Biblio

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Salloum, Jayce. Migration and Location: Transcultural Documentary Practice. the video installation as an active archive., 2005.
Experimental Television Center, Ralph Hocking, and Sherry Miller Hocking. New York State Council on the Arts: Report on Experimental Television Center programs and activities for 1972-73.., 1973.
Darke, Chris. "Chris Petit and Iain Sinclair Asylum." Film Comment (2000).
London, Barbara. Bill Viola: Installations and Videotapes The Poetics of Light and Time, Edited by Barbara London. NY, NY: The Museum of Modern Art, 1987.
Design / Electronic Arts Poster. Buffalo, NY: Media Study Buffalo, 1977.
Pincus-Witten, Robert. "Open Circuits: The Future of Television." Artforum, no. 12 (1974).
Tennant, Carolyn. Video Rewind: A Seminar on Early Video History with Deirdre Boyle, Barbara London, Paul Ryan and Perry Teasdale., Edited by Carolyn Tennant. ETC, 1998.
Burris, Jon. "Did the Portapak Cause Video Art? Notes on the Formation of a New Medium." Millennium Film Journal 29 (1996).
Sundell, Nina. CAPS/ICI 1981 Travelling Video Festival. NY, NY: ICI, 1981.
Friis-Hansen, Dana. Video-Music: New Correlations. NY: Whitney Museum of American Art, Downtown Branch, 1982.
Furlong, Lucinda. Set in Motion: The New York State Council on the Arts Celebrates 30 Years of Independents - Film and Video Works Funded, Edited by Lucinda Furlong. New York, NY: The New York State Council on the Arts, 1994.
Vasulka, Woody. Aldo Tambellini: Black Spiral., 1992.
Experimental Television Center, Ralph Hocking, and Sherry Miller Hocking. New York State Council on the Arts Proposal: Video Processing Workshop. 1979., 1979.
Furlong, Lucinda. "Television/Society/Art symposium, The Kitchen." Afterimage (1981).
Schlanger, Matthew. ETC Memories. NY, NY: Art in General, NY and Mobius, Boston, 1997.
Ancona, Victor. "Visual Music." Videography 8, no. 12 (1983).
Meredith, Suzanne. "Hidden Treasure - 3 Flights Up." Press & Sun Belletin (2005).
Halleck, DeeDee. Mind Power. Presented at the Conference Television Makers and Public Communications Policy. New York, New York: Rockefeller Foundation Arts Program, 1979.
Yalkut, Jud. Electronic Zen: The Alternate Video Generation., 1984.
Hess, John, and Patricia Zimmermann. "Transnational Documentaries: A Manifesto." Afterimage (1997).
Otto, Susan. "Changing channels: media arts in the '90s." Afterimage (1994).
Osborn, Barbara. At Arm's Length: (Taking a Good Hard Look at) Artists' Video. NY, NY: New York State Council on the Arts, 1990.
Experimental Television Center, Dr. Donald McArthur, Walter Wright, Richard Brewster, and Sherry Miller Hocking. LSI-11 Computer Interface to Video Synthesis System: Final Report to NEA: Hardware and Software Research Results for project. 1977., 1977.
Brown, George, and David Dunn. "Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: George Brown, Video Sequencer (a.k.a. Field Flip/Flop Switcher, with digital control), 1972, Multikeyer (Analog with digital control), 1973. Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art, .", 1992.
Sondheim, Alan. Noise Culture: Thing I. manuscript, 1988.
Cahn, Joel. "Seeing Things: The Work of Ralph Hocking." Print XXVI, no. II (1972).
Reilly, John. The Independents, Media Arts Centers and Public Television. Presented at the Conference Television Makers and Public Communications Policy. NY, NY: Rockefeller Foundation, 1979.
Bode, Peer. Some Thoughts on Learning by Reading the Tools: Embodying the Time Image., 2003.
Simmons, Richard. Everson Video Revue Introduction. Syracuse, NY: Everson Museum of Art, 1979.
Goss, Carol. Driven to Abstraction., 1998.

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