Biblio
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L'Image Electronique. City du Havre: Studio du Musee d'art contemporain, 1974.
Videography What Does It All Mean?" American Cinematographer (1972).
"A Video Processing Facility for Artistic Use: Design Philosophy and a Description of Components. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
Histories of New Media Art. NY, NY: Rhizome DIgest, 2004.
At Arm's Length: (Taking a Good Hard Look at) Artists' Video, Edited by Barbara Osborn. NY, NY: New York State Council on the Arts, 1990.
Quest for What: Video by the HalfLifers." Film Comment (1999).
"Video from Tokyo to Fukui and Kyoto. NY, NY: The Museum of Modern Art, 1979.
Evolving traditions: artists working in New Media." Afterimage (2003).
"The Emerging Technologies and the Nation's Demographics: Telecommunications Programming Opportunities. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
New York State Council on the Arts Proposal: Don McArthur - Systems Approach to Video Art. 1975.., 1975.
Sonsbeek 71 Introduction and Statements by Artists. Vol. June 19 - August 15., 1971.
Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents: Notes on the Rise of Independent Media. New York, NY: The New York State Council on the Arts, 1994.
A PDF listing issues of Afterimage from 1972 through Vol 29 Issue 1. Rochester, NY: Visual Studies Workshop, 2002.
Program Notes for The Moving Image State-Wide: 13 Tapes by 8 Videomakers. Buffalo, NY: Media Study/Buffalo, 1978.
Dialogos: On Gary Hill's Happenstance., undated.
Tracking Video Art: Image Processing as a Genre." Art Journal (1985).
"Introduction to The Frontier 1979-1980. Buffalo, NY: Media Study/Buffalo, 1980.
Pending Legislation and Other Proposals Dealing with The Independent Television Makers. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Open Source. China Light Industries, 2001.
ETC Program Summary 1975-76., 1976.
Private Money and Personal Influence: Howard Klein and the Rockefeller Foundation's Funding of the Media Arts." Afterimage 14, no. 6 (1987).
"The Avant Garde Festival: And Now, Shea Stadium." Art in America 62, no. Six (1974).
"Why Don't They Tell Stories Like They Used To?" Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
" The Parapoetics of Video., 1982.
Has TV Finally Become An Art?" California Living (1973).
" Out of Sync: Electronic Visions at the Hudson River Museum." Afterimage (1983).
"Black Dog Dreams., 1999.