Biblio
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Memory and Hope (1996-2006)." The Squealer 11, no. 2 (1996).
"Kjell Bjorgeengen: Video Road. Oslo: Porin taidemuseo, 1990.
Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.
From Gadget Video to Agit Video in Art Journal: Video - The Reflexive Medium." Art Journal: Video - The Reflexive Medium Fall, no. 1985 (1985).
"Processing Trauma: The Media Art of Daniel Reeves." Afterimage 26, no. 2 (1998).
"A Conversation on Electronics and Black TV with Aldo Tambellini." Artscanada (1968).
"Artist's Video I: Video in the Boroughs. NY: Locus Communications and BACA, 1983.
A Public Trust. A Summary and Overview of the Findings and Recommendations of the Carnegie Commission on the Future of Public Broadcasting. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The Evolution of Thinking Machines." The Squealer (2004).
"Kjell Bjorgeengen - True Blanking. Aachen: Ludwig Forum for Internationale Kunst,, 1998.
Video." Perforations 2 (1991).
"G.R.I.D.. Elmira, NY: The Arnot Museum, 1986.
Owego TV Pioneer Getting Arts Award." Press & Sun Bulletin (1989).
"A Closer Look: Hidden Histories - Radical Learning, Radical Perception The History of the Experimental Television Center. San Francisco, CA: NAMAC, 2005.
Gerald O'Grady: The Perspective from Buffalo." Videoscope 1, no. 2 (1977).
"Motion: An Exhibition of Essentialist Film and Video. - Artist Statement. Utica, NY: Munson-Williams-Proctor Arts Institute, 1999.
Time as Medium: Five Artists' Video Installations." Leonardo 28, no. 1 (1995).
"Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Don Mc Arthur - Spatial and Intensity Digitizer. Linz, Austria: Ars Electronica, 1992.
New York State Council on the Arts Video Conference at the Whitney Museum. NY, NY: New York State Council on the Arts, 1975.
Feminist Video: Reiterating the Difference." Afterimage 12, no. 9 (1985).
"Work from the Experimental Television Center. Syracuse, NY: Everson Museum of Art, 1972.
Artisanal Prefigurations of the Digital: Animating Realities, Collage Effects, and Theories of Image Manipulation." Wide Angle 21, no. 1 (1999).
"The Passing of an Era: Boston Film/Video Foundation." MAIN, no. Spring (2004).
"New York Media Group Spins Its Reels in Rochester." Afterimage (1983).
" Art Statement., undated.