Biblio

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Silverfine, Debbie, and Linda Earle. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Introduction to Set in Motion., 1994.
Boyer, Jean-Pierre. L'Image Electronique. City du Havre: Studio du Musee d'art contemporain, 1974.
Kiger, Bob. "Videography What Does It All Mean?" American Cinematographer (1972).
Templeton, Lawrence W., Don Hallock, and Richard Stephens. A Video Processing Facility for Artistic Use: Design Philosophy and a Description of Components. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
Eyers, Luci. Histories of New Media Art. NY, NY: Rhizome DIgest, 2004.
Osborn, Barbara. At Arm's Length: (Taking a Good Hard Look at) Artists' Video, Edited by Barbara Osborn. NY, NY: New York State Council on the Arts, 1990.
Supanick, Jim. "Quest for What: Video by the HalfLifers." Film Comment (1999).
London, Barbara. Video from Tokyo to Fukui and Kyoto. NY, NY: The Museum of Modern Art, 1979.
Thompson, Seth. "Evolving traditions: artists working in New Media." Afterimage (2003).
Dordick, H. S.. The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Experimental Television Center, Dr. Don McArthur, and Ralph Hocking. New York State Council on the Arts Proposal: Don McArthur - Systems Approach to Video Art. 1975.., 1975.
Sonsbeek 71 Introduction and Statements by Artists. Vol. June 19 - August 15., 1971.
Chin, Daryl. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Notes on the Rise of Independent Media. New York, NY: The New York State Council on the Arts, 1994.
A PDF listing issues of Afterimage from 1972 through Vol 29 Issue 1. Rochester, NY: Visual Studies Workshop, 2002.
Minkowsky, John. Program Notes for The Moving Image State-Wide: 13 Tapes by 8 Videomakers. Buffalo, NY: Media Study/Buffalo, 1978.
Quasha, George. Dialogos: On Gary Hill's Happenstance., undated.
Furlong, Lucinda. "Tracking Video Art: Image Processing as a Genre." Art Journal (1985).
O'Grady, Gerald. Introduction to The Frontier 1979-1980. Buffalo, NY: Media Study/Buffalo, 1980.
Goldberg, Henry. Pending Legislation and Other Proposals Dealing with The Independent Television Makers. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Bode, Peer. Open Source. China Light Industries, 2001.
Experimental Television Center, Sherry Miller Hocking, and Ralph Hocking. ETC Program Summary 1975-76., 1976.
Sturken, Marita. "Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media Arts." Afterimage 14, no. 6 (1987).
Frank, Peter. "The Avant Garde Festival: And Now, Shea Stadium." Art in America 62, no. Six (1974).
Wooster, Ann-Sargent. "Why Don't They Tell Stories Like They Used To?" Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Herskowitz, Richard. The School of Experimental Viewing. From the Edison Black Maria Film and Video Festival., 1991.
Quasha, George. The Parapoetics of Video., 1982.
Fessler, Floyd. "Has TV Finally Become An Art?" California Living (1973).
Experimental Television Center, Nam June Paik, and Ralph Hocking. New York State Council on the Arts: Nam June Paik - Video Synthesizer and Beyond. Proposal from Experimental Television Center, 1971.., 1971.
Sturken, Marita. "Out of Sync: Electronic Visions at the Hudson River Museum." Afterimage (1983).
Schlanger, Matthew. Black Dog Dreams., 1999.

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