Biblio

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P
Lovejoy, Margaret. Post Modern Currents: Art and Artists in the Age of Electronic Media. Ann Arbor: University of Michigan, 1985.
High, Kathy. "Post Literate." Felix: A Journal of Media Arts and Communication 1, no. 3 (1993).
Zusman, Neil. Post Currents: A Gallery of Electronic Arts. Buffalo, NY: University of Buffalo, 1988.
Reidy, Robin. "Pop Pop Video." American Film (1980).
Gever, Martha. "Pomp and Circumstances: The Coronation of Nam June Paik." Afterimage 10, no. 3 (1982).
Downing, John. Political Video in the United States: A Statement for the 1990s. In At Arm's Length (Osborn) which see.., 1990.
Bernstein, Charles. Poetics: State of the Art., undated.
Fifer, Sally Jo, and Debbie Hess Norris Paige Ramey Karen Weiner and Tamara Gould, Luke Hones. Playback: A Preservation Primer for Video, Edited by Sally Jo Fifer. San Francisco, CA: BAVC, 1998.
Playback 1996: Video Preservation Roundtable. BAVC, 1996.
Dunn, David. Pioneers of Electronic Art, Edited by David Dunn. Linz, Austria: Ars Electronica, 1992.
Ross, Mary. Pioneers of Digital Photography. Allentown, PA: Open Space Gallery, 1998.
"Picture of Video Bed." Arts Magazine 47 (1973).
Weibel, Peter. "Pictorialer Raum in der elektronishen Kunst." Ars electronica (Supplement) (1986).
D'Agostino, Peter, and Lew Thomas. Photography: The Problematic Model, Edited by Peter D'Agostino. San Francisco: NFS Press, 1981.
Lyotard, Jean-Fransois. "Philosophy and Painting in the Age of their Experimentation: Contributions to an Idea of Postmodernity." Camera Obscura 12 (1984).
Meigh-Andrews, Chris. "Peter Donebauer, Richard Monkhouse and the Development of the EMS Spectron and the Videokalos Image Processor." Leonardo 40, no. 5 (2007): 463-467.
Moore, Alan. "Peter Campus, Andy Mann, Ira Schneider, Tom Marioni at the Everson Museum of Art." Artforum, no. 12 (1974).
Ross, David A.. Peter Campus. Syracuse, NY: Everson Museum of Art,, 1974.
Kurtz, Bruce. "Peter Campus." Arts Magazine (1973).
Peter Campus. Syracuse: Everson Museum of Art., undated.
Gordon, George N.. Persuasion: The Theory and Practice of Manipulative Communications. NY: Hastings House, 1971.
Haller, Robert. "Perspectives on Preserving Independently Produced Videotapes." Video Texts: 1983 (1983).
Haller, Robert A.. "Perspectives on Preserving Independently Produced Videotapes." Video Texts: 1983 (1983).
"Personalizing the Commercial (Part Two)." Center Quarterly: A Journal of Photography and Related Arts 10, no. 3 (1989): 1-31.
Edgar, Robert. Personal Recollections., 2004.
Persci, Inc.. Persci Installation and Maintenance Manual for Dual Diskette Drive Model 277. West Los Angeles, CA: Persci, Inc., 1977.
Depocas, Alain. Permanence Through Change: The Variable Media Approach, Edited by Alain Depocas, Jon Ippolito and Caitlin Jones. NY and Montreal: Solomon Guggenheim Foundation and the Daniel Langlois Foundation for Art, Science and Technology, 2003.
Dasgupta, Gautam, and Christopher Ho. Performing Arts Journal 56: Artaud at 100, Fassbinder Play, La MaMa in Vietnam, Janie Geiser Storyboard, New Video., Edited by Bonnie Marranca, Gautam Dasgupta and Daryl Chin. Baltimore, Maryland: The Johns Hopkins University Press, 1997.
Inga-Pin, Luciano, and F. T. Marinetti. Performances: A Cura di Luciano Inga-Pin, Happenings Actions, Events, Activities Installations.. Italy: Mastrogiacomo Editore Images 70 Padova, 1978.
Performance by Nam June Paik and Charlotte Moorman at The Kitchen. June 29, 1972.., 1972.

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