Biblio

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The Film., undated.
Arn, Robert. "The Form and Sense of Video." Artscanada: The Issue of Video Art XXX, no. 4 (1973).
Tambellini, Elisa. "The Gate Theater." Artscanada (1967).
Tajchman, E. J.. "The Incredible Animation Machine." Videography 2, no. 11 (1977).
Reilly, John. The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Landnzan, Katherine. "The Kitchen." Videoscope 1, no. 2 (1977).
Sanz, Luciana. The Language of Video., undated.
Youngblood, Gene. "The New Renaissance: The Computer Revolution and the Arts." exposure: New Technology 21, no. 1 (1983).
Collins, Tricia, and Richard Milazzo. "The New Sleep: Stasis and the Image-Bound Environment." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Quasha, George. The Parapoetics of Video., 1982.
Stein, Anne-Marie. "The Passing of an Era: Boston Film/Video Foundation." MAIN, no. Spring (2004).
Hanhardt, John. "The Passion for Perceiving: Expanded Forms of Film and Video Art in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
Sturken, Marita. The Politics of Video Memory: Electronic Erasures and Inscriptions from Resolutions: Contemporary Video Practices. University of Minnesota Press, 1996.
Sherman, Tom. The Premature Birth of Video Art. Syracuse, NY: self-published, 2007.
Kearns, Mary Ann. The Role of Technology in the Art of Nam June Paik: The Social Implications of Television. unpublished thesis, 1988.
Herskowitz, Richard. The School of Experimental Viewing. From the Edison Black Maria Film and Video Festival., 1991.
The Second Emerging Expression Biennial: The Artist and the Computer. Bronx, NY: Bronx Museum, 1987.
Day, James. The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Chin, Daryl. "The Video Art of Takahiko Iimura." FILM AND VIDEO: Takahiko Iimura (1990).
Leogrande, Ernest. "The Video Stretch." Daily News (1973).
Sondheim, Alan. "Theses on the Inversion of the Cinema." Millennium Film Journal (1983).
Sorensen, Vibeke. Thoughts of a Computer Artist. http://visualmusic.org/vibeke, 1995.
Sondheim, Alan. "Throat." Art Papers (1994).
London, Barbara. "Time as Medium: Five Artists' Video Installations." Leonardo 28, no. 1 (1995).
Culler, Jeremy. Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.
Furlong, Lucinda. "Tracking Video Art: Image Processing as a Genre." Art Journal (1985).
Transcript from The International Video Art Symposium. Kingston, Ontario, Canada: Agnes Etherington Art Centre, Queens Univeristy. Fleming., 1979.
Hess, John, and Patricia Zimmermann. "Transnational Documentaries: A Manifesto." Afterimage (1997).
Chang, Chris. "Trent Harris: Beaver Trilogy." Film Comment (2000).
Mikas, Matt. Tune (In))): Radio Community in Microcosm., 2004.

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