Biblio
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The Analysis of Communications Content, Edited by George Gerbner. NY: John Wiley, 1969.
Jones Colorizer Early Schematics. Owego, NY: Experimental Television Center, 1975.
Interaction: Artistic Practice in the Network, Edited by Amy Scholder. Distributed Art Publishers, 2001.
Shigeko Kubota: Video Sculpture, Edited by Zdenek Felix. Berlin: Museum Folkwang Essen, 1981.
DATAMAX UV-1 Zgrass GLOSSARY & Zgrass LESSONS.. Chicago, IL: Real Time Design, Inc., 1981.
Les videos de Thierry Kuntzel." Parachute, no. 38 (1985).
"Wegman's World. Minneapolis: Walker Art Center., 1982.
Masterpieces of Moving Image Technology. NY, NY: American Museum of the Moving Image, 1989.
Singer-General Precision, Inc. Singer Simulation Products. Precision 1000-B High Resolution Television Camera with Precision 1000-C Addendum: Operation and Service Instruction Manual.. USA: Singer-General Precision, Inc., 1972.
An Interview with Vito Acconci: Video Works 1970-78." Afterimage 12, no. 4 (1984).
"The Movement Within: Images Created on a Video Synthesizer." Afterimage 4, no. 12 (1979).
"Keeping Faith: Indian Film and its World." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 125-140.
"News Media Libraries: A Management Handbook, Edited by Barbara Semonche. Westport, CT: Greenwood Press, 1993.
Fernseh GMBH Vidicon Portable TV Broadcast System (2 copies). Darmstadt , Germany: Fernseh GMBH, 1965.
A Computer with Hands, Eyes and Ears." Fall Joint Computer Conference. (1968): 329-338.
"About Looking.. NY: Pantheon, 1980.
The Video Colorizer - 3,627,912 "Visual Display of Complex Color Television Sound Wave Signals" (2 copies). Berkeley, California: The Electronic Co-Op/ Electronic Associates of Berkeley, 1971.
Sudden Low-Tech Non Fiction." The Squealer 15, no. 1 (2004): 13.
"It's The Thought That Counts: Video As Attitude." Afterimage 11, no. 3 (1983).
"SONY Service Manual Series CV-2100/2200 Videocorder Decks. Tokyo, Japan: SONY Corporation, 1968.
Breaking The Box: The Electronic Operas of Robert Ashley and Woody Vasulka." Artforum 23, no. 7 (1985).
"Video As Attitude. Santa Fe: University Art Museum, University of New Mexico, Albuquerque and Museum of Fine Arts, 1983.
Visionary Film. NY: Oxford University Press, 1974.
Videotape Replaces Canvas for Artists Who Use TV Technology in New Way." New York Times (1975).
"Moholy-Nagy: Experiment in Totality. Cambridge, MA: MIT Press. Massachusetts Institute of Technology, 1950.
The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and The Frankfurt Institute.. NY: Free Press, 1979.
San Francisco Video Festival." Videography 7, no. 5 (1982).
"Sony Corporation of America. Communications Products Company Microcomputer Products. End-User Price List Software.. Park Ridge, NJ: Sony Corporation of America., 1983.