Biblio
For a Critique of the Political Economy of the Sign. St. Louis: Telos Press, 1981.
For Marx. Translated by Ben Brewster.. Vintage Books, 1970.
FOR.A Operation and Service Manual for Digital Time Base Corrector FA-210. Tokyo, Japan: FOR.A Company Ltd., undated.
FOR.A Operation and Service Manual for Dual Channel Digital Time Base Corrector FA-700. Tokyo, Japan: FOR.A Company Ltd., undated.
Fostex DCM100 MIXTAB Midi Mixer/Mixer Tablet Owner's Manual (2 copies). Tokyo, Japan: Fostex, 1991.
Four Arguments for the Elimination of Television. NY: William Morrow and Company, 1978.
Frame Analysis. Cambridge: Harvard University Press, 1974.
From Celluloid to Cyberspace: The Media Arts and the Changing Arts World. Rand Corporation, 2002.
From Technological to Virtual Art. MIT Press, 2007.
From the Academy to the Avant Garde. Rochester, NY: Visual Studies Workshop, 1981.
Front Panel Diagram for Rutt/Etra Video Synthesizer. unknown, undated.
Future Cinema : The Cinematic Imaginary After Film (Electronic Culture: History, Theory, and Practice), Edited by Jeffrey Shaw and Peter Weibel. MIT Press, 2003.
Feature Presentation: Black Box Video Shorts (+). Ewing, NJ: The College of New Jersey, 2000.
Featuring Five Faculty: Peer Bode, MM Lum, Mario Prisco, Joseph Scheer, Jessie Shefrin. Alfred, NY: Fosdick-Nelson Gallery, Alfred University, 1993.
Festival of Alternatives in the Arts. Binghamton, NY: SUNY Binghamton, 1982.
Film and Video: Takahiko Iimura. New York, NY: Anthology Film Archives, 1990.
Film Program. NY: American Federation of Arts, 1984.
Films That Tell Time: A Ken Jacobs Retrospective. Astoria, NY: American Museum of the Moving Image, 1989.
First World Order.. Tempe, AZ: Office of the Dean, College of Fine Arts at Arizona State University., 1995.
Footprints: Media Art by Philip Mallory Jones. Hamilton, NY: Colgate University, 2003.
Foreign Correspondence: The International Super 8 Phenomenon., Edited by Elyse Topalian. Somerville, MA: The International Center for 8mm Film and Video, Inc., 1986.
Frank Gillette: Video: Process and Meta-Process, Edited by Judson Rosebush. Syracuse, NY: Everson Museum, 1973.
French Video Art. Paris: Center for Media Art , The American Center, undated.
From to , Takahiko Iimura. Rome, Italy: The Japan Foundation, 1997.
From Receiver to Remote Control: The TV Set, Edited by Matthew Geller. New York, NY: The New Museum of Contemporary Art, 1990.
From the Academy to the Avant Garde - Introduction. Rochester, NY: Visual Studies Workshop, 1981.
From the Academy to the Avant Garde - The Family Jewels. Rochester, NY: Visual Studies Workshop, 1981.
Facilities for Cleaning, Restoring, and Remastering Videotape." The Independent (1991).
"FAST." The Leonardo Almanac: International Resource in Art, Science and Technology (1993).
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