Biblio
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System I, Keyers and Voltage Controlled Amplifiers (VCA's). Binghamton, NY: Experimental Television Center, 1978.
Tekscope: Volume 11, Number 1. Tektronix., Edited by Gordon Allison.. Beavertown, OR: Tektronix., 1979.
Sponsors Sell Networks Develop., 1972.
"various." Occasional Papers, no. 2 (1989).
dbx model 3BX 3 Band Dynamic Range Enhancer Instruction Manual. Newton, MA: dbx Inc., undated.
Steina and Woody Vasulka Videastes 1969-1984: 15 Annees d'Images electroniques. In French., Edited by Dominique Willoughby. Paris: MBXA/Cinedoc, 1984.
Tandy Corporation. Radio Shack. Diagnostics: TRS-80 Color Computer. Cat. No. 26-3019.. Fort Worth, TX: Tandy Corporation., 1980.
Creative Artists Public Service Program (CAPS). Annual Report 1975-76.. New York, New York: Creative Artists Public Service Program, 1976.
Will There Be Condominiums in Data Space?" Video 80, no. 5 (1982).
"Television: Art & Information, Values and practices in public broadcasting.. San Francisco, CA: National Center for Experiments in Television at KQED, 1973.
Shibaden. Video Tape Recorder with Electronic Editor, SV-700UD.. Japan: Shiba Electric Co., LTD., undated.
Jahreskatalog 1998. Jahreskatalog 1998, 1998.
Sanyo Electric Inc. Sanyo DCR 150. Operating Instructions. AM/FM Stereo Receiver.. Compton, CA, Japan: Sanyo Electric Inc., undated.
A Context for First-Generation PC Art Times and Aesthetics in the Early Days of the Personal Computer: 1970s - 1980s.. http://www.robertedgar.com/Articles/RBE_LEA_Context4FirstGenPCArtists.htm, undated.
Pantomation., 1975.
Artists' Tapes at Home: Reality or Delusion? Part II." Videography 7, no. 1 (1982).
"A Critical Cinema 2: Interviews with Independent Filmmakers. University of California Press, 1992.
Visions of U.S.: Best of the 1st Annual Home Video Competition. American Film Institute, 1984.
Leviathan - Effects of Televisio., undated.
Sony Corporation of America. Sony. Videocassette Recorder BVU-200A. U-Matic Professional Operation and Maintenance Manual: 1st Edition (Revised 2). Serial No. 20001 and Higher.. Japan: Sony Corporation of America., 1979.
Recodings: Art, Spectacle, Cultural Politics. Seattle: Bay Press, 1985.
Pressure Point - conference on narrative, media, and technology." Afterimage (1999).
""Black Face." The Quarterly Journal of the Black Filmmaker Foundation 1, no. 1 (1989).
Techno-Intuitive Video Exploration at CalArts." Videography 10, no. 10 (1985).
"Reel Work: Artists' Film and Video of the 1970s. Miami, FL: Museum of Contemporary Art, 1996.
Mapping Space, Sculpting Time: Mary Lucier and the Double Landscape." Afterimage 25, no. 2 (1997): 6-10.
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