Biblio
The Social Production of Art. NY: New York University Press, 1984.
The Society of Mind. "270 brilliantly original essays on... how the mind works.". New York, NY: Simon & Schuster, Inc., 1985.
The Spaghetti City Video Manual: A Guide to Use, Repair and Maintenance. New York: Praeger, 1973.
The Sponsor: Notes on a Modern Potentate. NY: Oxford Press, 1978.
The Structure of Art. NY: Braziller, 1970.
The Sustainability of Video Art: Preservation of Dutch Video Art Collections, Edited by Gaby Wijers, Evert Rodrigo and Ramon Coelho. Amsterdam, Netherlands: Foundation for the Conservation of Modern Art, 2003.
The Tarbell Floppy Disk Interface. Carson, CA: Tarbell Electronics, 1978.
The Technique of Kinetic Art. London, England: B T Batsford Limited, 1971.
The Technological Imagination: Theories and Fictions. Madison, Wis.: , 1980., Edited by Teresa de Lauretis. Madison, WI: CODA Press, 1980.
The Television Establishment, the Independent Producer and the Search for Diversity. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
The UnNecessary Image, Edited by Peter D'Agostino. NY: MIT/Tanam Press,, 1982.
The Vasulka Imaging System, LSI-11. Buffalo, NY: The Vasulka Corporation, 1978.
The Video Colorizer - 3,627,912 "Visual Display of Complex Color Television Sound Wave Signals" (2 copies). Berkeley, California: The Electronic Co-Op/ Electronic Associates of Berkeley, 1971.
The Video Guide. Third Edition.. Santa Fe, NM: Video Info Publications, 1982.
The Video Primer: Equipment, Production and Concepts. New York, NY: Links Books, 1974.
The Video Primer: Equipment, Production and Concepts. NY: Links Books, 1974.
The Videola Under Construction in the Studio., undated.
The Visual Arts and the Law: Revised Edition: Arts Law Study 1.. New York, NY: Praeger, 1974.
The Visual Mind: Art and Mathematics, Edited by Michele Emmer. Vol. 1993. Cambridge, MA: The MIT Press, undated.
The VJ Book: Inspirations and Practical Advice for Live Visuals Performance.. Los Angeles, CA: Feral House, 2005.
The Whole World Is Watching: Mass Media in the Making and the Unmaking of the New Left. Berkeley: University of California Press, 1980.
The Withering Away of the State of the Art in The New Television: A Public/Private Art. Cambridge: MIT Press, 1977.
The World Viewed. Cambridge: Harvard University Press, 1979.
Theory of Film Practice. Translated by Helen R. Lane. NY: Praeger, 1973.
Theory of Film: The Redemption of Physical Reality. London, England: Oxford University Press, 1960.
Theory of the Avant-Garde. Translated by Michael Shaw. Theory and History of Literature, vol. 4.. Minneapolis: University of Minnesota Press,, 1984.
Theory of the Avant/Garde. Minneapolis: University of Minnesota Press, 1984.
Thinking Photography, Edited by Victor Burgin. London: Macmillan, 1982.
Toward a Noncommercial Technology: The Development of Image-Processed Video in the 1960s and 1970s. FL: self-published, 2004.