preservation: A Report from the Trenches", Afterimage, Vol. 23, No. 2, September/October 1996
Troy, Maria, Seid Summary: The history of and attempts to preserve the National Center for Experiments at KQED TV, San Francisco.
Tsuchiya, Arthur, From the Academy to the Avant Garde - Introduction, Visual Studies Workshop, Rochester, NY, 1981 Organization: Visual Studies Workshop Exhibition Site: Visual Studies Workshop and traveling Curator: Richard Simmons Summary: From the Academy to the Avant Garde, a traveling exhibition produced by Visual Studies Workshop, 1981. Curator Richard Simmons. Catalog introduction Arthur Tsuchiya. Videotapes in order of viewing Howard Fried, Davidson Gigliotti, Juan Downey, Tony Labat, Frank Gillette, Les Levine
Tuchman, Maurice, Art and Technology, Los Angeles County Museum of Art,, Los Angeles, 1971
Tulbert, David, "White Ox Films: Funding the Future", The Independent Gazette: Journal of Independent FIlm and Video Artists, Vol. 1, No. 1, July 1976 Summary: Organization of White Ox Films in Rochester; David Tulbert, director
Turim, Maureen, Ed., The Electronic Gallery, Binghamton University, Binghamton , NY, 1980 Summary: Tape exhibition of works from the Experimental TV Center by Ralph Hocking and Sherry Miller; Hank Rudolph; Henry Linhart; Shalom Gorewitz; Peer Bode; Meryl Blackman; Reynold Weidenaar; Barbara Buckner; Neil Zusman and Julie Harrison; Gary Hill. Essays by Maureen Turim. Donna Cesan, Lynne Kirby. Patricia Shores.
Turim, Maureen, Nortros II de Thierry Kuntzel. In French., Centre Georges Pompidou, Paris, 1984 Summary: tape exhibition of works from the Experimental TV Center by Ralph Hocking and Sherry Miller; Hank Rudolph; Henry Linhart; Shalom Gorewitz; Peer Bode; Meryl Blackman; Reynold Weidenaar; Barbara Buckner; Neil Zusman and Julie Harrison; Gary Hill. Essay by Maureen Turim and Donna Cesan
Turim, Maureen, "Desire in Art and Politics: The Theories of Jean-Francois Lyotard ", Camera Obscura, No. 12, Summer 1984
Turim, Maureen, Nygren, Steina and Woody Vasluka: Machine Media - Reading the Tools, Writing the Image Summary: Catalog for exhibition organizedd by Robert Riley and Marita Sturken for the San Francisco Museum of Modern Art (February 2 - March 31, 1996). Catalog Editor: Marita Sturken. Reading the Tools, Writing the Image by Maureen Turim and Scott Nygren. During the 1970s, Steina and Woody Vasulka helped shape the parameters of video art. The founded The Kitchen as an intermedia exhibition space, contextualized video in relation to electronic music and performance art, and played a leading role in the development of synthesized video. These innovations placed the Vasulkas among those who seem to have created video as a field by pioneering its institutions and orienting its projects. Paragraphs: Writing the Image, Reading the Tools, Rethinking Machine Logic, Perceptual-Cognitive Cycles, The Mirror, The Panopticon, and Multiplicity, Meta-Art Projects, Machine Gender, and Notes. pp. 49-64.
Turim, Maureen, The Electronic Gallery, SUNY Binghamton & The Experimental Television Center, Owego, NY, 1983 Organization: SUNY Binghamton & The Experimental Television Center Exhibition Site: SUNY Binghamton & The Experimental Television Center Curator: Maureen Turim Summary: The Electronic Gallery. Sponsored by the Cinema Department of S.U.N.Y. Binghamton and The Experimental Television Center, Owego, NY.
Turim, Marueen, "Artisanal Prefigurations of the Digital: Animating Realities, Collage Effects, and Theories of Image Manipulation", Wide Angle, Vol. 21, No. 1, 1999
Turin, Maureen, The Electronic Gallery, University Art Gallery, Binghamton University, Binghamton , NY, 1983 Organization: State University of New York at Binghamton Exhibition Site: University Art Gallery Exhibition Date: March 2-25, 1983 Curator: Maureen Turim Summary: The Electronic Gallery. Process Video by Maureen Turim. Tape exhibition of works from the Experimental TV Center by Ralph Hocking and Sherry Miller; Henry Linhart; Shalom Gorewitz; Peer Bode; Barbara Buckner; Gary Hill. Still images by Mary Ross, Peer Bode, Ralph Hocking. Introduction by Josphine Gear, Director, University Art Gallery. Curator: Maureen Turim.
Turner, Ann, "The National Center for Experiments in Television ", Radical Software, Vol. 2, No. 3, 1973 Summary: http://www.radicalsoftware.org/e/
Tyner, Kathleen, Literacy in a Digital World: Teaching & Learning in the Age of Information, Lawrence Erlbaum Associates, Mahwah, NJ, 1998
