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bibliographic
Lenco PBB-321B Black Burst Generator Instruction Manual; PSD-340B System Delay Module; PCB-320 Color Bar Generator; PVA-350 Video Distribution Amplifier; PSG-310 Sync Generator; PFM-300B and PPS-302 Frame and Power Supply. Jackson, Missouri: Lenco Inc. Electronics Division, undated.
Sony Corporation of America. Sony. BVU-500A Operator's Guide.. USA: Sony Corporation of America., 1978.
Forest, Fred. New Technologies Sensible Art for an Aesthetics of Communication, Edited by Elke Panten. Bornel, France, 1985.
MPCS Sales Literature. NY, NY: MPCS Communications Industries, Inc., undated.
Strange, Allen, and Gordon Mumma. Electronic Music: systems, techniques, and controls, Second Edition.. Dubuque, Iowa: Wm. C. Brown Company Publishers, 1972.
New York State Council on the Arts Proposal: Further Development of the Paik/Abe Video Synthesizer., 1975.
Metz, Christian. "The Fiction Film and Its Spectator: A Metapsychological Study." New Literary History 8, no. 1 (1976).
Sony Corporation of America. Sony SLO-260 Betamax Videocassette Recorder.. New York, NY: Sony Corporation of America., 1977.
Halleck, DeeDee. "Public Radio and Television in America: A Political History." Afterimage (1998).
Panasonic VHS Editing System NV-8500 Editing Recorder, NV-A500 Editing Controller, NV-A505 Remote Search Controller, NV-J500 Multi-Source Switcher., undated.
Videospace: The National Center for Experiments in Television, 1967-1975. An exhibition in collaboration with UC Berkeley Art Museum and Pacific Film Archive. September 14 - November 15, 2000. Postcard.., 2000.
Goss, Carol. "Evolution is Relentless." The Squealer 15, no. 1 (2004): 12.
Ampex Model VPR5800 Video Production Recorder Operation Manual. Elk Grove Village, Illinois: Ampex Corporation, 1970.
Packard Bell 920 TV Camera. Los Angeles, CA: Packard Bell, 1964.
Buvoli, Luca. Not-a-Superhero, I presume. Temporanea, 1997.
The Cat Fund: The Contemporary Art Television Fund. Boston, MA: The Cat Fund, 1988.
Hoy, Anne. The Thinking Eye: Juan Downey. NY, NY: International Center for Photography, 1987.
Ross, David. "Video at the Museum." Art Rite, no. 7 (1974).
A Space. German Video and Performance. Toronto: A Space, 1980.
Wyver, John. Coming to Terms with the Frightful Parent: Video Art and Television. In At Arm's Length: (Taking a Good Hard Look at) Artists' Video (Osborn) which see.. NY, NY, 1990.
Bode, Peer. Experimental Television / Educational Television / New Media An Introduction to the DVD 'Ralph I. Hocking - Work 1969 to 1986'. Alfred, NY: Ralph Hocking and the Institute for Electronic Arts, 2005.
Herzogenrath, Wulf. Notes on Video as an Artistic Medium in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
Radio Corporation of America (RCA). RCA Victor. CTC 9: Preliminary Schematic for Service Technicians Only.. USA.: Radio Corporation of America (RCA)., undated.
D'Agostino, Peter, and Lew Thomas. Photography: The Problematic Model, Edited by Peter D'Agostino. San Francisco: NFS Press, 1981.
Weibel, Peter. "Das orbitale Zeitalter." Noema 3, no. 40732 (1986).
Korot, Beryl, and Megan Williams. "various articles." Radical Software: Realistic Hope Foundation 1, no. 5 (undated).
Singer-General Precision, Inc. Link Division. Service Manual: Singer Video Camera Model UC-2Z.. USA: Singer-General Precision, Inc., 1972.
The Incredible Electric Animation Machines Production Newsletter poster. Computer Image Productions, 1970.
Vasulka, Woody, and Scott Nygren. "Didactic Video: Organizational Models of the Electronic Image." Afterimage 3, no. 4 (1975).
Smith, Anthony. "The Influence of Television." Daedalus: Journal of the American Academy of Arts and Sciences ヨ The Moving Image 114, no. 4 (1985): 1-16.

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