Biblio
Weltonville Meeting., 1978.
Why Don't They Tell Stories Like They Used To? In Art Journal. Vol. 45., 1985.
Wrong Move." Sight & Sound 50, no. 2 (1981).
"Words and Images: Thinking and Translation." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 201-214.
"with Aldo Tambellini." SUNY Happening No. 5 227, no. 31 (1968).
"Will There Be Condominiums in Data Space?" Video 80, no. 5 (1982).
"Why Don't They Tell Stories Like They Used To?" Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
"Why do I keep repeating myself?" Felix Voyerism 2, no. 2 (1999).
"Whose Life Is it, Anyway?" Afterimage 15, no. 1 (1987).
"Who's Who in Video: Bill Viola." Sightlines 16, no. 3 (1983).
"Who's in Control? Issues in Interactive Media Art." Connect: Information Technology at NYU, no. Fall 1999 (1999).
"White Ox Films: Funding the Future." The Independent Gazette: Journal of Independent FIlm and Video Artists 1, no. 1 (1976): 21.
"Whispers and Cries: Bill Viola at AFI." Video 80 (1983).
"Whatever Happened to Guerrilla TV?" Videography 9, no. 12 (1984).
"What the Manual Didn't Tell You: Film/Tape Image Conversion." The Independent 15, no. 1 (1992).
"What is Grace in All This Madness: The Videotapes of Dan Reeves." Afterimage 13, no. 1 and 2 (1985).
"What I Would Like the Future to Hold is Both/And." The Squealer 15, no. 1 (2004): 17.
"Wellman Hall to Host Multi-Media Exhibition." Springfield Daily News (1972).
"Well, It?s a Heck of a Long Way from Marcus Welby." The New York Times (1971).
"We Can't Go Home Again." Sight & Sound 50, no. 2 (1981).
"Walter Wright and his Amazing Video Machine." Afterimage 2, no. 10 (1975).
"World Wide Video Festival Catalogue. The Haag, Holland: Kijkhuis, undated.
World Wide Video Festival. Den Haag, Netherlands: Kijkhuis, 1983.
Work from the Experimental Television Center: Introduction and Daily Performance Schedule. Syracuse, NY: Everson Museum of Art, 1972.
Work from the Experimental Television Center. Syracuse, NY: Everson Museum of Art, 1972.
Work from Experimental Television Center. Syracuse, NY: Everson Museum of Art, 1972.
Work from Experimental Television Center. Syracuse, NY: Everson Museum of Art, 1972.
Wildernrss: A Video Installation by Mary Lucier. Cambridge: New England Foundation for the Arts, 1986.
Whitney Museum of American Art. The Contemporary Series. Irit Batsry: Set. December 11, 2003- February 22, 2004.. New York, NY: Whitney Museum of American Art, 2003.