Biblio
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(How I Made) My Own Private Spy Camera." The Squealer 15, no. 1 (2004): 11.
"FreeCooperation, Edited by Geert Lovink and Trebor Scholz. Buffalo, NY: Department of Media Study, SUNY at Buffalo, 2004.
A Decade of Building an Alternative Movement." The Independent 6, no. 7 (1983).
"A Selected Chronology of Computer Art: Exhibitions, Publications, and Technology." Art Journal 49, no. 3 (1990).
"A Statement on Video., 1979.
Abstract Painting 1960-1969: Video Art in the Sixties. Long Island City, NY: Institute for Art and Urban Resources, 1982.
Aesthetics and Politics. London. London: New Left Books, 1977.
AFI Video Festival IV." Videography 10, no. 6 (1985).
"An Alliance for the Media Arts in America: A Report on the formation of the National Alliance of Media Arts Centers and its Founding Conference in Boulder, Colorado, May 29-31, 1980. Boulder, CO: Rocky Mountain Film Center, 1980.
An interview with Martha Rosler." Afterimage 9, no. 3 (1981).
"An Interview with Vito Acconci: Video Works 1970-78." Afterimage 12, no. 4 (1984).
"An Introduction to the Serge Modular Music System. Serge, undated.
Aransas: Axis of Observation. Houston: Points of View, 1978.
Artists' Video: The First Ten Years (1965-1975). Ann Arbor, NY, 1977.
At the crossroad: Paik's electronic superhighway - Nam June Paik's "The Electronic Super Highway: Travels with Nam June Paik"." Afterimage, no. Summer (1996).
"Before and After the I-Bomb, Edited by Peggy Gale. Alberta, Canada: Banff Centre Press, 2002.
Between Paradigms: The Mood and Its Purpose. NY: Gordon and Breach, 1973.
Bibliography: Peggy Gale., 1996.
Computers and Art: Issues of Content." Art Journal 49, no. 3 (1990).
"Conversation with Julie Gustafson and John Reilly." Videography 7, no. 5 (1982).
"Culture, Society and the Media, Edited by Michael Gurevitch. NY: Methuen, 1982.
Culture, Society and the Media, Edited by Michael Gurevitch. NY: Methuen, 1982.
Digi-Presenter Manual. New York, New York: New York State Council on the Arts, 2005.
Digital Visions: Computers and Art. NY: Harry N Abrams, 1987.
Digital Visions: Computers and the Arts. New York, NY: Harry N. Abrams, Inc., 1987.
Dissonant Landscapes: A collection of Videotapes. self-published, undated.
Driven to Abstraction., 1998.
Du Mont's Handbuch der Video Praxis. Koln: DuMont Buchverlag, 1982.