Biblio
States of Emergency: Documentaries, Wars, Democracies. University of Minnesota Press, 2000.
Trent Harris: Beaver Trilogy." Film Comment (2000).
"Artisanal Prefigurations of the Digital: Animating Realities, Collage Effects, and Theories of Image Manipulation." Wide Angle 21, no. 1 (1999).
"Back to the Future of Television: National Center for Experiments in Television Preservation Project Progress Report." MAIN (1999).
"Black Dog Dreams., 1999.
Motion: An Exhibition of Essentialist Film and Video. - Artist Statement. Utica, NY: Munson-Williams-Proctor Arts Institute, 1999.
Motion: An Exhibition of Essentialist Film and Video. The 58th Exhibition of Central New York Artists, Edited by John Knecht. Utica, NY: Munson-Williams-Proctor Arts Institute, 1999.
NAMAC Conference Keynote Address - States of Emergency." Main (1999).
"Quest for What: Video by the HalfLifers." Film Comment (1999).
"Signals in Syracuse - Video History: Making Connections conference." Afterimage (1999).
"Who's in Control? Issues in Interactive Media Art." Connect: Information Technology at NYU, no. Fall 1999 (1999).
"Why do I keep repeating myself?" Felix Voyerism 2, no. 2 (1999).
"Annotations 3--Frequencies: Investigations into Culture, History and Technology: Identity in the Video of Takahiko Iimura. London: Institute of International Visual Arts, 1998.
David Ross: The Success of the Failure of Video.. ETC, 1998.
Driven to Abstraction., 1998.
Growing pains: artists' organizations in the 80s - National Association of Artists Organizations' 1983 conference." Afterimage (1998).
"Kjell Bjorgeengen - True Blanking. Aachen: Ludwig Forum for Internationale Kunst,, 1998.
Landscape: Mediated Views. Rochester, NY: Visual Studies Workshop, 1998.
Pioneers of Digital Photography. Allentown, PA: Open Space Gallery, 1998.
Processing Trauma: The Media Art of Daniel Reeves." Afterimage 26, no. 2 (1998).
"Psycho-Flux Reunion.., 1998.
ETC Memories. NY, NY: Art in General, NY and Mobius, Boston, 1997.
Memories - 25 Years of the Experimental Television Center. NY, NY: Art in General, NY and Mobius, Boston, 1997.
Transnational Documentaries: A Manifesto." Afterimage (1997).
" Bibliography: Peggy Gale., 1996.
Did the Portapak Cause Video Art? Notes on the Formation of a New Medium." Millennium Film Journal 29 (1996).
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