Biblio
3,627,912 "Visual Display of Complex Color Television Sound Wave Signals" (2 copies) and EAB VideoLab Modules A through D. U.S. Patent Records, Electrical, 1971.
3-D Movies: A History and Filmography Of Stereoscopic Cinema. Jefferson, NC: McFarland & Company, 1989.
77 Videolab Input Board Sketch; Power Supply; Input Circuits-Pin Connections. Berkeley, California: Electronic Associates of Berkeley, 1977.
77 Videolab Matrix Switcher. Berkeley, California: Electronic Associates of Berkeley, 1976.
77 Videolab Module "A" Complete. Berkeley, California: Electronic Associates of Berkeley, 1976.
77 Videolab Module Wiring. Berkeley, California: Electronic Associates of Berkeley, 1978.
77 Videolab Output Keyer Fader, Effects Amp, and Options. Berkeley, California: Electronic Associates of Berkeley, 1977.
77 Videolab Voltage Controlled Colorizer, Genlock Version. Berkeley, California: Electronic Associates of Berkeley, 1976.
77 Videolab Wiring Diagram for "A" Module. Berkeley, California: Electronic Associates of Berkeley, 1977.
A Better Mousetrap: The CAESAR. Filmmakers Newsletter, 1975.
A Better Mousetrap: The CAESAR. Filmmakers Newsletter, 1975.
A Closer Look: Hidden Histories - Introduction. San Francisco, CA: NAMAC, 2005.
A Closer Look: Hidden Histories - Radical Learning, Radical Perception The History of the Experimental Television Center. San Francisco, CA: NAMAC, 2005.
A Closer Look: Hidden Histories - Radical Learning, Radical Perception The History of the Experimental Television Center. San Francisco, CA: NAMAC, 2005.
A Critique of Film Theory. NY: E. P. Dutton, 1980.
A Video Processing Facility for Artistic Use: Design Philosophy and a Description of Components. San Francisco, CA: National Center for Experiments in Television at KQED, 1972.
About Television Reality and Performance. San Francisco, CA: National Center for Experiments in Television at KQED, undated.
An Alliance for the Media Arts in America: A Report on the formation of the National Alliance of Media Arts Centers and its Founding Conference in Boulder, Colorado, May 29-31, 1980. Boulder, CO: Rocky Mountain Film Center, 1980.
An introduction to Optical Art, Edited by David Herbert. England: Studio Vista Limited/ Dutton, 1971.
Attention! Production! Audience!: Performing Video in its First Decade, 1968-1980.. Chicago: Video Data Bank, 1995.
Bell and Howell- How to Use Your Filmosound 8 Super Eight Movie Camera Model 442. Chicago, Illinois: Bell and Howell, undated.
Beyond Photography: The Digital Darkroom. Englewood Cliffs, NJ: Prentice Hall, 1988.
Bibliography. Appendix to the Experimental Television Center Equipment Operating Manuals. Binghamton, NY: Experimental Television Center, 1983.
Black and white images from the Videola and its creator Don Hallock. Photography by Penny d'Hammer.., 1973.
Black Filmmakers, Black Audiences, and Public Television Programming: An Examination of Issues and Options for the Future. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Catalog of Plating Equipment with Advanced Engineering for Electronics, Space, Missile, and the General Plating Industries. Los Angeles, CA: HBS Equipment Division, undated.
Cinema and Language. American Film Institute Monograph Series, vol. 1., Edited by Stephen Heath. Frederic, MD: University Publications of America, 1983.
Cinema and Language. American Film Institute Monograph Series, vol. 1., Edited by Stephen Heath. Frederic, MD: University Publications of America, 1983.
Community Media: People, Places, and Communication Technologies. Cambridge University Press, 2005.
Construction of a Raster Manipulation Unit - Revision by Jason Bernagozzi at Signal Culture, 2016. Owego, New York: Experimental Teleision Center and Signal Culture, 2016.