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bibliographic
Schramm, Wilbur. Mass Communications, Edited by Wilbur Schramm. Urbana, IL: University of Illinois Press, 1949.
1985 National Video Festival. American Film Institute, 1985.
Emmer, Michele. The Visual Mind: Art and Mathematics, Edited by Michele Emmer. Vol. 1993. Cambridge, MA: The MIT Press, undated.
Inga-Pin, Luciano, and F. T. Marinetti. Performances: A Cura di Luciano Inga-Pin, Happenings Actions, Events, Activities Installations.. Italy: Mastrogiacomo Editore Images 70 Padova, 1978.
Sony CV-2600 Videocorder Service Manual., 1969.
Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. London, England: Oxford University Press, 1960.
The Singer Co. GPL TV Systems Education & Training Products Group. GPL's New Color Video Tape Recorder: VR-400.. Pleasantville, NY: Singer-General Precision, Inc., 1969.
Ancona, Victor. "Bill Viola: Video Visions From the Inner Self, Part II." Videography 8, no. 1 (1983).
Concord Video Tape Recording System; Monitor Viewfinder Television Camera Model TCM-20. Los Angeles, CA: Concord Electronics Corp., undated.
Vasulka, Woody, Takashi Kaneko, and Aline Brandauer. The Brotherhood: Woody Vasulka. Tokyo, Japan: NTT InterCommunication Center, 1998.
Eco, Umberto. "Innovation and Repetition: Between Modern and Post-Modern Aesthetics." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 161-184.
Sequential Max Keyboard; Multi-Trak Keyboard Sales Sheets.. San Jose, CA: Sequential, undated.
Ampex 350 Series Single Track Recorder/Reproducer Operation and Maintenance Manual. Redwood City, CA: Ampex Corporation, 1958.
Etra, Bill. Woody Vasulka Interviews Bill Etra., 1978.
McCarthy, Kevin, Elizabeth H. Ondaatje, and Laura Zakaras Arthur and Brooks. Gifts of the Muse: Reframing the Debate About the Benefits of the Arts. RAND, 2004.
the equivalent): of from Chicago,(or Group Video Artists 2N. 4123 A.. Interstate Interface., undated.
Downing, John. Political Video in the United States: A Statement for the 1990s. In At Arm's Length (Osborn) which see.., 1990.
The MERC Directory: A Listing of Independently Produced Film and Video Work Available for Distribution. NY, NY: Publishing Center for Cultural Resources, 1977.
Lord, Chip. "Abscam: Video in Crime and Justice." Video 81 2, no. 1 (1981).
SONY Owner's Instruction Manual ? Videocorder CV-2200A. Tokyo , Japan: SONY Corporation, 1969.
Gentle Electric. The Gentle Electric Model 101 Pitch and Envelope Follower. Finally, a reliable and versatile instrument-to-synthesizer interface for the professional musician.. Delta, CO: Gentle Electric., 1983.
New York State Council on the Arts Annual Report 1980-81. Reports by Film and Media Programs.. New York, New York: New York State Council on the Arts, 1981.
Sitney, Adams P.. The Essential Cinema. Anthology Film Archives, series 2, vol. 1.. NY: New York University Press, 1975.
Feist, Rick. "What the Manual Didn't Tell You: Film/Tape Image Conversion." The Independent 15, no. 1 (1992).
Monaco, James. How to Read a Film: The Art, Technology, Language, History, and Theory of Film and Media. New York, NY: Oxford University Press, 1977.
Beck, Stephen. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Stephen Beck: Direct Video Synthesizer (Analog), 1970, Beck Video Weaver (Digital), 1974., Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Sony Corporation of America. Sony VideoImage Composer SMC-70G System. Welcome to the Exciting New World of Sony's Video Image Composer.. Japan: Sony Corporation of America., undated.
Hayman, Randy. "Archiving Videotape." Audio Visual Communications (1991).
"various." Art in America 70, no. 9 (1982): 1-176.
Sony Videorecorder EV Series Price Schedule (1 inch Tape Width) (2 copies)., 1972.

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