Texts by Author

A PDF listing issues of Afterimage from 1972 through Vol 29 Issue 1. Rochester, NY: Visual Studies Workshop; 2002.
Transcript from The International Video Art Symposium. Kingston, Ontario, Canada: Agnes Etherington Art Centre, Queens Univeristy. Fleming.; 1979.
Aldighieri M. Confessions of a Pixil-Picker.; 2004.
Allen CR. Dreaming While Making Ends Meet. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation; 1979.
Ancona V. Visual Music. Videography. 1983;8(12).
Ancona V. Shalom Gorewitz: Metaphoric Image Manipulator. Videography. 1980;5(11).
Ancona V. Jazzing Up the Home Screen (Carol Goss). Videography. 1979;4(10).
Ancona V. Vibeke Sorensen: Demystifying Video Technology. Videography. 1979;4(2).
Ancona V. Barbara Buckner: Psychic Poetry Exemplified. Videography. 1979;4(8).
Ancona V. Nam June Paik: Portrait of the Electronic Artist. Videography. 1976;1(4).
Arn R. The Form and Sense of Video. Artscanada: The Issue of Video Art. 1973;XXX(4).
Arthur P. Nonfiction Powwow in Poughkeepsie: The Flaherty Seminar at Fifty. Film Comment. 2004.
Beck S. Direct Video: Electronic Artform for Color Television. National Center for Experimental in Television Reports 3. undated.
Beck SC. Direct Video: An Electronic Artform for Color TV. San Francisco, CA: National Center for Experiments in Television at KQED; undated.
Betancourt M. Motion Perception in Movies and Painting: Towards a New Kinetic Art. Ctheory. 2002.
Bjorgeengen K. Kjell Bjorgeengen: New Videoworks. The National Museum/ The Museum of Contemporary Art; 2004.
Bode P. Some Thoughts on Learning by Reading the Tools: Embodying the Time Image.; 2003.
Bode P. Bode videotapes 2003.; 2003.
Bode P. UBER ORGAN ( body of life ).; 2003.
Bode P. Open Source. China Light Industries; 2001.
Bode P. Kjell Bjorgeengen - True Blanking. Aachen: Ludwig Forum for Internationale Kunst,; 1998.
Bode P. Kjell Bjorgeengen: Video Road. Oslo: Porin taidemuseo; 1990.
Boyer J-. L'Image Electronique. City du Havre: Studio du Musee d'art contemporain; 1974.
Boyle D. From Portapak To Camcorder: A Brief History Of Guerrilla Television. Journal of Film and Video. 1992;44(1 – 2 (40545)).
Boyle D. Subject to Change: Guerrilla Television Revisited. Art Journal: Video - The Reflexive Medium. 1985;(Fall 1985).
The Second Emerging Expression Biennial: The Artist and the Computer. Bronx, NY: Bronx Museum; 1987.
Brown G, Dunn D. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: George Brown, Video Sequencer (a.k.a. Field Flip/Flop Switcher, with digital control), 1972, Multikeyer (Analog with digital control), 1973. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art, .; 1992.
Buchloh BH. From Gadget Video to Agit Video in Art Journal: Video - The Reflexive Medium. Art Journal: Video - The Reflexive Medium. 1985;Fall(1985).
Buckner B. Healing Interactions and Interactive Digital Art - News and Project Statement. Afterimage. 2001.
Burris J. Did the Portapak Cause Video Art? Notes on the Formation of a New Medium. Millennium Film Journal. 1996;29.

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